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A Tool for Practising Knowledge for Graduation
Mořkovský, Samuel ; Španěl, Michal (referee) ; Beran, Vítězslav (advisor)
The goal of this thesis is to create an educational mobile application for a subject History of arts and culture. The main target group are high schools. Firstly, initial research with students was done about their experience with mobile educational appliactions and opinion about mentioned subject. After the research a mobile appliaction was implemented for Android and iOS systems. Then, a server application processes the logic and communicates through HTTP with mobile applications on users devices. Data are stored in a relational databaze MySQL. The content is managed through a web interface with login. After the implementation, an UX test was performed with students to obtain feedback. The result was a positive reaction and if there was more content, students would actively use the application. The results of this thesis show that students find the application useful and is worthy for further development.
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Comparison of Spengler's and Kroeber's Visions of Culture.
Hájek, Daniel ; Vrhel, František (advisor) ; Korecká, Zuzana (referee)
The thesis compares the concepts of culture of German historian Oswald Spengler and American anthropologist Alfred Louis Kroeber. Both authors shared interest in comparative study of civilizations and similar approaches to it, based on an assumption, that culture is a distinct level of reality, nonreductible to its parts, but on the contrary controlling them. This conception is sometimes refered to as superorganic. Each of the scholars compared here hit upon the idea by other ways, hence it carries some different implications for them. The concepts and related methods are analyzed in this work with focus on revealing their assumptions. The explicit comparison is made in the end of the work. Powered by TCPDF (www.tcpdf.org)
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Comparison of Spengler's and Kroeber's Visions of Culture.
Hájek, Daniel ; Vrhel, František (advisor) ; Korecká, Zuzana (referee)
The thesis compares the concepts of culture of German historian Oswald Spengler and American anthropologist Alfred Louis Kroeber. Both authors shared interest in comparative study of civilizations and similar approaches to it, based on an assumption, that culture is a distinct level of reality, nonreductible to its parts, but on the contrary controlling them. This conception is sometimes refered to as superorganic. Each of the scholars compared here hit upon the idea by other ways, hence it carries some different implications for them. The concepts and related methods are analyzed in this work with focus on revealing their assumptions. The explicit comparison is made in the end of the work. Powered by TCPDF (www.tcpdf.org)
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Konzervátorské a restaurátorské postupy pro daguerrotypii a příbuzné fotografické techniky (finální verze). Památkový postup - Npam a jeho ověření v praxi.
Borýsková, Štěpánka ; Hnulíková, Blanka ; Huňková, Anna ; Jůn, Libor ; Lesenská, Lenka ; Petrillo, Sandra M. ; Švadlena, Jan ; Vávrová, Petra
The proposed preservation procedure Conservation and Restoration procedures for daguerreotype and related photographic techniques originated as a research activity carried out under the NAKI programme of the Ministry of Culture of the Czech Republic at the FAMU Department of Photography. Its fundamental principles and results have been examined within the framework of the MA studies of the separate field, the Photography Restoration, at the abovementioned Department. The procedure has been designed for professional conservators and restorers who are actively involved in the area of protection and preservation of photographic materials. This particular case concerned primarily the oldest photographic technique with a practical use – the daguerreotype – and some derived photographic techniques, such as ambrotype, ferrotype and others with similar problems regarding adjustment and framing methods, etc. Many of the presented practices and recommendations acquired more general character and should be applied in a broader frame of the photographic material preservation, and consequently contribute to more efficient care of the cultural heritage of the Czech Republic. The preservation procedure as a theoretical foundation is well applicable for custodians and curators of respective art collections and archival funds, and in addition – due to its origins within the university education – its didactic role is also significant. Together with a parallel research of other certified methodologies, it presents the most comprehensive methodological tool for the protection and preservation of the daguerreotype pictures in the contemporary Czech environment, including the application of the latest experience from abroad.
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Metodika revitalizace daguerrotypického procesu
Švadlena, Jan ; Vávrová, Petra
Daguerrotypie je nejstarší prakticky používaný fotografický proces. Z hlediska lidského poznání šlo o významný objev – jednalo se o první zobrazovací metodu založenou na zachycení obrazu předmětu přímo působením světla. Daguerrotypie tak ovlivnila lidskou společnost nejen z hlediska uměleckého, ale také vědeckého a spustila rychlý rozvoj fotografických postupů, materiálů i celého nového oboru. Z toho důvodu lze v depozitářích po celém světě nalézt množství historicky, umělecky i společensky cenných daguerrotypických památek. Pro zajištění kvalitní ochrany daguerrotypií je nutné volit dostatečně prověřené a bezpečné konzervátorské a restaurátorské postupy. Ověření nových památkových postupů i komplexní studium degradace a poškození daguerrotypií vyžaduje vhodné laboratorní vzorky, jejichž povrchová struktura odpovídá jedinečné struktuře daguerrotypického obrazu. Takové vzorky by měly být připravovány postupem, který bude co nejpřesněji odpovídat historickému způsobu přípravy daguerrotypií a bude tak respektovat jejich historickou autenticitu. Pro postupy konzervace a restaurování je třeba porozumět procesu výroby a chemickému složení. Cílem této metodiky je vytvořit praktický a standardizovaný návod pro rekonstrukci daguerrotypického procesu v laboratorních podmínkách za účelem přípravy vzorků, které se z hlediska materiálu a struktury obrazu neliší od historických daguerrotypií.
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