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Transformation of opera ensemble of South Bohemian Theatre?
Krenčíková, Eva ; SRSTKA, Jiří (advisor) ; KOFROŇ, Petr (referee)
Following thesis on opera ensemble of South Bohemian Theatre should bring comparison between current repertory system, potential so-called semi-stagione (this mode is thought to be set after transformation of this opera ensemble) and stagione mode that is typical for running opera production abroad.
The main aim of the thesis is to analyse these models and evaluate them regarding economic, artistic and organizational point of view.
Although it is focused on South Bohemian Theatre in Ceske Budejovice, there are more opera ensembles in regions facing the same problem and asking the same question: which would be the most effective model of running our business?
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Coproducing in Opera
Kamenická, Kristýna ; SRSTKA, Jiří (advisor) ; HORČIČKOVÁ, Jana (referee)
The thesis Coproducing in Opera discusses opera productions and opera joint projects that are based on the cooperation between theatres or festivals. While the thesis provides an insight into various issues of contemporary Czech opera scene, it comments on positive impact of the coproduction.
For the respective theatres, the coproduction decreases the costs of the production, as well as it broadens the repertory. Yet, the coproduction shows are still quite rare.
The thesis describes a process of a creation of such a project in the theatre operated by more than one theatre company; it discusses it's specific management and contractual relationships. The thesis also mentions other types of cooperation, e.g. purchase of the production or lease of the production.
The opera coproduction is the future of the Czech opera theatre.
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Prague theaters in the profit sector
Jordan, Hanuš ; PROKOP, Petr (advisor) ; SRSTKA, Jiří (referee)
This thesis is mainly focused on a detailed study of three theatres in
profitable bussiness sector in Prague. Considering sensitive nature of the
economic data, some of the information about the for-profit theatres
presented below are actually published for the first time.
The author also studies Mestska divadla prazska (City Theatres of Prague),
a contributory organisation of the city of Prague.
On academic level, the author of this work suggests a dissolution of the
union of the City Theatres of Prague. He proposes that the space of once
freed ABC Theatre should be rented to a new keeper with a profitable legal
personality. Thanks to this, the city of Prague would get considerable
financial savings and could keep maintenance of the representative theatre
in the very center of metropolis at the same time.
The author actually offers three possible models of operations for this
newly-emerged subject. He prepared programming and budgets for two
theatre seasons for the three cases.
In the last chapter he considers the most eligible model. Is it possible to run
this bussiness model with profit? On what conditions?
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Non-governmental organisations under the new Civil Code
Hůlková, Kateřina ; SRSTKA, Jiří (advisor) ; VYSKOČIL, František (referee)
The submitted thesis examins the issues of non-governmental organisations regulated by the new codification of private law, i.e. law No. 89/2012 Coll. Civil Code - and possibilities of their practical application in theatre practice.
The thesis maps legal forms that were used for theatre conduct until the end of 2013 as well as non-governmental organisations established by the new Civil Code. The last chapter of the thesis enumerates the new options that have arisen for each type of legal persons conducting theatre activities.
The purpose of the thesis is to create an exhausting overview of non-governmental organisations occurring in the legal order of the Czech Republic, with a special focus on the field of theatre.
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Solving the crisis of Czech dubbing
Battěk, Jan ; SRSTKA, Jiří (advisor) ; JEŽEK, Vlastimil (referee)
Czech dubbing is in crisis. The current situation has been provoked by the Czech Actors' Association's respectable effort to equalize the terms of salaries and raise them following the example of neighbouring Germany. Yet does the quality of dubbing correlate with the size of performers' salaries? Is it possible to unify wages in the private sector? Are dubbing distributors interested in higher quality at higher production costs?
