|
| |
|
| |
|
|
Street theatre in this days
Štěpánek, Petr ; Sochor, Martin (advisor) ; Capko, Štefan (referee)
Short characteristics:This graduation theses try to delimitate term street theatre. This theses wants to introduce at least some theatres, which deal with this style in our country. It also subsumes revolution Living Theatre a Bread and Puppet, which influenced the development our independent scene. Some parts in this theses are also my experience with the street theatre and observations from this area. In one part is interview with the street artist Dominik Tesar, in other part is rich picture enclosure.
|
|
|
The Means of Mime, its Solo and group Form
Bychek, Oleksiy ; Sochor, Martin (advisor) ; Hybner, Boris (referee)
This work is concentrated on basic summary and reflection of means of mimic theatre (especially in views of Étienne Decroux) in more common theatral and artistic context. It also takes an important part of the reflexion from comparing the work of mime as a soloist and mime in a larger group. For such purposes it uses scripts of Marcel Marceau´s etudes as well as his mimic drama Le Manteau / The Cloak (based on N. V. Gogol´s story). The whole work is concluded of short essays.
|
|
| |
|
|
How to prepare actor´s body to act
Josefi, Zdenka ; Petišková, Ladislava (advisor) ; Sochor, Martin (referee)
Sense of movement and corporeal culture. Training and its´s structure. Movement
technics which develop actor´s skills.
The thesis informs about evolution and sense of movement, it is aimed to the structure
of training in general. The thesis should help reader´s prepare their own training and
gives the information about each part of lesson. The work includes several technics of
movement which can be the inspiration in reader´s work.
|
|
| |
|
| |
|
| |
|
|
Pierot in the history of pantomime
Vizváry, Radim ; Sochor, Martin (advisor) ; Sochor, Martin (advisor) ; Hybner, Boris (referee)
This work represents the most important personalities and art piecies, since the begining of Pierot in his low roman comedies till the end of the 20th century, having marit in survive of the type. Every great actor moved- transfigured his own Pierot by his stoutness of talent and imagination. The greatest of them were Jean Gaspard Deberau, french artist Jean Louis Barrault, french mime and innovator of a modern pantomime Marcel Marceau, czech mime Ladislav Fialka and mime of the slovak origin Milan Sládek. Their influence on my art work is summarized at the end of this work and makes good the fact that these personalities became beau-ideals and big inspiration for me.
|
guest ::
RSS feed.