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The J. Rokyta´s Poetry
NEUBERGOVÁ, Daniela
The work involves personality, which in today's times has completely disappeared from the textbooks of Czech literature, although it is notable not only for its literary production, but also by growing Slavic relations and interests of Slavic culture. The person is Adolf Černý alias Jan Rokyta. The first part is devoted to his life and interests, not only in literature. The following is a list of book publication of his works and related contemporary criticism. Furthermore there is proposed periodization of artist's creative period. A substantial part of the work are parts serving interpretation of the poetry of Jan Rokyta. For better understanding of historical context there is a comparison with a great person of czech poetry Jaroslav Vrchlický.
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The anitc motiffs in the epic works of J. Vrchlický.
AUBRECHTOVÁ, Lucie
The main aim of the following bachelor thesis is an interpretation of the antique motives in the chosen epic collections by Jaroslav Vrchlický. The goals are to observe the frequency in which these motives appear in each of these collections via a comparison of the differences in their utility and a determination of their place in the structure of the unit. The largest part of the thesis is devoted to the actual analysis of the antique motives from a content and formal point of view. Emphasis is put on the manner of the composition of the individual motives, their inclusion in the context of the works and the choice of language means.
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Biblical motives in the work of František Hrubín
HANDŠUHOVÁ, Lenka
The thesis attempts to analyse the František Hrubín's poetry in which the parallels with The Scripture or biblical themes could be found. The thesis sorts discovered themes to those that can and to those that cannot be analyzed with the Scripture. The important findings is whether the discovered themes can be essentially marked as biblical or if they are used also with the other meaning by the author. Partical objective is the finding of identical themes in the other authors pieces and comparing them with the themes of František Hrubín. The thesis looks for the connections between the subjects, themes or with the author's writing itself or his contemporaries.
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The Problem of Creative Authenticity in Post-war Czech Surrealism
BENEŠ, Jan
Goal of this bachelor thesis is to describe meaning of creative autenticity in the post-war czech surrealism. The thesis will be focused mainly in theoretical work of Vratislav Effenberger. This thesis is focused to describe basic principles constant for surrealism and progress in their conception, mainly in frame of czech surrealism. It will compare questions of author's intention with surrealistic concept of creative interpretation. These questions will be considered in the context of political situation in the 50's in Czechoslovakia.
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Marie Kokešová Šechtlová, the feminine element in four generations of photographic studio Šechtl and Voseček in Tábor
BOLKOVÁ, Petra
Marie Kokešova Šechtlova, the feminine element in four generations of photographic studio Šechtl and Voseček in Tabor This thesis examines photographic work of Marie Šechtlova, who had been one of the significant Czech female artists from 1960's onwards. In the beginning of this thesis, the history of Šechtl and Voseček studio is outlined. Marie Šechtlova got into this environment through marrying Šechtl. The environment had been influential for her. The following part of my thesis studies the cooperation of Marie Šechtlova and her husband, finding this phase to have been an important moment of her artistic work. In the main body of this thesis, two major aspects of Šechtlova's work are examined. The photographer is portrayed as using the Brussels style of photography, which captures the poetry of mundane. Further on, she is also portrayed as a pioneer of colour photographer and an illustrator of literary work, especially poetry. Jan Noha's extraordinary verses were inspired by Šechtlova's photography. In return, she was illustrating his poetry collections and their collaboration had been outstandingly creative. The final part of this thesis compares Šechtlova's work with the work of other Czech female photographers of her time, such as Dagmar Hochova, Emily Medkova, Eva Fukova or Běla Kolařova, who were working mostly in the environment of Prague.
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In the Middle of the Night. Kamil Bednář and His Literary Circle in the 2nd Half of the 1930s and Early 1940s
BRDEK, Zdeněk
The following Ph.D. thesis focuses on the poet Kamil Bednář and a group of young writers around him between 1936 and 1941. The author pays attention to Bednář´s poetry as well as to his activities leading to the constitution of a new literary generation at the turn of 1930s and 1940s. Using the rhetoric analysis and interpretation of Bednář´s poetic language, its transformations, dominant figures and textual strategies are identified; special emphasis is put on the comparison of poetic discourses of Bednář and those of his colleague Jiří Orten. The author also examines articles in the period press and other relevant materials for the purpose of reconstruction of the group´s thinking orientation and its relation to contemporary discoursive formations. Besides the activities of Bednář´s group, other factors that contributed to the creation of new literary generation are also explored, above all the ideas and activities of the prominent critic Václav Černý.
