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Žižkov freight station
Vlčková, Jovanka ; PROKOP, Petr (advisor) ; SULŽENKO, Jiří (referee)
Diploma thesis is focused on Žižkov freight station and its transformation to cultural center. It introduces its characteristics, operation and construction. It further explores the process of becoming a cultural heritage site. It describes various obstacles including complicated relations and interests of owner of the site, developers, municipality, politicians and at last but not least non-profit organisations and citizens' initiatives. It is a study of an environment, which requires to be understood prior to any further project planning. The thesis also includes concrete vision of the cultural center, introduces involved subjects - future inhabitants of the freight station and depicts the property and financial situation of the complex. This part of the thesis also includes one concrete project, which is to be organized and run by the author herself. Further on the thesis includes examples of similar cultural centers, which are already in operation both in the Czech Republic and abroad, and which prove to have positive impact on the society, art community and economics of its surroundings. Future of Žižkov freight station is merely a fraction in the issue of conversion of industrial spaces in general. Nevertheless it remains an unique opportunity to build up an extraordinary project in one of the most impressive industrial environments of Prague.
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The part of the Ta Fantastika theatre in the changes of the grant system of the Prague City Council
Vlčková, Jovanka ; Srstka, Jiří (advisor) ; Prokop, Petr (referee)
This bachelor paper describes the ?Ta Fantastika? theatre and the role it played in the changing of the grant system during the years 2007-2010. The initial part of the paper describes the theatre in the light of its founding, direction, operation, and legal identity. Furthermore, the paper is focused on the analysis of the grant system in relation to filing a suit against the Czech Republic in an arbitration court by the then Director of the Theatre, Petr Kratochvíl, and the following sequence of events: the introduction of subsidies per ticket, protest expressed by the theatre community, the controversy around the functioning of grant systems in the future and the exit of Director Kratochvíl from Ta Fantastika.
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