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Imagination and Poetics: Means of Expression of British Progressive Rock in 1967-1977
BENEŠ, Jan
The topic of the thesis is the interpretation of some key means of expression of British progressive rock music, from its heyday at the turn of the sixties and seventies through the period of search and experimentation in the mid-seventies to the onset of punk and the change in the arrangement of the aesthetic standards of rock and the breadth of popular music in general. The work primarily deals with the ways in which the British progressive rock scene communicated with the public, i.e. the analysis of content components such as the themes of the compositions and the related graphic and visual presentation of the key musical works of the time. The work tries to trace and describe the connections between the individual expressive means of progressive rock in the British music scene, i.e. literary, musical and visual means, including innovative ways of communicating with the audience in the form of concerts and theatrical elements of the presentation.
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Poetics of Jacques Prévert's work of art and the exploitation of his poetry in a French language education.
Hornišová, Martina ; Listíková, Renáta (advisor) ; Machleidtová, Silva (referee)
Title of the thesis: Poetics of Jacques Prévert's work of art and the exploitation of his poetry in a French language education. Keywords: poetics, French poetry, French chanson, poetic realism, surrealism, motivation Abstract: The aim of this thesis was to intercept and denote an artistic legacy in Jacques Prévert's work of art which has an overtime value and is capable with its themes of everyday life to also address the contemporary generations. The magic of Prévert's genius consists in his simple language that is spoken by common men, all the people use this language and thus, they could understand it well. A poet intensifies his legacy by series of examples and illustrations of everyday life that make his works accessible for everyone. In a thesis, we have primarily paid attention to the poetics of his large artistic creation by pointing on the particularity of his poetic language, the simplicity and accessibility of his work. Through Prévert's poetry and chanson, we have tried to present French language to teenage students in an inventive and creative way not only as a language itself, but also as a cultural heritage of the country. We elaborated pedagogical sheets in a practical part of a thesis aimed to serve as a methodological resource for the French language teachers.
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Poetics of Holan's collections The Triumph of Death, The Breezing and The Arch
Enderlová, Hana ; Binar, Vladimír (advisor) ; Wiendl, Jan (referee)
This thesis analyzes the first two poetry collections by Vladimir Holan - Triumf smrti (1930, revision 1936, 1948) and Vanutí (1932). At first, it focuses on identifying their rhythmic structure, its constants and the successive transformations. Particular attention is given to reprocessing of collection Triumf smrti - in the analysis of its three variants to see, how did the Holan's conception of poetic rhythm developed and its relationship to semantics of poetic text and its transformations. Part of exploration is to determine the function of poetic rhythm constants in individual collections, accompanied by an attempt to demonstrate that the relationship of rhythm, euphony and instrumentation of verse and their interaction belongs to the basic components of Holan's lyricism in this period. Furthermore, the work deals with the semantics of these Holan's collections, especially analysis of the basic features of his metaphor and metonymy, their mutual relationship, changes of the metaphors into metonymy and overgrowth in the context of poetic text into symbols. The purpose of the work is to show that the essence of poetic semantics in these collections lies in the specificity and uniqueness of their poetics, from which it is inevitably born, grows and shapes.
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Poetics of Russian rock
Tiazhkun, Antonina ; Hříbková, Radka (advisor) ; Hlaváček, Antonín (referee)
This paper is dedicated to the phenomenon of Russian culture and literature of the last third of the 20th century, specifically, Russian rock poetry. In particular, this paper draws attention to the text of Russian rock poetry which allows the literary scholars to talk about the existence of rock poetry as such. This topic is not reflected in Russian philology and is practically omitted in the Czech one. The paper deals with the history and the conditions of the origination of Russian rock and is concerned with the analysis of the characteristic features of rock poetry, its sources and themes. The research is based on the analysis of musical texts of the most important rock authors: A. Bashlachev, B. Grebenshchikov, A. Makarevich, V. Tsoi and Y. Shevchuk.
