|
|
Development of violin Bow.
Borůvka, Petr ; MATOUŠEK, Bohuslav (advisor) ; ČEPICKÝ, Leoš (referee)
The Thesis titled " Development of violin Bow " is focused on the creation and development of violin bow in its beginning and at the same time describes his historical development. It also speaks about major European violin bow producers of the past. In this work is also described in detail the production of violin bow and materials that are used on it.
|
|
|
The Influence of Data Portability to a contemporary musical Practices
Pobořil, Adam ; KURZ, Ivan (advisor) ; TROJAN, Jan (referee)
Today the influence of it to the music is constantly enriched by new
opportunities that help to bring also a different audio-visual experience to
recipients. The implementation of new devices to the musical practice moves in
the way of intuitive controling and performer's freedom of expression. The thesis
is dedicated to this influence and reflects the portability of data between different
media as one of the options of compositional technique.
|
|
|
Formation and Development of the Czech National symphony Orchestra
Khomenko, Igor ; UNTERMŰLLER, Karel (advisor) ; PĚRUŠKA, Jan (referee)
This bachelor work deals with The Czech National Symphony Orchestra. The first chapter describes circumstances of origin, mainly engaged in the creation of the company ICN Polyart, which is directly related to the foundation of ČNSO. The next chapters are concerned with the development and operation of the orchestra since its founding in 1993 to the present. In these chapters, I discuss in more details about the concerts of orchestra, about the names of the places where ČNSO over the years has performed and also mention the conductors and soloists who have participated in these concerts. Briefly introduce the founder of the orchestra Jana Hasenörhl, deals with the personality of chief conductors: Zdenek Košler, Paul Freeman and Libor Pešek. Wide supplement contains an alphabetical list of all recorded CD?s, which I obtained from the office ČNSO.
|
|
|
PHILHARMONIC HRADEC KRALOVE AND ITS TRUMPET SECTION
Táborský, Petr ; REJLEK, Vladimír (advisor) ; ROUČEK, Jaroslav (referee)
The author of this bachelor thesis is Petr Táborský, student of the third
grade of the Department of Wind Instruments on the Music Faculty of The
Academy of Performing Arts in Prague. The subject of this bachelor thesis
is The Hradec Králové Philharmonic Orchestra ("HKPO") and its trumpet
section. The main goal of the thesis was to analyze the history of the
HKPO up to the present, biography of current and former members of the
trumpet section of the HKPO and biography of the most significant chief
conductors of the HKPO. The bachelor thesis was prepared under the
supervision of Prof. Vladimír Rejlek.
|
|
|
Motivation at the Piano
Németh Čabalová, Ivana ; MALÝ, František (advisor) ; LEICHNER, Emil (referee)
The aim of this thesis was to analyse the process of the motivation related to the artistic activitie, specifically the piano in all its breadth. Introduction of this thesis is devoted to pure motives that led to deal with this issue. The ending of this thesis is conceptually the same as the introduction and it has the space for the author's personal contribution and feelings that have become the core for all the work, without which the topic of this work certainly would not arouse the author's attention and would not become the topic. The work is clearly built in two sections.
The first is theoretical, which aims to build a clear view of all important psychological terms that are related to motivation, and without these the work would be hardly uniform and would not show a view to sort out the issue. More details define motivation terminology, explain the differences between categories, which could easily blend into confusion, and attempt to systematize the entire hierarchy of used definitions. In the second part there is the issue of motivation applied exclusively to piano as a single level. The proceed is clear, from chapters about young children and their understanding ability, to chapters about adult pianists and individuals in any role related to the piano, just who has an active attitude to the instrument.
The second part aims at a comprehensive insight on the development of artistic personality, whether professional
|
|
|
The Life and the Work of Milan Zelenka
Švábová, Kristina ; ZELENKA, Milan (advisor) ; RAK, Štěpán (referee)
The content of my bachelor thesis consists of interviews with prof. Milan Zelenka. My work included listening to modern compositions not just by Milan Zelenka but other composers and my interpretation Milan Zelenka´s Sonáta Omaggio a Jan Truhlář.
