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French horn in Bohemia after 1945
Petrusová, Vilma ; DIVOKÝ, Zdeněk (advisor) ; BABORÁK, Radek (referee)
The bachelors work named ?French horn in Bohemia after 1945" is based on the most important information concerning French horn in the period od 1945 - 2012. The work is divided into four chapters. First chapter refers about the personality of Zdeněk Tylšar, the genius who brought highly visible merit into the world of French-horn-players. Second chapter is focused to AMU Prague and JAMU Brno, significant educators and important students - graduates. The third chapter describes Czech Philharmonic Orchestra and the history of members of its horn section since 1945. The fourth chapter summarises the overview of horn international courses in the Czech Republic - "Hornclass". Attached information - the student memories of schoolteachers František Šolc and Zdeněk Tylšar, personal dialogue with Radek Baborák and Bedřich Tylšar.
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J. Haydn - Works for French Horn
Dekoj, Viktor ; DIVOKÝ, Zdeněk (advisor) ; BABORÁK, Radek (referee)
This thesis focuses on musical pieces writen by J. Haydn which feature horn as a solo or prominent instrument. That includes solo concerts, double concerto, chamber and orchestral music.
Authors biography focuses on orchestras which he worked with and on abilities of players which he wrote his music for.
The work lists solo pieces, chamber pieces and orchestral pieces that feature the horn.
This thesis concludes with analysis of horn concerto Hob. VIId:3.
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Horn Class of the P. J. Vejvanovský Conservatory in Kroměříž
Mlčák, Daniel ; DIVOKÝ, Zdeněk (advisor) ; BABORÁK, Radek (referee)
The topic of this Bachelor´s thesis is the ´´Horn Class of the P. J. Vejvanovský Conservatory in Kroměříž´´. The thesis is divided into three chapters with subchapters. The first chapter discusses the City of Kroměříž. In the second chapter, the P. J. Vejvanovský Conservatory in Kroměříž is introduced. The third chapter is dedicated to a discussion of graduates and teachers and students of the Conservatory. The third chapter and its subchapters make up the major part of this Bachelor´s thesis. Included as an attachment to this thesis is a CD containing a photographic record of graduates and teachers.
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Present Central band of the Czech army and its activities in 2005-2010
Přibík, Jiří ; Malimánek, Karel (advisor) ; Divoký, Zdeněk (referee) ; Sušický, Jiří (referee)
The work is about activies of Central band of the Czech army in 2005-2010 and about reforms military music service. The reforms of military music service realized in the recent 20years and abolishment of most of military bands can be considered an almost complete extinction of Czech and Slovak military music culture and tradition of brass music, which have been formed for centuries by our outstanding army conductors and composers and which is recognized until our days in the whole world. These personalities spread brass music and its tradition as we know it from Russia, Bulgaria and states of the former Yugoslavia round Europe. Military conductors Julius Fučík, Karel Komzák and son Karel Komzák, Rudolf Piskáček, Franz Lehár (father of the famous composer of operettas), Bohumil Vejvoda (uncle of Jaromíra Vejvoda), Václav Voskovec (father of Jiří Voskovec), Rudolf Nováček (composer of march Castaldo), Jindřich Praveček and Adolf Scherbaum world trumpet virtuous are just few examples of many who helped to develop this tradition for hundreds of years. It is true that after the fall of communism and joining the NATO our country is not under the immediate threat of the war and it is natural, that numbers of soldiers and armed forces are getting lower. But to let extinct the important part of our music culture is almost inexcusable. Central Band of the Army of the Czech Republic and the Military band of Olomouc are the last representatives of military brass band and we cannot be sure what the future of these bands and all music culture will be. At present, when whatever tradition is of no value for or state, music is more a burden for state finances. We are living in time of media, data and music data carriers and it is possible that because of all these savings the foreign delegation will be welcomed with reproduced music and when we go to see a ballet performance there will play reproduced music.
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Jan Václav Stich - The Works for french Horn
Doležal, Jan ; Čoček, Alois (advisor) ; Divoký, Zdeněk (referee) ; Hlaváč, Jiří (referee)
This thesis describes Jan Václav Stich ? Giovanni Punto, famous Czech virtuoso, horn player and composer of 18th century. The first chapter is concentrated on Stich?s life, the following one on his work. Afterwards, three horn concertos are analyzed, namely Concerto No 5, Concerto No 7 and Concerto No 10. The last chapter compares three recording made by different horn players ? Vladimíra Klánská-Bouchalová, Radek Baborák and Barry Tuckwell.
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Jiří Pauer: Concerto for french hor and orchestra
Prchlý, David ; Divoký, Zdeněk (advisor) ; Čoček, Alois (referee) ; Rejlek, Vladimír (referee)
The title of my bachelor´s thesis is Jiři Pauer Concerto for french horn and orchestra. On the basis of my analysis of this concerto, I would like to bring to attention the importace of this Czech composer of the 20th century. My thesis is broken into two chapters. The first chapter concentrates on the life and lifestyle of the composer and his composing style. Next, a list of his musical works is listed, and added to each piece is the date of composition, instrumentation, publisher, publishing date, and other important information.
The second chapter is devoted to the analysis of the Concerto for french horn and orchestra. The interesting detailed analysis is accompanied with samples. At the end I conclude my gained experience and refer to the importace of the Concerto in todays use.
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Methodology of French horn Playing
Matlasová, Kateřina ; Divoký, Zdeněk (advisor) ; Herman, František (referee) ; Sušický, Jiří (referee)
The theme of the thesis is called the Methodology of French horn Playing. The text is divided into a few chaptures. After a short introduction I deal with the development of French horn with regard to the beginning of development in Bohemia. The third chapture brings us a short summary of particular methodology schools. Chaptures about holding the instrument, breathing and embouchure follow. The focal point of this thesis consists of chaptures about embouchure and breathing exercises.
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Elements of Playing the Trombon in various national Cultures
Nosek, Jan ; Sušický, Jiří (advisor) ; Divoký, Zdeněk (referee)
In my thesis I focus on basic teaching methods of playing the trombone. In my opinion, I deal with the most significant nation?s schools of playing the trombone and their main representatives. I try to appraise their advantages and disadvantages in terms of contemporary pretension. Subsequently, various similarity or differences are compared. In the last chapter I focus on the down-to-date progress. My thesis is supposed to be instrumental to basic orientation in various schools of playing the trombone.
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Robert Schumann: Concert Work for French Horn
Doležal, Jan ; Divoký, Zdeněk (advisor) ; Sušický, Jiří (referee)
This work is describing Konzertstück for four French Horns and Orchestra, op. 86 written by German romantic composer Robert Schumann. Life, works and importance of the composer are noticed. Before the main subject also other Schumann?s works for french horns are described ? horns in his Symphonies, Adagio and Allegro for French Horn and Piano, op. 70 and Jagdlieder for Male Voices an Four French Horns, op. 137. Afterwards, Konzertstück is analyzed from historical, formal and execution points of view. Finally, three recordings are compared.
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