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The Images of Nature in the Works of Turgenev
Hessová, Zuzana ; Hříbková, Radka (advisor) ; Hlaváček, Antonín (referee)
Bachelor thesis gives an overall analysis of selected works of the famous Russian poet, prose writer and playwright, Ivan Sergeyevich Turgenev. The thesis focuses on the major theme of his works. The bachelor thesis investigates above all the author's perception of natural images in the selected works; and it aims at the role of different themes. The comparison analysis is grounded on the period context and biographical facts, which incredibly influenced the author, but it is based on the works of various Russian authors as well, in their works we can find similarities with the above mentioned theme. KEY WORDS: Turgenev, nature, short stories, novel, poems in prose, poetics, philosophy.
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Poetics of selected short stories written by Pere Calders
Kroupová, Alžběta ; Poláková, Dora (advisor) ; Marešová, Jaroslava (referee)
(in English) The bachelor work observes selected short stories taken from the book called Cròniques de la veritat oculta written by Catalan author Pere Calders. The aim of this thesis is to analyse the poetics which is typical for this writer. It investigates topics which are often repeated, symbols and space where the plot takes place. It compares the short stories of Calders with other works of writers within the same literary genre who use similar storytelling methods. The emphasis is put mainly on the comparison with the output of Franz Kafka.
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Russian Poetry at the Beginning of 21st Century
Tiazhkun, Antonina
This diploma thesis is written on one of the least investigated and the least known areas of the Russian literature - contemporary Russian poetry. The aim of this thesis is to propose certain perception of, on one hand, the artistic patterns and contents, and, on the other hand, of the historical, cultural, social and aesthetic significance of the contemporary poetry. The key principles of the current poetic scene include the shift of the literary paradigm, aesthetic pluralism, and variety of the artistic styles. This work consists of three parts. The first chapter describes the theory of the forming of the post- Soviet literature, as well as its state after the second half of the 1980's until the present day, in the context of social, cultural and literary factors. The features and certain phenomena of the current literary process are also discussed within the first chapter. The second chapter examines the main aesthetic trends of the contemporary Russian poetry. The last part of the thesis provides the look upon the problematic and thematic characteristics as well as the stylistic features of the contemporary poetry. The research is based on the analysis of the works of some of the most outstanding contemporary Russian poets, which were included in the representative sample of this thesis: A....
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Typology of the Characters and Their Interpersonal Relationships in A. P. Chekhov's "Cherry Orchardˮ
Hovorková, Karolína ; Hlaváček, Antonín (advisor) ; Vasilyeva, Elena (referee)
The bachelor thesis is focused on the typology of characters and their interpersonal relationships in the last Anton Chekhov's drama "Cherry Orchard". The types of characters and their relationships are compared to characters and relationships in other Chekhov's dramas. Furthermore, the work takes into account Chekhov's contribution to the drama in general and it shows how the author perceived space and time which were also represented by the characters themselves. The analysis, compilation and comparison will be used in the processing, the knowledge will be demonstrated on practical examples, which become a part of the theoretical part of the thesis. The work will be based on foreign and Czech publications on typology of characters and their relationships in Chekhov's dramas. KEYWORDS: typology of the characters, interpersonal relationships, A. Chekhov, Cherry Orchard
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Russian Poetry at the Beginning of 21st Century
Tiazhkun, Antonina
This diploma thesis is written on one of the least investigated and the least known areas of the Russian literature - contemporary Russian poetry. The aim of this thesis is to propose certain perception of, on one hand, the artistic patterns and contents, and, on the other hand, of the historical, cultural, social and aesthetic significance of the contemporary poetry. The key principles of the current poetic scene include the shift of the literary paradigm, aesthetic pluralism, and variety of the artistic styles. This work consists of three parts. The first chapter describes the theory of the forming of the post- Soviet literature, as well as its state after the second half of the 1980's until the present day, in the context of social, cultural and literary factors. The features and certain phenomena of the current literary process are also discussed within the first chapter. The second chapter examines the main aesthetic trends of the contemporary Russian poetry. The last part of the thesis provides the look upon the problematic and thematic characteristics as well as the stylistic features of the contemporary poetry. The research is based on the analysis of the works of some of the most outstanding contemporary Russian poets, which were included in the representative sample of this thesis: A....
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