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Comparative analysis of the interpretation with an emphasis on historical context and authenticity of performance art: an analysis of the implementation of various works of Claudio Monteverdi's "della Beata Vergine Vespri" (1610).
Svoboda, Čeněk ; Kittnarová, Olga (advisor) ; Hurníková, Kateřina (referee)
In my dissertation I'm working at the work of art made by Claudio Monteverdi (1567 - 1643) and also comparing three different interpretations of his masterpiece Vespro delta beata Vergine. He wrote this composition in 1610 and so came to a new quality not only for himself and his musical progress, but also for whole musical history. We can say that his Vespro is the first important sacred baroque composition. The comparing is not the only intention for me, I would like to discribe also composers personality in context of musical history and answer some principal question about the problem of "the autentic interpretation". Powered by TCPDF (www.tcpdf.org)

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