It introduces the reades to the complete biography and compositions of Mialn Zelenka, from his youth, throuth his first successes with concers, competitions, working with many significant artists, interprets and composers. Milan Zelenka was the first person to introdukce the classical guitar on concert stages in the Czech Republic. It continues through his educational work, recording for the radio, and introducing the classical Czech guitar school at worldwide festivals, competitions and performing at concerts.
I put a bigger emphasis on his composition Sonáta Pulsante Omaggio a Jan Truhlář. At the end of my bachelor thesis I presented this Sonata and did a theoretical analysis on it.
|
|
|
Music Education in Czech republic
Vávrová, Kateřina ; PIVODA, Radomír (advisor) ; VÁLEK, Jiří (referee)
Master thesis "musical arts education in the Czech Republic" is about music education in the Czech Republic from primary, secondary to tertiary education. It affects the admission procedure, course of study, chamber music, concerts, competitions, theoretical courses, degree courses, orchestral and concert practice, the use of students, future employment and bringing their own opinion on the study of the Czech and German schools. It compares the number of schools with Germany and Austria, reflects the overall situation in the education and application in practice. Compares way of teaching at the music school, conservatory and university in the Czech Republic and Germany.
|
|
|
Sources of Inspiration in the Works of Sergei Rachmaninoff
Stepasjuková, Kristina ; KLÁNSKÝ, Ivan (advisor) ; MALÝ, František (referee)
This thesis is an analysis of sources of inspiration and influences of the selected works of Rachmaninoff, Sergei Vasilievich, with a focus on piano, chamber and orchestral compositions. Includes a brief biography of the author, deals with the individual characteristics of selected works and a brief analysis. The works are divided into chapters according to relevant, freely selected sources of inspiration.
|
|
|
Introduction to rhythm System of indian classical Music
Reindl, Tomáš ; BARTOŇ, Hanuš (advisor) ; HOŘÍNKA, Slavomír (referee)
This work is focused on explanation of principles, concepts and forms of rhythm system of indian classical music. On this topic there haven´t been written any other autonomous work in czech language before. The work itself is divided into two parts concentrated separatelly on north-indian (hindustani) and south-indian (canatic) system. Both of them are born from same roots but there are remarkable differences too. For both of these traditions there is explanation of different rhytmical forms and their analysis, indian rhythm cycles (tála), their counting systems and its practical usage. For India there is typical way of recitation of rhythms using special sylables (bol). For their comprehension there is necessary to explain basics of indian tabla playing and its traditional repertoir. Autor himself was long term devoted to this musical system which he studied deeply with indian masters. As a tabla player he is playing this music regularly and as composer he is often inspired by these sophisticated rhythm principles
.
|
|
|
Use of spoken Word in selected czech music Compositions in the second Half of the 20th Century with my own composition Work taken into Account
Chudovský, Daniel ; KURZ, Ivan (advisor) ; RIEDLBAUCH, Václav (referee)
This bachelor's thesis reviews the use of spoken word in the second half of the 20th century in Czech music compositions with a particular focus on the historical context and the composition work of the author. Mainly the needs of an update of the musical thinking and a recontextualisation of the creative process where the spoken word is used, are stressed in the thesis. The basic problematics discussed by the author is the duality of applying both the semantic nature of text sources and different means of desemantisation in music compositions. The core of the paper summarizes and rationalizes the effort of composers to accomplish desemantisation of a text with the aim of the author to find these elements in Czech avantgarde and postmodern music compositions. The core of the thesis simultaniously analyses a composition of the Czech composer Jan Trojan Vašemu futuristickému géniu, which reflects the mentioned tendencies. The author of this thesis supports his findings with his own compositional approach to the matter.
|
guest ::
