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The artistic – educational project The Dialogues
Blau, Petra ; OPAVSKÁ, Andrea (advisor) ; ELIÁŠOVÁ, Bohumíra (referee)
The aim of this bachelor thesis is to get acquainted with the essence of the artistic - educational project The Dialogues, which refers to cooperation among students, dedicated to dance education in the context of basic art education, and their educators and professional dancers of our current dance scene. In brief charakteristick are presented different actors of the project - a large dance group from ZŠ and ZUŠ Karlovy Vary, the dance group NoTa Pilsen and Prague dance group NANOHACH . Each chapter of the work contains the exact time schedule of the preparations, a detailed description of the formation of one of the choreography - the Moment of transformation - and the final presentation of the entire project. This expert work is also contemplating the meaning and importance of mutual influence of amateur and professional dance world in the wider.
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Farm in the cave: Disconnected
Částková, Monika ; GREMLICOVÁ, Dorota (advisor) ; OPAVSKÁ, Andrea (referee)
The thesis studies and describes movement in physical theatre. Specifically it works with the production Odtržení of the dance group Farm in the cave.
The production was selected as the best production of the year 2016 on the festival of Czech Dance Platform. The thesis uncovers the backstage of preparations of the production, including the study stay in Japan and the process of creation of individual components of the production. It describes the content and the movement interpretation of individual scenes and situations. Since the author of the thesis took part in the production as one of its interpreters and at the same time participated in its choreography, the thesis includes subjective reflections, personal experience and interviews with other actors in the production.
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Jozef Fruček and Linda Kapetanea: artistic group Rootlessroot and Fighting Monkey program
Čížek, Petr ; OPAVSKÁ, Andrea (advisor) ; OVSOVÁ, Libuše (referee)
The main aim of this master thesis is to bring the personality of Jozef
Frucek and Linda Kapetaney as a creator and pedagogue who influence their
approach to European artistic events. Much of the work is devoted to the
Rootlessroot Platform, through which they realize their work and the research
movement Fighting Monkey, which reflects their pedagogical approach and way
of thinking. In the individual chapters, the pillars of the Fighting Monkey -
Anatomy of the Injury, Earthquake Architecture, and Anatomy of Events - are
presented in more detail, and I will give them an example of movement games.
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Modification of the capillary wall for the separation purpose I.
Opavská, Andrea ; Kučera, Radim (advisor) ; Kastner, Petr (referee)
Department of Pharmaceutical Chemistry and Drug Analysis Andrea Opavská doc. PharmDr. Radim Kučera, Ph.D. Modification of the capillary wall for the separation purpose I In general, capillary electrophoresis is a separation method suitable for the analysis of charged molecules, eventually neutral substances. The interest in this method and its further modification (e.g. capillary electrochromatography) has been increasing in recent years, is developing. In the case of capillary electrochromatography, the development focuses mainly on the modification of the inner wall of the capillary. The purpose of this modification is in particular to introduce a stationary phase that would improve selectivity, as well as the modification of the electroosmotic flow. The thesis deals with the modification of the internal capillary wall and the subsequent testing of the prepared capillary. One possibility is chemical coating. The second tested method is called Layer-by-Layer and represents the layering of variously charged substances in layers interacting with each other through electrostatic forces. In our work we used polycation poly(diallyldimethylammonium chloride) and graphene dispersion. The choice of graphene is very advantageous because it has excellent adsorption properties due to its morphological...
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Fusion of dance styles
Hývnarová, Petra ; OPAVSKÁ, Andrea (advisor) ; JANEČEK, Václav (referee)
This bachelor thesis points out the new arising trend, that is a fusion of dance styles and techniques. Based on the researching of mutual principles and teaching practice of two selected professional dance teachers, it is described the process of fusing and its influence on the area of dance teaching. The context is completed with reflection of this actual trend, which is absolutely inherent way of the next development on the field of dance. This work is creating an introduction for further studing and analysing principle, which could become milestone in the dance and dance pedagogy evolution.
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The czech contemporary dance in the nineteen nineties
Opavská, Andrea ; GREMLICOVÁ, Dorota (advisor) ; STAVĚLOVÁ, Daniela (referee)
The main goal of this thesis is to clarify the situation of the Czech contemporary dance platform in the nineteen-nineties and its transformation, on the basis of four case studies of concrete personalities and their dance works: Eva Černá a Karel Vaněk (Little blue nothing), Lenka Flory (..and where is Mary?), Jan Kodet (Jade) and Petr Tyc (The Fall of The House of Usher). The emphasis is put on catching the different qualities of movement, searching for the origins of their source of inspiration.
In order to understand the deeper context of this period it was necessary to briefly describe the development of "scénický" ("scenic") dance before 1989. This matter is put into the larger context of the change in aesthetics of the corporeality since the nineteen-sixties and the formation of the concept of contemporary dance with delimitation of its content.
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Modern dance styles and their influence on contemporary dance technique
Bigošová, Viktória ; OVSOVÁ, Libuše (advisor) ; OPAVSKÁ, Andrea (referee)
Within the final thesis, the main focus is directed towards history of modern dance techniques, their principles and terminology associated with respective time periods. Furthermore, significant personalities of these periods will be introduced. Following chapters will depict underlying conditions in formation of contemporary dance and also terms often associated with such dance practice. Fourth chapter is dedicated to specific figures, that we were able to encounter within studies on the Academy of Performing arts. We will elaborate specific training approaches and moreover try to discover context and influence of modern techniques contained in their work. Last chapter will summarize the influence of modern art techniques on contemporary dance, what they share and also the role of dance in current society.
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Duet as a dialog of two bodies in contemporary dance
Opavská, Andrea ; Kubicová, Ivanka (advisor) ; Raček, Daniel (referee)
The main goal of the MA paper is to get deeper into the subject of dance duet in its basic movement principles. These are determined by such body contact techniques as ballroom dance, classical dance, contact improvisation, eastern martial arts etc. There are different information layers in every chapter. At first information of anatomy and nerve system comes. Then basic methodology of movement folows and consideration of gravity. The dance duet is explored from a psychologic point of view too, not least is included reflection of authenticity of movement expression and its influence on stage presentation and stage-auditorium communication.
There is the DVD disc enclosed with examples of various kinds of dialogue used in theatre, dance, film etc. The shortcuts are purposely chosen from nowadays Czech and Slovak projects presented in CR and abroad.
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