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Analysis of crisis preparedness of selected municipalties with extended powers in South Bohemian Region
TŮMA, Jaroslav
The aim of the thesis is to analyze the crisis preparedness of selected municipalities with extended powers in the South Bohemian region in the crisis plans of the municipality with extended powers with the help of a statistical survey with the determination of the necessary parameters. The theoretical part contains basic information about crisis management, crisis plans and crisis events. Part of the theoretical part is also an analysis of threat analysis, where a list of types of hazards with unacceptable risk was determined, from which municipalities with extended powers choose according to their own risk analysis events potential for their administrative district. After explaining the concepts and their connection, the practical part follows. In the practical part there is a statistical survey of crisis preparedness of selected municipalities with extended powers. Specifically, these are Jindřichův Hradec, Dačice and Třeboň. From the crisis plans, 3 types of possible crisis events were selected, which will provide a basis for the result. These are floods, disruptions to large-scale drinking water supplies and disruptions to large-scale electricity supplies. The mentioned events were divided into several parts and subsequently evaluated by means of multi-criteria analysis with determination of the weight of the monitored parameters. The result of the thesis is an analytical evaluation of selected parameters in crisis plans of selected municipalities with the following competencies. As a result of the practical part, it was not possible to confirm the hypothesis of the absence of statistical differences between the crisis preparation of selected municipalities with one competence. The author therefore rejected this hypothesis.
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Organ works of Olivier Messiaen and inspiration for organ improvisation
Kordas, Martin ; TŮMA, Jaroslav (advisor) ; ČERNÝ, Pavel (referee)
Thesis‘ aim is to analyze selected organ pieces of Olivier Messiaen with respect to compositional elements which can be used during organ improvisation. Thesis focuses on pieces of composer‘s early period. In the introduction is outlined composer‘s biography and his extraordinary relationship to organ and basic elements of his musical speech are described. Actual analysis of individual pieces focuses on harmonical, rhytmical and melodical components of pieces, as well as their musical forms. Subsequently, evaluation of suitability of particular piece for improvisation is made, proposals for practising improvisation are presented and possibilities for modification of pieces are listed. Apart from theoretical analysis thesis focuses on description of practical ways how can be the knowledge discovered during analysis applied in praxis.
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Czech organist Jiřina Pokorná
Minářová, Marie ; POPELKA, Josef (advisor) ; TŮMA, Jaroslav (referee)
Jiřina Pokorná was an exceptional organist whose career included positions as titular organist, concert organist and organ teacher. The opening chapters of the thesis focus on Pokorná's life, especially her studies and a short teaching period at the Academy of Performing Arts in Prague. The following part discusses issues related to her work at the church of Our Lady Victorious in Prague. The final and most important part of the thesis covers memories of her friends and musicians who were in close with her. The thesis also includes concert programmes, databases and other appendices connected to Pokorná's concert career.
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Pipe organs´ research on selected area in Slovakia
Slovík, Juraj ; TŮMA, Jaroslav (advisor) ; ČERNÝ, Pavel (referee)
This work contains an overview of the history of documentation of pipe organs in Slovakia. I deal with data processed from my own surveys. I create tables and statistics based on a systematic survey on the territory of the selected archives of the Archdiocese of Košice. I provide a comparison of the facts which can be found in the corporate catalogs of the Angster and Gebrüder Rieger organ works. The results presented in this thesis are part of a long-term survey conducted in Slovakia since 1998.
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Organ works by Miloslav Kabeláč
Káčerková, Michaela ; TŮMA, Jaroslav (advisor) ; ČERNÝ, Pavel (referee)
The main aim of this work is to introduce one of the most important Czech composers of the 20th century, Miloslav Kabeláč, specifically his works for organ. Kabeláč´s organ work includes two Fantasias op. 32, four preludes op. 48 and two sympohonies - 3rd symphony op. 33 and 8th symphony op. 54. For completion of author´s organ works I should not omit to mention the first Czech electroacoustic composition E fontibus Bohemicis - Six tableauxes from Czech annals op. 55. The first chapter is about composers´s life, following ones describe compositions. I also mentioned Kabeláč´s new typ of a notation.
