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Russian Poetry at the Beginning of 21st Century
Tiazhkun, Antonina ; Hříbková, Radka (advisor) ; Hlaváček, Antonín (referee)
This diploma thesis is written on one of the least investigated and the least known areas of the Russian literature - contemporary Russian poetry. The aim of this thesis is to propose certain perception of, on one hand, the artistic patterns and contents, and, on the other hand, of the historical, cultural, social and aesthetic significance of the contemporary poetry. The key principles of the current poetic scene include the shift of the literary paradigm, aesthetic pluralism, and variety of the artistic styles. This work consists of three parts. The first chapter describes the theory of the forming of the post- Soviet literature, as well as its state after the second half of the 1980's until the present day, in the context of social, cultural and literary factors. The features and certain phenomena of the current literary process are also discussed within the first chapter. The second chapter examines the main aesthetic trends of the contemporary Russian poetry. The last part of the thesis provides the look upon the problematic and thematic characteristics as well as the stylistic features of the contemporary poetry. The research is based on the analysis of the works of some of the most outstanding contemporary Russian poets, which were included in the representative sample of this thesis: A....
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Two poetics of author's theatre: Semafor and Studio Ypsilon
Baloušová, Lucie ; Smrčka, Jiří (advisor) ; Píšová, Ina (referee)
The diploma thesis focuses on small scene theaters which developed in the 1950s and represent a unique generational movement within the Czech cultural framework. This final project aims to describe the distinctive poetics of two of the Czech small theaters - the theatre Semafor and Studio Ypsilon. The description itself is based on the analysis of the original dramatic texts produced by their main representatives, Jiří Suchý and Jan Schmid. The thesis opens with the domain of the small scene theaters as such, its definition and characteristics. In order to provide a comprehensive perspective on the matter, the authorial theater and its specifics is further discussed. The main part of this thesis then concentrates on the origins of the two theaters, their profiles during the period of 1960s to 1990s and, eventually, their present form. Finally, despite the different conditions of existence of the two theaters, and the cultural, historical and political context, a comparison of the two poetics is proposed. KEYWORDS small scene theatre, author's theatre, theatre Semafor, Studio Ypsilon, Jiří Suchý, Jan Schmid, drama, dramatic text, poetics
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Patterns of Czech Film-dramturgical Poetics
Csicsely, Lukáš ; Svatoňová, Kateřina (advisor) ; Klimeš, Ivan (referee)
This bachelor thesis focuses on Czech academic film dramaturgy. Dramaturgy in this sense refers to the activity of the dramaturge in the creation of a film work of art. His performance is theoretically grounded upon a long tradition beginning with Aristotle's Poetics, generally called poetics, and this thesis consists of a comparison of such film poetics published at FAMU, within the department of scriptwriting and dramaturgy, examined through the perspective of Prague structuralism, and with the mentioned traditions on background. No other theoretical work has dealt with this material so far, so my aim is to map the basic problems of this closed field, with an emphasis on how the tradition is adapted to the specific requirements of film.
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Problems of a musical work in musical poetics 20th century
Grosamová, Alžběta ; Dykast, Roman (advisor) ; Soško, Vladimír (referee)
The thesis focuses on issues of musical works in musical poetics of Arnold Schönberg and Igor Stravinsky. Due to the changes music was undergoing in the 20th century, the matter of musical works was very problematic. The goal of this thesis is to introduce the key moments in the authors' thinking and their creation of music. The work then presents a reflection on these key moments through the writings of F. Herzfeld, H. H. Stuckenschmidt and M. S. Druskin. The final comparison should familiarize the reader with Schönberger's and Stravinsky's insight on the categories important for the search for the new form of musical artworks in the 20th century. An important part of this work is dedicated to show the link between the authors' lives and their work; to show which life conditions they originated from and how their life experiences influenced their thinking. Key words Schönberg, Stravinskij, dodecaphony, neo-classicism, comparation, atonality, dissonance, 20th century, tonality, poetics
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Poetics of selected short stories written by Pere Calders
Kroupová, Alžběta ; Poláková, Dora (advisor) ; Marešová, Jaroslava (referee)
(in English) The bachelor work observes selected short stories taken from the book called Cròniques de la veritat oculta written by Catalan author Pere Calders. The aim of this thesis is to analyse the poetics which is typical for this writer. It investigates topics which are often repeated, symbols and space where the plot takes place. It compares the short stories of Calders with other works of writers within the same literary genre who use similar storytelling methods. The emphasis is put mainly on the comparison with the output of Franz Kafka.
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Poetics of Russian rock
Tiazhkun, Antonina ; Hříbková, Radka (advisor) ; Hlaváček, Antonín (referee)
This paper is dedicated to the phenomenon of Russian culture and literature of the last third of the 20th century, specifically, Russian rock poetry. In particular, this paper draws attention to the text of Russian rock poetry which allows the literary scholars to talk about the existence of rock poetry as such. This topic is not reflected in Russian philology and is practically omitted in the Czech one. The paper deals with the history and the conditions of the origination of Russian rock and is concerned with the analysis of the characteristic features of rock poetry, its sources and themes. The research is based on the analysis of musical texts of the most important rock authors: A. Bashlachev, B. Grebenshchikov, A. Makarevich, V. Tsoi and Y. Shevchuk.
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The Images of Nature in the Works of Turgenev
Hessová, Zuzana ; Hříbková, Radka (advisor) ; Hlaváček, Antonín (referee)
Bachelor thesis gives an overall analysis of selected works of the famous Russian poet, prose writer and playwright, Ivan Sergeyevich Turgenev. The thesis focuses on the major theme of his works. The bachelor thesis investigates above all the author's perception of natural images in the selected works; and it aims at the role of different themes. The comparison analysis is grounded on the period context and biographical facts, which incredibly influenced the author, but it is based on the works of various Russian authors as well, in their works we can find similarities with the above mentioned theme. KEY WORDS: Turgenev, nature, short stories, novel, poems in prose, poetics, philosophy.
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The Poetics of Space in Ota Filip's Novels
Hozman, Václav ; Holý, Jiří (advisor) ; Bílek, Petr (referee)
This thesis is focused on poetics of places and space in the novels of Czech author Ota Filip (*1930). The analysis of individual spaces displayed in Filip's work wants to demonstrate the importance of these places for the narrative construction of the autor's novels. This thesis aims to show the importance of displayed space and individual spaces for the overall sense of the fictional world in the Filip's work. The methodological basis of the thesis is the study of the Polisch scientist Janusz Sławiński: Space in Literature: Basic Division and Introductory Commonplace (2002 [1978]). Research of space displayed in the literary work based on the text of a particular novel.
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