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Story of gesture
Matušek, Jakub ; Horčicová, Monika (referee) ; Gabriel, Michal (advisor)
In my bachelor thesis I want to deal with the detail of the human body and the importance of this detail. The detail I chose is a hand in a gesture. I chose it because of its unique ability to convey information or emotions through gestures. A gesture of expressions can be expressed through gestures. From a simple disagreement to a scientific term. It was this aspect that fascinated me and I continue to follow it in my work mainly from an aesthetic point of view. The creation of the concept of the sculpture was procedural and arose from the individual steps that I took during the design.
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Dust
Zadražilová, Lenka ; Klímová, Barbora (referee) ; Kvíčala, Petr (advisor)
The bachelor thesis will focus on dust. It works with particles that are rather neglected or, on the contrary, unwanted and undesirable for people. The work tries on a long-term effort to approach and beautify this (according to common perception) anesthetic part of our homes, air and world. Elevating a disparaged part of all lives. It explores how dust and all the elements of dust can be used in art. The project is based on several years of interest in dust and the possibilities of its visibility, preservation and use for artistic creation. It is the basis for several cycles of various related works. In the cycles appear different approaches to dust processing and different dust issues. In the units are highlighted various layers that dust can have not only in the literal meaning (layers, dust deposits on things, in places) but also in a transferred meaning (as a literary, scientific, philosophical, psychological concept)
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Digital Climate II.
Sidlárová, Kristýna ; Jansa, Jakub (referee) ; Šrámek, Jan (advisor)
In the diploma thesis Digital Climate II. I'm dealing with the representation of the relationship between physical and virtual matter. The final presentation will take place via video installation in a non-gallery environment. In the work process, I record my own experience of gradual work with the processes of influencing the physical mass of ceramic clay and virtual mass software interfaces. The subject of the work is a remediation of physical ceramic material, whose raw materiality is supported by its absence of glaze or any other noble surface treatment, which could be considered a certain metaphor of today, beautifying AR face filters on social media, Photoshop and unattainable standards of beauty and falsely promoted products.
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The Space for All of Us
Dobiášová, Dominika ; Poliačková, Martina (referee) ; Štindlová, Marie (advisor)
The diploma work Sanctuary for Each of Them consists of a series of objects and paintings in which I try to capture the mutual necessity and ambiguity of the individual's position in society. I am trying to bring the viewers to a strange, unsettling place where a series of plots and stories take place. Relationships develop between the characters, but also between them and the fictional world in which their stories are set. Motifs and characters from the paintings then transition into anthropomorphic objects - figures depicted in glassware and table bases. In this way, the action shifts directly into the physical space of the gallery and turns into a scenography that can be entered and interacted with on a personal level.
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Object in landscape
Smrž, Jan ; Sedlák, Michal (advisor) ; Hůla, Zdenek (referee)
Master thesis Object in the landscape is concerned with the landscape, people's environment, architecture and art. It deals with bases of contemporary urbanized landscape, relationship between man and nature, effect of architecture and art in the wider contexts. It also explores transformation of the entities of the landscape at the time of digital technology. In theoretical, practical and educational level, I deal with relationships among architecture, art, landscape and man in a wider context. In the theoretical part, I examined the spatial relationships in landscape and their transformations. I reflected local environment in practical work and I focused on transferring the issue to stimulating teaching jobs in educational work. In my opinion, the most valuable part is art work, where I managed to meet my expectations and goals.
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Contemporary art in kindergarten
Turečková, Zuzana ; Kitzbergerová, Leonora (advisor) ; Pfeiffer, Jan (referee)
The purpose of the thesis is to describe how common objects are used in contemporary art and consequently in art classes for children in the kindergarten. The theoretical part of the paper outlines the importance of creativity in education, introduces art activities boosting development of creativity and describes what makes projects such an outstanding learning tool. The last chapter overviews contemporary Czech artists whose assortment of creative courses and methods has been used as inspiration for various art assignments in the practical part of the paper. The practical part of the paper is in the form of a project designed for a particular kindergarten. Photo documentation and the author's pedagogic reflection of the applied activities are enclosed.
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Statue, location, relation - Bohemia in 80's of the 20th century
Péčová, Kristýna ; Klimešová, Marie (advisor) ; Prahl, Roman (referee)
As a subject to my bachelor's thesis I chose the sculptures and installations made by Czech artists during the period of 1980s, which were created with the aim of exterior placement, out of the traditional exhibition spaces represented by museums and galleries. The keynote of my work will be the relation and interactions between a piece of art and its surroundings as well as the concept of space itself and its overlooked qualities that art may help to reveal. I decided to focus on the exhibition known as Malostranské dvorky, which took place in Prague in 1981. The idea that has led to the organization of the exhibition and its specific circumstances will be my main interest alongside the description of the particular works of art displayed and their destiny during and after the official end of the exhibition. Furthermore, I will compare the exhibition held in the intimate and unique atmosphere of the old Prague quarter with art that was produced in the same period of time within the official state commissions for newly constructed housing estates and public buildings, such as department stores, hospitals and more. Last but not least, both phenomenons of Czech outdoor sculpture will be compared in more global context with site-specific artworks. Powered by TCPDF (www.tcpdf.org)
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