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Improvization of acting people with serious visual handicap
Laňková, Renata ; Slavíková, Eva (advisor) ; Pilátová, Jana (referee)
I would like to focus in my dissertation on improvization of acting people with serious visual handicap. These improvizations took place during theatre course from 2007 till 2008. This dissertation is divide into 3 parts. First part focuses on history and content of theatre course I've mentioned above and also visual handicap problems and psychical impact on human personality. Second part describes people who were involved in and their specific needs and verbal and movement improvization too. At the end I reflected the cooperation of the group and describe the knowledges which I got as the member of the group and as the social worker.
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Consciousness of a rhytm
Šteidl, Tomáš ; Slavíková, Eva (advisor) ; Kroschlová, Eva (referee)
The author Tomáš Šteidl, student at the Department of Autorship and Pedagogy, is in first part of his work working with Mihule´s book Rhythm and Rhythmos and trying to explain linguistic and philosophical meanings of the word rhythm. Next step from the philosophical point of view is for theatre more practical term temporhythm and author is trying to explain this term in connection with E. J. Dalcroze´s work in the field of Eurythmics and also at contemporary work of polish theatre director K. Lupa. Third part of work is concentrating on the reflexion of study at Department of Autorship and Pedagogy at DAMU, part of this reflexion is dedicated also to the Erazmus semester study at Rose Bruford College in London, UK. Last, fourth part of work is about enclosed dvd and about performances placed there - Brothers Karamazov, At the End of the Hall, Innocent.
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An Encounter With Dialgue Acting Within The Context of Spiritual Ways Known To Me And Practiced By Me.
Samuhelová, Danica ; Vyskočil, Ivan (advisor) ; Slavíková, Eva (referee)
In my diploma work, I tried to look into deeper context which opens during Dialogue Acting With Inner Partner (DA). I consciously left out the theatre utilisation of DA which I touched only marginally. Above all, I wanted to explore the spiritual aspect which is open to everyone at the moment of one's entering into the process of DA. For me, DA is a bridge between the western style of perceiving the reality, and the eastern insight into the essence of existence. I mention here only the spiritual practics I experienced by myself, mostly through practicing or intuitive connection through my dreams.
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Apartment or not? A path towards authorial presentation, Phenomenon of apartment theatre
Feithová, Irena ; Komlosi, Alexander (advisor) ; Slavíková, Eva (referee)
Brief characteristic:
This work is based on reflection three years long bachelor`s studies at department of authorship and pedagogy. First part of work concretely describes preparations for authorial presentations which are one of subject of studies at department of authorship and pedagogy and other possible authorial plans to future. Second part follow up to the first part and considers specific of phenomenon of flat theatre concretely Flat theatre of Vlasta Chramostová and tendency of contemporary artists to follow this genre.
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An Author´s Existence
Kafková, Martina ; Slavíková, Eva (advisor) ; Suda, Stanislav (referee)
This bachelor´s thesis represents a sort of personal looking back vhich goes in two parallel lines - looking for oneself in artistic circles and looking for one own creative approach to the life and pedagogy. The work is divided into three parts. First part maps the author´s (not only) family background, in the second part the author leads us through a period of searching and trying to understand oneself through studying artistic and psychosomatic disciplines and the third integrating part concentrates on the present moment as a point of departure for work with the voice and voice pedagogy.
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Theatre as a pedagogical concept
Tóthová Fišerová, Irma ; Vyskočil, Ivan (advisor) ; Slavíková, Eva (referee)
In my thesis I strive to unfold single stages of my studies at theatrical faculty of Academy of Fine Arts. My aim is not comparing single procedures, attitudes, methods (theatrical, pedagogical a. o.), or favouring any of them, but I am looking for, namely, an open-minded way of possibilities, so to say. I am concerning on studies, which enabled me to get to know the work, that is a goal of learning, I am concerning also on those, who guide, teache, motivate. On working both with a group and in a group, and, last but not least, on working on my personal progress. I am trying to examine new possibilities, challenges, trends. I am trying to ask myself new qustions. I am seeking potentials of my own author´s attitude.
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My local theatre - beerhalls, bars, pubs, restaurants, and others, as possible stages of dramatic, oral, and musical acitvities
Kasper, Zdeněk ; Vyskočil, Ivan (advisor) ; Slavíková, Eva (referee)
This thesis i trying to show a not-very-usual solution when it comes to creating an alternative space that is not intended to be strictly classical in theatrical terms. The SOMETHING view, altogether disappeared or has been inded hard to find.
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