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Petr Eben / Johannes Amos Comenius: The Labyrinth of the World and the Paradise of the Heart
Michalovičová, Ivana ; TŮMA, Jaroslav (advisor) ; HORA, Jan (referee)
This theses deals with the cycle “The Labyrinth of the World and Paradise of the Heart” for organ and the reciter, composed by Petr Eben who was inspired by the written artwork of the same name by Johannes Amos Comenius. Eben’s String quartet based on the same literary work is also mentioned.
The content of this thesis includes the biography of both authors, Eben and Comenius. In order to achieve a better insight into the Comenius’s work, the outline of the contemporary political development and its philosophical and religious background is also included.
The contents of several different passages of Comenius’s text are described in more details. These were used by Eben as the foundation for the organ improvisations. The description of individual musical parts of the cycle is also introduced.
This theses also includes the inspirational sources of Eben’s cycle, especially the Comenius’s spiritual songs published in the Amsterdam Hymn Book, as well as the comparison between Eben’s manuscript and available printed versions of his cycle, and available audio recordings of his work.
Last but not least this work also mentions the works of other Czech composers of the second half of the 20th century (i.e. J. Krcek, M. Raichl, A. Tucapsky) who were inspired by the Comenius’s creations (not only by the “Labyrinth”).
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POSITION OF ORGANIST IN THE SLOVAKIAN SOCIETY
Mosnár, Marek ; TŮMA, Jaroslav (advisor) ; ČERNÝ, Pavel (referee)
Work and activity of organist is in Slovakia for several centuries a long tradition. As in the past also at present remains a function of organist an important site of spiritual life, but also even from the perspective of professional music business. In Slovakia are seen various professions of musical life as singers, conductors, pianists and violinists, but the music profession of organist is in recent years slowly losing the awareness of especially the younger generation. The objective of our thesis is therefore to bring more activities of the Slovak organist, his job resulting from his duties either as a church musician, a professional organ musician or a teacher. Part of our thesis is also mapping out a situation of the social enforcement and the position of organist in the Slovak society.
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Schweitzer´s interpretation of J. S. Bach´s organ compositions in comparison to current practice
Hradecká, Michelle ; TŮMA, Jaroslav (advisor) ; KLUGAROVÁ, Kamila (referee)
This thesis discusses the method of approach of Albert Schweitzer's performance
interpretation of Johann Sebastian Bach's organ compositions and his influence
on contemporary interpretations.
The first part is devoted to the historical context of major milestones in the life of
Albert Schweitzer and a history of interpretation of Johann Sebastian Bach's
works.
The second part of the study analyzes some of the recordings of Albert
Schweitzer and of contemporary interpreters, their distinct interpretive approach
and the registration of individual compositions.
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Compositions for two organists
Gricová, Táňa ; POPELKA, Josef (advisor) ; TŮMA, Jaroslav (referee)
This thesis wants to capture the circumstances of creation of compositions for
an initial period of two organists. It also wants to bring a summary of tracks for two
players (both on one and on two instruments) as evidence of the interests of
composers in this field, as well as some assistance for those wishing to those
compositions. Thesis is divided into the following chapters:
The first chapter gives a brief overview of the history of European music with
respect to the period when at least sporadically appeared songs for two organists.
The second chapter gives a brief insight into the history of the organ, their
origin and evolution over the period music.
Chapter three discusses the parallel development of other keyboard
instruments, especially the piano and harpsichord, since a long time the musical
literature for organ and these instruments are virtually identical.
In the fourth chapter describes the development of chamber music and
following the fifth chapter provides an overview of the development of four-handed
play keyboards. Chapter Six brings a short treatise on the development works for two
organists and seventh identifies specific problems in the actual interpretation. In the
eighth chapter we follow compositional work of selected tracks and the ninth is of a
similar nature. It is given to me the most important compositions for two players, six
concerts P. Antonio Soler.
The most important contribution of this work is the tenth chapter. It is the
complete list of compositions organ duets.
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