National Repository of Grey Literature 420 records found  1 - 10nextend  jump to record: Search took 0.00 seconds. 
Multi-function Cultural Centre "Creative City" in Brno
Talacková, Anežka ; Schnapková, Radka (referee) ; Vojtová, Lea (advisor)
The main idea in solving my thesis was to create a quality public space where people feel comfortable, safe, and will have a reason to return, as well as a place that is full of life and will serve the general public. Bulk architectural study addresses the space - the functional organization of the multifunctional complex "Creative City Brno" makes the creative center in the grounds of the former penitentiary in the city of Brno - Cejl, a proposal multipurpose building in close proximity. The building is to be a creative center facilities for the general public art, because it is equipped with artistic studios, laboratories, multifunction rooms, dance and music halls and galleries. Internal layout of the building was refurbished with respect to its original character largely preserved, with the original premises were functionally adapted
The influence of family and social relationship for the goverment and the yard of Rudolf II.
Horská, Dominika ; Čechura, Jaroslav (advisor) ; Sládek, Miloš (referee)
The subject of this diploma thesis is the characterization of distinguished person of the Czech history of the emperor Rudolf II. Emphasisis placed on the individual factors, that influenced the government of Rudolf II. and his court. I focus on Rudolf's collection of art, his interest in alchemy and astronomy. I also deal with significant fraternal problems, relations with women and how was Rudolf II. influenced by his mental illness. I focus the various aspects that most influenced the personality of Rudolf II. The aim of the thesis is to point out the family and social relations of Rudolf II., which were most signed by his government. This thesis also characterize the contradictory personality of Rudolf II. and why in our nation is Rudolf II. popular and distinctive personality from the Habsburg family.
Towards Creative Possibilities of Theatre Management
Cieślaková, Adriána ; DVOŘÁK, Jan (advisor) ; SULŽENKO, Jiří (referee)
Dissertation thesis named Towards Creative Possibilities of Theatre Management deals with various possibilities and ways enabling the development of creative potential. First of all, it focuses on individuals, next it speaks about the role of creative manager, leading people in creative teams and finally it analyses a creation and stabilization of creative organization. These four topics create a core of first four chapters of dissertation thesis. The basic method of research is a synthesis of knowledge gained from various authors in the field of creative management, culturology, economy, psychology and psychiatry, neurology, from dramaturges, directors and managers. At the same time, the work is based on author´s teaching experience at The Theatre Faculty of The Academy of Performing Arts in Prague (Production Department). Author also summarises her own experience with discussed phenomenon during her work as a manager. This dissertation thesis does not aim at exhausting above mentioned topic. On the contrary, it puts facts into new relations, it makes new connections and above all it speaks about new sources of creativity and creative ways of problem solutions especially in connection to manager´s job. The thesis also focuses on the professional role of theatre dramaturge (fifth, closing chapter is devoted to this topic). The goal of this work is to prove the usefulness and purposefulness of creative approach in the theatre management, which has positive effect on people and the whole teams and organizations. Author believes that it is effective on qualitative as well as on quantitative level. This approach could be found in a management literature but rarely it is analysed in art management sources. The basic hypothesis of authors’ doctoral research is that the awareness and usage of methods of creative approaches leads to more successful organizations, it also leads to transition from creating new thoughts towards their articulation, realisation and evaluation. This can bring the inflow of new motivated people who enjoy their jobs first of all. This way, organisation can multiply the number and the quality of submitted projects and other outputs, broaden the web of co-operators, spectators and raise the level of financial stability and good media partners response.
The Age of Kittens: Aesthetics of Cuteness in Contemporary Art
Petrlová, Simona ; LEDVINA, Josef (advisor) ; JANOŠČÍK, Václav (referee)
Cuteness as an affect contains a group of visual and behavioral features which are capable of producing physical or emotional reactions in the body of a subject.  Speaking of cuteness as an aesthetic category this kind of response is manipulated for commercial purposes, in the context of artistic creation or as means of self-expression.  In my thesis I will be concetrating on the concept of cuteness and its use in the field of contemporary art. First I will focus on the origin of the notion of cuteness from psychobiological, sociological and culturological point of view. I will describe briefly the origin of the english term ''cute'' and japanese term ''kawaii'' and its evolvement. Than I will concentrate on the aspects of cuteness in today's society, where it has become a tool for advancement of commercial and even political interests, which will be desrcibed on the  specific examples.   Subsequently I will concentrate on the aesthetic aspects of cuteness in the context of contemporary artistic statements including sociological and lorenzian (biological) viewpoints. I will also describe these aesthetics and its usage in the field of hi-tech technologies. Cuteness can be differentiated into many subcategories (e.g. ''creepy-cute'', ''torturer-cute'', ''sexy-cute'', etc.) when speaking of its aesthetics. These will be briefly described and showed in both the theoretical and exemplary sections of the thesis. As a whole the thesis will also lead to the discussion of the artistic positions of particular artists working with cuteness aesthetics in their art production.
The second life of Zdeněk Nejedlý in Czech historiography and culture
Nájemník, Václav ; Čornejová, Ivana (advisor) ; Křesťan, Jiří (referee) ; Galandauer, Jan (referee)
Title: The second life of Zdeněk Nejedlý in Czech historiography and culture Author: Mgr. Václav Nájemník Supervisor: doc. PhDr. Ivana Čornejová, Csc. Department: The History and History Didactics Department Keywords: Zdeněk Nejedlý, second life, methodology, reception, historiography, culture, communism, totalitarianism, literature, art, Bedřich Smetana, Alois Jirásek Abstract: The following dissertation deals with the "second life" of Czech historian, musicologist, reviewer and politician Zdeněk Nejedlý (1878-1962). Its aim is not to elaborate a new biography, but to describe and analyse the influence of this personality on Czech historiography and culture during the communist totalitarian system. His influence is usually perceived as very strong, but seems to have changed over time, and moreover weakened. An important topic will also be the development of the attitude of historians, writers and other cultural personalities to the personality and work of Zdeněk Nejedlý in the context of Czech history in the second half of the twentieth century. The purpose of the work is to show that the personality of Zdeněk Nejedlý is not the only negative factor that worked for society, but that he himself participated actively in the creation of this image. Finally, it also appears that the "second life" of some of...
Modulárna priestorová štruktúra z plošného materiálu: Lucca 2018
Novák, Jakub
The paper deals with the use of a flat medium for the creation of spatial modular structures. In the presented case history, structure made during Cartasia, The International Festival of Paper, Biennale of Contemporary Art, Lucca, Italy. I present the possibilities of use of carton industry products in an art project.
The Commercialization of Aesthetics
VOLDŘICH, Martin
Work will explore relationships of aesthetic and exchange values, respectively for the commercialization of art. The intention is to reflect wider cultural and social changes associated by the formation of modernism epoch and mass culture, as well as the establishment of a new artistic paradigm with taking into account the commodification of art. Particular attention will be paid to the Critical Theory of the Frankfurt School.

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