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Jean Baptiste P. Moliére: The Misanthrope - costume design
Kopecká, Tereza ; ZBOŘILOVÁ, Jana (advisor) ; ZÁBRODSKÁ, Dana (referee)
The thesis deals with the complex solution of costumes of the theatre play The Misanthrope written by Moliére. The work is divided in two main parts: a theoretical study and a practical propose. The theoretical part examines the biography of Moliere, with my own insight into the cultural and historical background of the period. I tried to capture the essence of the playwright's inspiration and justify the form of his plays. This part is served mainly for my own understanding of Molière's life and work. Studing historical circumstances of the period helped me to better understand the play The Misanthrope. An important element during the research process was a field-trip to Paris. Working on Vladimir Mikes´s translation of the Misantrope, I paid attention to the detailed description the text.
The second half of my work is devoted to the analysis of previous realizations of the play The Misanthrope in Czech Republic and abroad, thanks to which I explained my own concept of the play. These analyses are supported by illustrative photographs. In the practical part I justified my own choices of inspiration and the costumes, that were based on analysis of the dramatic characters. The second part also includes examples of costume´s drawings.
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Federico García Lorca: Blood Wedding
Růžičková, Eva ; ZÁBRODSKÁ, Dana (advisor) ; VOHLÍDALOVÁ, Ivana (referee)
The thesis it´s about theatre play Blood Wedding written by spanish author F. G. Lorca. In first theoretical part I briefly concentrate on author, his life and his life´s work. Than I analyze drama Blood Wedding with focus of symbols and metaphors, which are dominated in the play of Lorca. At the end of theoretical part I choose three performances of Blood Wedding from three different directors. I describe them and complete them with fotos from performances. In a practical part of my thesis I analyze all dramatical characters and give description and explication of their costumes, which I use.
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Complete scenographic project for Charles Gounod's FAUST
Forstová, Anna ; David, Milan (advisor) ; Vohlídalová, Ivana (advisor) ; Glogr, Karel (referee) ; Zábrodská, Dana (referee)
My bachelors work is focused on a study of different costume approaches to Fausts theme. I compare selected foreign inscenations since the end of eighteen century to present. Selection of performances was made upon the existence of picture materials and theatre reviews. I tried to reflect the change of costume tradition and discover what parts of original costume remained unchanged till now. The best example for this observation was costume of Mefistofeles.
In second part I?m dealing with treatment of my practical assignement ? costume and set design work for Gounod opera Faust and Marketa.
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J.W. Goethe: FAUST / complex costume costume design/
Škandíková, Lucia ; Zbořilová, Jana (advisor) ; Zábrodská, Dana (referee)
The theoretical part of this thesis deals with the image of the Devil in a cultural perspective and historical contexts within figurative art, literature, cinema, theater, Central European folklore and human history. Subsequently, it focuses on the Devil with regards to the contexts of his interpretative forms. The practical part describes my own experience of theatrical interpretation of the character of the Devil through his various translation into dramatic texts. This, with reference to: M. Bulgakov´s the Master and Margarita, F. M. Dostojevskij´s Brothers Karamazov, Petr Boháč´s Dante ? The Light in a Darkness, J. Kráľa´s Wicked Maidens and into specific W. Goethe´s Faust.
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J. B. Moliere: Don Juan/ complete method of solution of the stage design-costume and masks
Lebdušková, Petra ; Vohlídalová, Ivana (advisor) ; Zábrodská, Dana (referee)
My master´s thesis is devided to four parts.
The first part is about the historical, literature and original meanings about the theme Don Juan. That´s althought about the legend of Don Juan in origin and in the czech background of it.
The second part is about the interpretation by the main critics, inscenators and theoreticals. That´s consider by ideas, which are important for me.
Third, theoretical part compares two inscenations, which were produced in Czech Republic.
The fourth part of my study is the most important, because it´s about my practical solution and conception of Don Juan. It contains reflexion of the theme, relationship to the modern time, the main topics of my conception and the art inspiration. The other part is about the main charakters and their costumes, materials, colors, forms, siluets? The last part is about the stage and the dramatical situations. All of my art design is visible on the fotos.
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Stage design project Charles Gounod: FAUST
Karásek, Jiří ; David, Milan (advisor) ; Vohlídalová, Ivana (advisor) ; Glogr, Karel (referee) ; Zábrodská, Dana (referee)
In this work I compare several different conceptions of foreign opera shows with the theme of Faust in the last 30 years. This serves as well as a corner stone and criterion for practical part of my work. The shows are compared from today?s point of view, they?re confronted with presumptions and notes of theatre critics. I briefly examine opera shows in unconventional spaces. I analyse visual codes of particular performances and try to identify the motives that contribute to this kind of work. In second part I briefly introduce history of Gounod and his opera. Then I explain conception of my vision of Faust and his interpretation, going in detail for meaning and treatment of costumes and set, including brief explanation of technological concept.
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COSTUME LIKE SOCIAL SYMBOL - F. M. Dostojevskij Idiot
Vágnerová, Klára ; Vohlídalová, Ivana (advisor) ; Zábrodská, Dana (referee)
The work is mainly about the social role of costume. The first part discuses the idea of clothing in a social context and it's importance in theatre. The second part deals with the reciprocal relationship of atributes of civil wear and the costumes of different social layers in Russia in the second half of the 19th century. And also it's meaning in contemporary theatre. The third part contains visual suggestions for the main characters of The Idiot by F. M. Dostojevsky.
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