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Apartment or not? A path towards authorial presentation, Phenomenon of apartment theatre
Feithová, Irena ; Komlosi, Alexander (advisor) ; Slavíková, Eva (referee)
Brief characteristic:
This work is based on reflection three years long bachelor`s studies at department of authorship and pedagogy. First part of work concretely describes preparations for authorial presentations which are one of subject of studies at department of authorship and pedagogy and other possible authorial plans to future. Second part follow up to the first part and considers specific of phenomenon of flat theatre concretely Flat theatre of Vlasta Chramostová and tendency of contemporary artists to follow this genre.
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An Author´s Existence
Kafková, Martina ; Slavíková, Eva (advisor) ; Suda, Stanislav (referee)
This bachelor´s thesis represents a sort of personal looking back vhich goes in two parallel lines - looking for oneself in artistic circles and looking for one own creative approach to the life and pedagogy. The work is divided into three parts. First part maps the author´s (not only) family background, in the second part the author leads us through a period of searching and trying to understand oneself through studying artistic and psychosomatic disciplines and the third integrating part concentrates on the present moment as a point of departure for work with the voice and voice pedagogy.
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Theatre as a pedagogical concept
Tóthová Fišerová, Irma ; Vyskočil, Ivan (advisor) ; Slavíková, Eva (referee)
In my thesis I strive to unfold single stages of my studies at theatrical faculty of Academy of Fine Arts. My aim is not comparing single procedures, attitudes, methods (theatrical, pedagogical a. o.), or favouring any of them, but I am looking for, namely, an open-minded way of possibilities, so to say. I am concerning on studies, which enabled me to get to know the work, that is a goal of learning, I am concerning also on those, who guide, teache, motivate. On working both with a group and in a group, and, last but not least, on working on my personal progress. I am trying to examine new possibilities, challenges, trends. I am trying to ask myself new qustions. I am seeking potentials of my own author´s attitude.
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My local theatre - beerhalls, bars, pubs, restaurants, and others, as possible stages of dramatic, oral, and musical acitvities
Kasper, Zdeněk ; Vyskočil, Ivan (advisor) ; Slavíková, Eva (referee)
This thesis i trying to show a not-very-usual solution when it comes to creating an alternative space that is not intended to be strictly classical in theatrical terms. The SOMETHING view, altogether disappeared or has been inded hard to find.
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Searching for spontaneity
Urválková, Tamara ; Hančil, Jan (advisor) ; Slavíková, Eva (referee)
In my thesis I deal with quest for spontaneity and reflections upon it. I am preoccupied with certain techniques of self-recognition as a way of discovering spontaneity. In the introduction I reflect upon the notions of improvisation, coincidence and nonsense which, according to me, are closely connected with the subject of spontaneity. Next I inquire into Keith Johnstone's book IMPRO. I was especially influenced by the chapters on the starting-points of his pedagogical work in which he describes the specific ways of rejection spontaneity by the educational system and thus depriving students of creativity on behalf of imitating the established norm. Johnstone likewise describes the methods which were designed to help his students regain the lost spontaneity. I compare these methods with my own experience with the quest for spontaneity in the acting with the inner partner. The results of my dealing with this quest are the subject of the final reflection.
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JEŽEK A ČÍŽEK - HOMELESS PEOPLE THEATRE - AND ME
Jirásková, Helena ; Čunderle, Michal (advisor) ; Slavíková, Eva (referee)
This diploma thesis is about the first Czech homeless people theatre. It?s called Ježek a čížek (means The hedgehog and the siskin). The first part of the work concerns on facts and a evolution of this theatre. The second part attends to subjective view of one member from the executive team - me.
The theatre was founded in 2000 and it?s still working. The theatre prepared 13 productions, playd around 140 performances and nearly 300 actors ? clients passed through them. There were organized 4 international festivals of homeless people theatre and the group also played several times abroad. The theatre started to work as a volunteer activity and it has become a professional NGO, which offers also social and working assistance.
It was astonishing performance called Which is the color of nothing? (Jakou barvu má nic?) which encouraged me to join that project. I was in common with theatre and also with the work with socially poor people. Working there from 2003 till 2005 I had a chance to meet closely the members of the group. The goal of the theatre was preparing of a performance. It was directed sensitively and it required from actors ? clients to be open and playfull. Their life experiences are full of absurdity and cruelness.
Actors ? clients have my apprecation because ? although they have no safe place to live ? they are able to change their stereotype ?homeless? role and raise on the level of creativity for their own pleasure.
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