National Repository of Grey Literature 5 records found  Search took 0.00 seconds. 
Musical Dramaturgy in films of David Lynch
Černohorský, Ondřej ; KUDLÁČ, Jakub (advisor) ; Klusák, Martin (referee)
David Lynch is one of the most important American postmodern filmmakers. His films are typical for their visual style, intellectual difficulty, surreal sequences, and intense emotional impact. Music used in his film is one of the most important tools how to achieve his artistic goals. This thesis is focused on the means how David Lynch uses film music in his films since his collaboration with composer Angelo Badalamenti. The film music of the particular film Mulholland Drive will be analysed and the results will be extrapolated on other of his films, namely Blue Velvet, Twin Peaks: Fire Walk with Me, Wild at Heart, Lost Highway, and Mulholland Drive.
Music as Film, Film as Music
Klusák, Martin ; RATAJ, Michal (advisor) ; BARTOŇ, Hanuš (referee)
The core of this work is to search for analogies between different aspects of music composition and film speech in relation to music and film theories and my own compositions and art works. The initial chapter focuses on the terms visual music and synaesthesia. The second chapter is the principal part of the thesis, and compares different parameters of musical composition and film speech and tries to find inspirational influences between these two. In the third chapter I use the previous research to analyze chosen own works.
Consonance and Dissonance in the Context of My and Other Composers' Works
Klusák, Martin ; LOUDOVÁ, Ivana (advisor) ; KURZ, Ivan (referee)
The first three chapters cover historical and contemporary theories of consonance and dissonance that directly influenced my work. This thesis focuses on music-theory and acoustic interpretations of the two terms, but contains also two non-conform points of view on the subject. In the last - fourth - chapter, using own reflections and analyses of own compositions, I describe main relationships of the terms consonance and dissonance with my works.
Sound in feature films without speech
Klusák, Martin ; ČENĚK, Jan (advisor) ; KŘÍŽ, Jiří (referee)
The main goal of this thesis is to describe the unofficial genre of films without speech and to analyze principles of the use of sound and film language in such films. Initial chapters speak generally about the phenomenon of feature nonverbal cinema with the focus on its historical development and general film language. The middle part presents, and briefly describes chosen films without speech, and suggests their sorting into sub-genres. The last, vastest part of the work, is an analytic study of various approaches to reduce speech generally throughout film. This part leads into the final theoretical description of soundtrack in films without speech.
The Use of Sound in Czech Television advertisment since 1989
Klusák, Martin ; Ekrt, Viktor (advisor) ; Hrma, Lumír (referee)
In my work, I would like to describe the typical features of the use of sound in Czech TV advertisement during both, the period before 1989 and the period from the early 1990s until the present. I would also like to compare my findings.

See also: similar author names
2 Klusák, Marek
1 Klusák, Michael
2 Klusák, Miroslav
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