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Lyrical Mode of Existencial Selfreflection of Poetry in the Thierties and the Forties of 20th century.
LENCOVÁ, Pavla
This bachelor work studies and focuses on the lyric depicting of existential selfreflection in poetry of the 30{\crq}s and 40{\crq}s of the 20th century. Attention is firstly focused on Vaclav Černy and his interpretation of existential philosophy. Further on the object of the research becomes the group around Kamil Bednář and it{\crq}s theoretical texts that affect the discussion about this group and last but not least the concept of the {\clqq}naked person``, that should have become the programme of the young artists, was reflected. Attention is also focused on theoretical texts of Jindřich Chalupecký and on the poetics of Group 42 that instead of the meditative approach passed over to the objective view of the world. The works of Jiří Orten, Jan Hanč and Jiří Kolář analyse in what way poetry reflects the principles of existential imagination.
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Thoughts of Plants
ŠOBROVÁ, Lenka
This diploma thesis called "Thoughts of Plants" consists of two parts, theoretical and practical. The theoretical part focuses on an explanation of the basic thoughts and inspiration that comprise the main resources for the practical part in my thesis. In context of this thesis subject, there is a documentation of the main points in the current art scene, which deals with plant and landscape detail. The practical part is composed of the monumental triptych connected to the subject. This triptych is made of acrylic paint on canvas.
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Poetry of Vratislav Effenberger
HOMOLKOVÁ, Martina
The thesis deals with Vratislav Effenberger´s poetry from 1940 - 1951, issued in 2004 by Torst publishing under the title "Básně 1". This publishing house aims to publish the whole author´s work. At the beginning, the thesis introduces readers with the methodological demarcation, with the secondary literature and the main objective of the work. The second chapter deals with the general tendencies in French as well as in the Czechoslovakian surrealism expansion. The third chapter informs about Effenberger´s theoretical and artistic texts, many of which still await for publication. The fourth chapter focuses on Effenberger´s attitude towards surrealism and on his role as the main theorist. There is a number of surrealist terms explained. The content of the fifth chapter is finally the own interpretation of each poetry collection in comparison to interpretations of major surrealism personage such as Bruno Solařík, Miloslav Caňko and František Dryje. The sixth chapter provides the interpretation in ways of entering into Effenberger´s poetry based on the themes of space and time, subjectivity, objectivity, black humor and absurdity and the way of imaging the woman and erotica. The aim of this thesis is to describe Vratislav Effenberger´s personality and his poetry to the common current reader and help to understand it better.
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The Poetry of Milada Součková
POSLUŠNÁ, Barbora
Annotation This diploma work is centred on the Milada Součková´s poetry between years 1942 ? 1983. The opening chapter is devoted to thesis and to methodolohical demarcation of the diploma work. Next the work attends to terminological demarcation of the notion ?avant-garde?. Primarily features chosen vocabulary imtems then result from Vladimír Papoušek´s book ? Gravitation of avant-gard. The second chapter deal with confrontation tendency of avant-garde with artistic tendency in Milada Součková´s piece. The work then ask question if is adequate to talk of Součková in context of avant-garde. Then the work hints at the same problemms in the chapter three which is devoted to Milada Součková´s husband, Zdenek Rykr. Then this chapter deals with contracted interception of Rykr´s life and try to cut up the similar common tendencies in the husbands´s pieces. The chapter fourth focuses on three Milada Součková´s studies, written between 1954 ? 1964. There are the studies characterized shortly in the work and confronted partly with the Součková´s piece and life again. The closing chapter is devoted to Milada Součková´s poetry itself. There are presented the idividual garners in the subchapters, the garners are interpreted by authoress of this work, she captures common tendencies of Součková´s piece and the garners are confronted each other. She references to two poems published between 1938 - 1939 also. The claim of this chapter is then to cut up the metamorphoses or recurrent themes, motives in the Milada Součková´s complex piece on the contrary.
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