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Place of Pilgrimage and its Musical Tradition
Litvanová, Zdeňka ; Semerádová, Pavla (advisor) ; Slavický, Tomáš (referee)
43 Resumé The proposed thesis is an attempt to map the history of the beginnings and the life story of the pilgrimage locality of Kájov. The thesis is based on a research of preserved official documents and on testimonies of surviving eye witnesses. Among the termini a quo counts the history of the cultural and spiritual regime in Kájov and some of the events which influenced the functioning of the pilgrimage locality. In the course of time the socio- demographic structure of the inhabitants was changing along with political regimes which were responsible for persecutions of the spiritual leaders in Kájov. The thesis traces the impact of the spiritual tradition of a pilgrimage location and the influence of spiritual leaders in the musical and cultural life of the inhabitants of Kájov from the first written accounts until today. My objective is not only mapping of the history of the musical activities at the pilgrimage location of Kájov, but also an attempt to organize the remains of the Kájov music archives.
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Three-Part Songs for the Advent and the Christmas Time included in the Hymnbook by V. K. Holan Rovenský - the practical edition
Müllerová, Věra ; Slavický, Tomáš (advisor) ; Maňas, Vladimír (referee)
43 RESUMÉ IN ENGLISH This bachelor thesis focuses on the three-part songs for the Advent and the Christ- mas time included in the hymnbook entitled Capella Regia Musicalis (Prague 1693) by Václav Karel Holan Rovenský (1644 - 1718). The goal is to identify the three-part songs (i.e. two voices and basso continuo) and provide their practical edition (i.e. render them in the present-day form). The thesis opens with an excursion into the history of the Czech hymnbook from the 15th to the beginning of the 18th century. During this period, the Catholic Church was inspired by the repertoire of the protestant songs; we can observe that the reper- toire of all denominations was almost identical. This part is followed by an overview of the most important hymnbook of the 17th century which became Holan's source of inspiration. A separate chapter is dedi- cated to Holan's work and personal life which in itself is of great interest. The following part proceeds to the general description of Holan's hymnbook, Capella regia musicalis, and of the problems that accompanied its creation. The the- sis provides a description of the structure of the hymnbook and its formal organiza- tion. The analysis of selected details has confirmed A. Škarda's judgment that the hymnbook is ill-arranged and chaotic. The historic exposition is...
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Sacred Choir Music by Vít Clar
Konečná, Jolana ; Slavický, Tomáš (advisor) ; Douša, Eduard (referee)
- 48 - 9. RESUME Bakalářská práce je zaměřena na život a dílo Víta Clara. V práci byly použity ukázky ze sborové duchovní tvorby, byly shrnuty kompoziční prostředky. V závěru práce je zhodnocení vybraných skladeb z hlediska interpretačního. Pozornost byla věnována významným českým osobnostem současnosti v české hudební pedagogice posledních desetiletí. Nemalou překážkou byl stav pramenů a nedostatek dohledatelných materiálů, stejně tak i čekání na zpracování notové pozůstalosti. Naopak byly potěšitelné postřehy a odpovědi kolegů a Clarových studentů, zejména jejich milé vzpomínky na nezapomenutelného skladatele a pedagoga. Tato práce je věnována památce Víta Clara im memoriam. 9. RESUME This thesis focuses on the life and work of Vít Clar. It presents some examples of sacred music for choir and summarizes Clar's musical composition elements. The last chapter evaluates selected compositions from the interpretation point of view. This text also pays attention to significant Czech personalities in contemporary musical education of several past decades. Work on this thesis was considerably hampered by the poor conditions of resources and the lack of available materials as well as by the duration of Clar's score estate's processing. On the other hand, observations and answers of Clar's colleagues and students,...
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F. X. Brixi's Oratorium pro die sacro parasceves
Labudová, Jana ; Niubo, Marc (advisor) ; Slavický, Tomáš (referee)
The thesis deals with the musical and stylistic analysis of the F. X. Brixi's oratorio Judas Iscariothes, that was preserved in the Osek Monastery under the name Oratorio pro die sacro parasceves. The first part of the thesis describes the musical history, preserved music sources and inventories of Osek. The next section deals with the oratorio in Osek. The main point of this chapter is to inventory oratorio productions performed in Osek during the 18th and early 19th century. The key part of the thesis is the musical and style analysis of the oratorio Judas Iscariothes. Appendix contains the edition of this oratorio.
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Musical Archive of St. Maurice in Kroměříž
Macek, František ; Slavický, Tomáš (advisor) ; Freemanová, Michaela (referee)
The bachelor thesis deals with the unknown archive of the collegiate church St Maurice in Kromeriz, which is found in the crusts in the room next to the organ. The world-famous music collection of Bishop Karl Liechtenstein-Castelcorn together with other scores was moved from the church St Maurice by Antonín Breitenbacher. Music scores were moved in 1927 to Kromeriz's castle. Bachelor thesis provides the location list of music, which is now stored in the crusts. The value of this list is in testimony about evolution of church music at the residential town of Olomouc Archbishop in 2nd middle 19th century and in the 20th century. Especially in the 1st middle 20th century were the crusts of St. Maurice recognized center of church music, which were visited by the leading composers. The high quality of church music is documented by the fact that the liturgy was also transmitted by radio. Music archive of St Maurice in his consistency gives a unique statement of the historical stage of church music, which waiting on detailed musicological treatment.
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Jan Antonín Reichenauer - Vesperae de Confessore
Semerád, Vojtěch ; Mikuláš, Jiří (advisor) ; Slavický, Tomáš (referee)
Ve své práci se zaměřím na chrámové skladby J. A. Reichenauera, které jsou dnes v majetku Národního muzea - Českého muzea hudby (dále jen České muzeum hudby).' Jde o prameny ze svatomikulášského fondu z malostranské jezuitské koleje u kostela sv. Mikuláše, které se do dnešních dnů dochovaly díky sběratelské činnosti O. Horníka.2 Tyto hudebniny významně doplňují naše poznání o tvorbě pražských skladatelů a hudebním provozu na počátku 18. věku v Praze. Powered by TCPDF (www.tcpdf.org)
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