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Organizing of open-air opera performances and festivals
Fialová, Daniela ; SRSTKA, Jiří (advisor) ; PITTERMANN, Jiří (referee)
This thesis deals with the organizing of open-air opera festivals and performances. Attention will be given to such projects taking place in the amphitheaters or in the castle courtyards. The aim of the thesis is to pay attention to the specifics that go along with the organization of open-air opera projects. After a brief summary of the historical evolution the specifics of the theatre operation follows as well as an overview of the most important open-air opera events in the Czech Republic. The core of the work lies in the analysis of two events: The particular performances arranged by the agency Croce in Jindřichův Hradec and especially the festival Loketské kulturní léto (Loket Cultural Summer) in the region of Karlovy Vary. An attention is also paid to the history of the spaces. The work concludes with the evaluation of the position of Loket Cultural Summer between other similar projects as well as its position within the region. In conclusion, there is a proposed opera dramaturgy connected to both analyzed areas. The work also includes plenty of pictures.
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ECONOMY THEATRE FOUNDATION
Košařová, Eva ; SRSTKA, Jiří (advisor) ; SVOBODOVÁ, Doubravka (referee)
Annotation
The thesis "Economy of theatre foundation" aims to show all the contingencies that should be done before founding the theater, but not in the sense of artistic vision or permission from the competent authorities, but on the basis of calculations, analyzes, calculations and considerations, how the theater should be working effectively.
The work is mainly focused on the part of the budget devoted to the main activity, which is further divided into fixed costs and the variable factors such as number of artistic and technical employees, the number of seats in the auditorium, ticket price, number of playing days and attendance.
Then, based on these funds, we can see, how big the influence of the different variables is on the overall result of the budget theater.
One chapter is also devoted to human resources that are closely connected to the budget, not only because they often represent more than two thirds of its value.
For your convenience, as an example we worked out a plan of a new private theater in Pilsen, which should be provided with facilities for the activity from a private investor.
In conclusion of the thesis we can see proposal of an ideal solution to the situation.
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Protection of personal rights in theatre practice
Topinka, Jan ; SRSTKA, Jiří (advisor) ; CHLOUPEK, Vojtěch (referee)
In this thesis I have described historical development of the right to the
protection of personal rights from their establishment up to the present
legal regulations. I paid great attention to description of particular
elements of the personal rights both in the area of general rights and
special ones. Those elements of personal rights are the ones I often
encounter in the frame of artistic production. I tried to interpret basic
principles and rules related to the elements of personal rights. Today, we
can see many cases in public life directly affected by these issues, so I
consider this topic to be a very hot issue. This thesis aims at making this
area of legal aspects related to conducting theatre activities more
transparent to a wider population of theatre managers.
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Director of the National Theatre
Urbánková, Monika ; ČUŘÍKOVÁ, Tamara (advisor) ; SRSTKA, Jiří (referee)
Diploma thesis "Director of the National Theatre - statute development" was primarily created as a historically-explorational work, which helps to look into this inherent chapter of the Czech republic history from a different point of view that is usual.
The very core part comprises of the National Theatre statutes, which are described through similar pattern and thus bring natural comparison of this institution evolution. The Diploma thesis begins in the year 1929, when the nationalism of the National Theatre took place, and culminates with the first democratic statute in the year 1993, or more precisely with its novella in 1994.
The work is enriched by look into the history of our country, as every chapter starts with a short summary of given time period for easier reader's orientation.
Part not to be also missed is formed by legal aspects concerning the National Theatre in selected time period.
I believe, that the work "Director of the National Theatre - statute development" will be useful to all future readers, who would like to understand the basic functioning of this organisation and the role of its director over the period of more than sixty years.
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THEATRE CONTRACTS
Hůlková, Kateřina ; SRSTKA, Jiří (advisor) ; VYSKOČIL, František (referee)
The aim of this thesis is to create a collection of the most commonly used types of theatre contracts and of their practical applications in theatre practice.
The opening passage informs the reader about legal forms applicable for theatre activities. The main part of the work analyses legal conditions related to those contract types that are most commonly applied in theatre. The final part treats the application of contract types in theatre practice. So this part refers to concrete theatre professions and the contracts types concludable with them by the theatre.
The following bachelor's thesis could become a helpful students' aid at the Department of Arts management at the Theatre Faculty of the Academy of Performing Arts in Prague ? both for study purposes and realization of new theatre projects.
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