National Repository of Grey Literature 34 records found  previous11 - 20nextend  jump to record: Search took 0.01 seconds. 
Issues of Colour Management in contemporary Motion Picture Creation
Stock, Helga ; SMUTNÝ, Vladimír (advisor) ; FLIEGEL, Karel (referee)
Cílem této práce je pokusit se zauvažovat o složitém procesu podání barev při filmové výrobě z pohledu kameramana a obajsnit tím význam barev v souvislosti s kameramanskou profesí a ustanovením oboru kameramanství jako jedné z podob umělecké formy.
Role kameramana ve století digitalizace
Kmins, Jurgis ; SMUTNÝ, Vladimír (advisor) ; JÍCHA, Marek (referee)
Role kameramana zažívá zásadní změny. Záznam obrazu na kinofilm byl tradičně využíván více než 1 století. V 21. století, období digitalizace, přebírá tradiční zbůsob záznamu filmového obrazu.
Validation options for increasing the thermal insulating properties of foam plastics
Smutný, Vojtěch ; Kopřivík, František (referee) ; Šťastník, Stanislav (advisor)
The thesis is devoted to the study of material properties of selected types of polystyrene, especially expression of the coefficient of linear thermal expansion. The work contains two main chapters, theoretical and practical. The theoretical part of the thesis deals with an overview of the thermal insulation in the Czech Republic, the description of phenomena related to heat transfer mechanisms and an overview of experimental methods for determining thermal insulating properties. The practical part presents results of measurements of samples with foamed polystyrene, which is modified by the addition of selected substances. The thesis describes the machine program, which is used to calculate the temperature in during the construction arrangement under the sunlight load.
Russian cinematographers of the 70`s and 80`s of the 20th century
Souček, Prokop ; SMUTNÝ, Vladimír (advisor) ; BERNARD, Jan (referee)
In this diploma thesis I summarize and analyze information about cinematographers of the 70`s and 80`s of the 20th century. I deal with the basics of theory in the context of the period, as well as artistic relationships, and detailed analysis of specific films, with the target to explain the innovative visual procedures established in this period in Russia. I aim to show the influence of the unique production of the period on todays work by analyzing given means of expression.
Transformation of the means of expression in the films of Steven Soderbergh during the transition from anolog to digital technology
Hudeček, Ondřej ; SMUTNÝ, Vladimír (advisor) ; MAREK, Diviš (referee)
Bachelor thesis "Transformation of the means of expression in the films of Steven Soderbergh during the transition from analog to digital technology" deals with the transformation of the creative approach in the works of Steven Soderbergh with the focus on the changes that the digital technology have brought. The birth of the digital technology from various authors' point of view is introduced for a complex understanding of the topic. The thesis doesn't deal with the technical comparison of the two technologies. Furthermore, the transformation of means of expression of Steven Soderbergh as the director, cinematographer and editor is described separately, as well as the overall transformation of his creative approach divided into three periods, and the anticipation of his future career. The operating methods are study of foreign and Czech literature, comparison of the aesthetic attributes and technical possibilities of the analog and digital technology, analysis of the films of Steven Soderbergh, content analysis and participant observation.
The Use of LED Light Sources in Film and TV Lighting Technique
Brožek, Marek ; SMUTNÝ, Vladimír (advisor) ; MACÁK, Jiří (referee)
The purpose of this thesis is to provide a comprehensive overview of LED lighting equipment development and current trends in film and TV industry . The thesis is divided into two parts. The first focuses on historical outline, physical and technical parameters of LED and also provides glossary of related terms. The second part covers an overview of the development of LED technological solutions in manufacturing of film and TV lighting equipment, highlights their advantages and disadvantages, points out eventual problematic moments in using of LED lighting and presents the latest innovations of world leading manufacturers. The conclusion sums up a general reflection on the future of LED technology.
Digital tools for correction of image in postproduction
Daliman, Tomáš ; JÍCHA, Marek (advisor) ; SMUTNÝ, Vladimír (referee)
Formats and videocodecs, Bayer mask, introduction to color spaces, reference color spaces, working color spaces, 1D LUT vs 3D LUT, Color management introduction, hardware based systems for color grading, software systems for color grading.
Stereoscopy and the Cinematographer
Gunaratna, Vidu ; SMUTNÝ, Vladimír (advisor) ; MYSLÍK, Jiří (referee)
The thesis is a study of stereoscopy from a cinematographer's point of view. It views stereoscopy in it's entire spectrum of today's use - from rides in theme parks, over commercial narrative films, to documentaries with a cultural value. It briefly takes a look at the early theories of binoculars, the early stages of stereoscopy discovery and stereophotography. Next it briefly focuses on the history of stereoscopy in cinema from its beginning, to it's renaissance in the 1950's up to today. Thereafter the thesis continues with a description of the principles of depth perception, with keywords like disparity, parallax, convergence and accommodation. It mentions the importance of non-stereoscopic depth cues to the process of stereopsis. The next part concentrates on the stereoscopic window, which is analogical to the frame and it's borders in conventional cinema. It investigates the screen size, the distance limit of the far plane and stereoscopic window violation. It continues in breaking down the stereoscopic image and factors that influence the size perception of objects and figures in it's space, as well as analyzing the perception of the whole image depending on the viewer's position to the screen. Attention is given to a special case of stereoscopy - orthostereoscopy. Depth bracket, native parallax and terms such as stereo comfort zone, depth budget and depth bracket are defined to create an understanding of the importance of the concept of the depth chart. The aesthetics of depth is demonstrated on a few recent stereoscopic films. A general overview of equipment for stereoscopy follows - rigs, 3D monitors and software. The thesis continues in discussing the tools of the cinematographer divided into two groups - non-stereoscopic and stereoscopic. The non-stereoscopic are linear and colour perspective, atmosphere blur, focus and camera movement. While the stereoscopic tools are interaxial distance and convergence. The cases of hypostereoscopy and hyperstereoscopy are understood as tools of the trade as well. The next chapter is dedicated to the specifics and limitations of stereoscopic imaging - the necessity of perfect pairing of cameras, lenses, the specifics of framing for stereoscopy, issues related to the mirror in the rigs, lighting and use of optical camera filters. The next part of the thesis briefly covers related topics that have an impact on the image as well. Namely set design, post-production, with stress on colour grading, and various stereoscopic projection systems, including autostereoscopy. The last part of the thesis is an interview with cinematographer Andrew Lesnie, ACS, ASC who shares his experience on shooting the Hobbit. The conclusion is a reflection on the question, if stereoscopy is a tool and it also tries to estimate the future of stereoscopy in film and television.
Focus as a feature and a means of expression
Chlumská, Františka ; MACÁK, Jiří (advisor) ; SMUTNÝ, Vladimír (referee)
This bachelor thesis called ,,Focus as a feature and a means of expression'' inquires focused and unfocused image set in film frame or digital chip. Summarizes basic attributes of human eye, technical aspects and properties of film lenses. Goes in visual history of unfocused image and at the end summarizes psychological impression to spectator. Zooms in two possible points of view to this issue. To be educed in technical and also psychological aspects is fundamental necessity of Directors of Photography. This work is just basic text applied to given topic, nevertheless I hope it might help someone in his studies or professes.

National Repository of Grey Literature : 34 records found   previous11 - 20nextend  jump to record:
See also: similar author names
1 Smutný, V.
2 Smutný, Viktor
2 Smutný, Vladimír
1 Smutný, Vojtěch
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