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The Ironic Picture of the Society in the Work of Geoffrey Chaucer and Graham Greene
LINDUŠKA, František
This diploma thesis deals with the ironic concept of the society in the texts of two great and important, yet historically very different figures, Geoffrey Chaucer and Graham Greene. Despite this historical difference, the thesis aims at the discovery of similarities in the expression of their personal attitudes towards the society in the particular period. In Chaucer's case we discuss the late-medieval English society, which stands on the edge of a new historical era and is a part of a great social change in the history of humankind. Greene's social picture is more oriented on the individual human being fighting with the modern world of the 20th century and experiencing the existential crisis caused by the two world wars. We try to follow the ironic voice that is reflected in the work of both authors and thus creates a significant character of their texts. The aim of this thesis is to find a common topic, which would mirror their ironic voice in the context of social criticism.
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Chivalry in Chaucer's "Canterbury Tales"
Malá Štěpánková, Jana ; Znojemská, Helena (advisor) ; Čermák, Jan (referee)
1 Thesis abstract The thesis is concerned with the reflection of chivalry and chivalric culture in Chaucer's Canterbury Tales and with the relation of his testimony to the social reality of the late Middle Ages. Chapter 1 introduces the chosen topic in relation to the specific character of the Tales, of the context of the period, and of Chaucer's life. It specifies the aim of the thesis, deals with its limitations, and outlines the criteria and the structure of the analysis. Chapter 2 presents the origin and the development of the knight along with the formation of the code of chivalric virtues and the literary constituent of the phenomenon of chivalry until the end of the fourteenth century and identifies two fundamental chivalric archetypes in the characters of the Knight and the Squire from "The Prologue". Chapter 3 pursues manifestations of chivalry throughout the Tales across genres except romances and analyses their reflection with respect to the narrators of the tales. The analysis first focuses on the chivalrousness of the knightly characters (The Franklin's Tale, The Physician's Tale, The Manciple's Tale, The Monk's Tale, The Clerk's Tale, The Man of Law's Tale, The Merchant's Tale) and then on the signs of the influence of chivalric virtues and culture on the non-knightly characters (The Miller's...
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Chivalry in Chaucer's "Canterbury Tales"
Malá Štěpánková, Jana ; Znojemská, Helena (advisor) ; Čermák, Jan (referee)
1 Thesis abstract The thesis is concerned with the reflection of chivalry and chivalric culture in Chaucer's Canterbury Tales and with the relation of his testimony to the social reality of the late Middle Ages. Chapter 1 introduces the chosen topic in relation to the specific character of the Tales, of the context of the period, and of Chaucer's life. It specifies the aim of the thesis, deals with its limitations, and outlines the criteria and the structure of the analysis. Chapter 2 presents the origin and the development of the knight along with the formation of the code of chivalric virtues and the literary constituent of the phenomenon of chivalry until the end of the fourteenth century and identifies two fundamental chivalric archetypes in the characters of the Knight and the Squire from "The Prologue". Chapter 3 pursues manifestations of chivalry throughout the Tales across genres except romances and analyses their reflection with respect to the narrators of the tales. The analysis first focuses on the chivalrousness of the knightly characters (The Franklin's Tale, The Physician's Tale, The Manciple's Tale, The Monk's Tale, The Clerk's Tale, The Man of Law's Tale, The Merchant's Tale) and then on the signs of the influence of chivalric virtues and culture on the non-knightly characters (The Miller's...
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