National Repository of Grey Literature 2 records found  Search took 0.00 seconds. 
Contingency Methods / Hungry eyes and Dog soul / Bind your laces while walking
Svoboda, Jonáš ; Lungová, Barbora (referee) ; Cenek, Filip (advisor)
The camera, as a creature, wanders through space, takes action. We feel tense, every moment of time. In everything. Dance of particles, screaming in unreal tempo. The spatial properties of the haptic world are given by the composition of a score for particle dance. Free notation for sysyphian eternal soul players. Playing a common song of our time and space. Wave. Space between the particles - emptiness. The shape given by the structure of particle dances. So how can you get it. Radiation, Fuse. This is the erosion of the score, the decomposition of the system. Deacon and cleaners. Treasure hunters. Is space between shapes empty? Slavery is not due to the impoverishment of man, but to his transformation into an instrument. The impoverishment of the film's medium is the transformation of the instrument from the instrument into a human being. From the apparatus - rewriting the environment of three-dimensional shapes to the surface, on the apparatus - the emulation of human experience schemes. From indifference to false experience.
Timelessness
Svoboda, Jonáš ; Turek, Filip (referee) ; Cenek, Filip (advisor)
Calm film tries to be a kind of portrait of a young free life in the city. Freedom, upachtěnosti. It's a portrait of notes from phone, lemonade flavored with emptiness. Humbly evaporate. Passionate amateurism, because the toilet are not alone, there is with thee Wittgenstein. The fact that we saw a squirrel as a mouse eats. The fact that when we go to town, so we are pretty huge. The fact that it all actually means something. "Vynuděnej klidňák" Lord hate emotions and Jagr afloat bet. The fact that I have one whole night inhaled Pizza Hawaii, which became Pizza Pearl Harbour because I fell asleep. The fact that it is good then the rest of charcoal dance. About how he met at kávomatu dudes, gunk and artificial intelligence to agreed that hate and love must prevail over truth and falsehood. Instead, after a quill on the bottom of the crucible DNA they found God. Then came the doorman and said that the school is non-smoking. And then there is the moment when we lack love, peace, and we have a long time we were visiting. The fact that we were in rehab and has since everyone involved. The fact that Tomas přidělal the old wheel chair and wrote on it "ZEUS". Contemplation of revolting tag Elektro Planeo on the wall. Because staring contest with the camera is a job like any other. The fact that my vegetables says I'm outside because he hates anyone who is interesting. A tag is an interesting question - "is not a vegetable shit?" Humor in the joy of grief. Because I have sympathy with the man who has read this. Something is simply in a poem trapped and can not get out. The method of the Hitler-Stalin-Picasso, the smell and pain, emptiness and dullness, sabotage and nervousness, contactless man, colorful variety of residues of superpowers in said "yes" and the superhero resistant to alcohol. Nuclear metaphysics in a world where the Lord God far and high. In the role of a collector's Bizarre man playing Lord dimes with the task to deliver power to the last ten-kávomatu fate. The Old Man and the wine, which put on a fag and he will tell you that genius is hiding at the bottom, vigilance and misunderstanding diletující memory and increasingly sadder smile. Nasty weather and the feeling that "next door is fucking nations" - (Paul Ondračka - The celebration of music and poetry). Method free stream of consciousness portrayed as a method of glaciers. The fact that the last time I lost my laptop when I tried if underwater works wifi. Dementia and escape from evil - as far as possible. Trying to focus, at least for a while. Since I was working basically a documentary (- the film's treatment of captured video archives), the choice of media video-essays, hence the film entirely clear. The illustrated try to look out of their personal, participant of view, but also with a "judgmental - documentary apart." I inspiration for creating Calm sought mainly in the work of Werner Herzog, Karel Vachek and their relation to the relativity of truth and nature. Compared with its previous results, which were more experimental in nature evaluate his work as a targeted and focused. The aim of the work is a portrait of the place, time and people. He has absolutely no practical benefit, except perhaps enrich the viewer's soul and portrait modes.

See also: similar author names
29 SVOBODA, Jakub
54 SVOBODA, Jiří
6 Svoboda, J.
29 Svoboda, Jakub
65 Svoboda, Jan
2 Svoboda, Jan,
38 Svoboda, Jaroslav
1 Svoboda, Jindřich
54 Svoboda, Jiří
12 Svoboda, Josef
1 Svoboda, Jáchym
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