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Cathedral
Kliment, Jakub ; Šneberger, Jan (referee) ; Gabriel, Michal (advisor)
The statue called The Cathedral is a natural extension of my work, which deals with organic morphology of the landscape, both the details and grand compositions, which in the countryside vyskytují.Stejně like most authors is my creative work reflection of my surroundings, both personal so near in geographical terms. Integrating these aspects arise impetus to creation. In the case of sculptures entitled The Cathedral is a rendering of the very strong impression of verticality, which dominates the landscape. Regularly clashing with seemingly ordinary natural objects such as trees, soil, hills or reliefs and reliefs such as landscapes, I got into an imaginary dialogue, which I decided to answer this statue and also portray already mentioned impressed. This feeling is for me identically comparable to a situation where the viewer stands in front of the high Gothic building and trying to accommodate the shape of a giant who stands before him. Its peak, it seems so distant, as if no end, and the broad base is a kind of sign of confidence in the form of stability. Parallels between these seemingly different topics I could not miss, so I decided to call the statue Cathedral. In this work, as in previous ones, I try to get into organic sculptures character with the help of the deformation of materials, or basically draping. Compacting elastic materials to try to create the statues of the tension that fascinates me in nature and creates the impression of growth, which is in the countryside of one of the strongest motives. Shape diversity, which is in the landscape, in my inexhaustible source of inspiration and has become lately a space that fills me. When I release the perception of various aspects of your imagination and build imaginary composition, which would then be identical expression perceived impressions.
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Implosion
Kliment, Jakub ; Šlegl, Josef (referee) ; Gabriel, Michal (advisor)
In this work, I deal with emergent shapes using deformation. With this deformation technical element (which in this case are discarded barrels from fiberglass) resulting shapes and curves that give me a basis for further work with the object. So I transform seemingly technical object to object organic. Subsequent stacking barrels on each other and bridging transitions between drums, creates a compact shape and composition of the vertical nature of the organic character. The vision of this column should be inspired by nature and vegetation. The column should reflect the steady shift and grow. Shapes obtained deformations are related shapes, which you can perceive in nature as such.
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Cathedral
Kliment, Jakub ; Šneberger, Jan (referee) ; Gabriel, Michal (advisor)
The statue called The Cathedral is a natural extension of my work, which deals with organic morphology of the landscape, both the details and grand compositions, which in the countryside vyskytují.Stejně like most authors is my creative work reflection of my surroundings, both personal so near in geographical terms. Integrating these aspects arise impetus to creation. In the case of sculptures entitled The Cathedral is a rendering of the very strong impression of verticality, which dominates the landscape. Regularly clashing with seemingly ordinary natural objects such as trees, soil, hills or reliefs and reliefs such as landscapes, I got into an imaginary dialogue, which I decided to answer this statue and also portray already mentioned impressed. This feeling is for me identically comparable to a situation where the viewer stands in front of the high Gothic building and trying to accommodate the shape of a giant who stands before him. Its peak, it seems so distant, as if no end, and the broad base is a kind of sign of confidence in the form of stability. Parallels between these seemingly different topics I could not miss, so I decided to call the statue Cathedral. In this work, as in previous ones, I try to get into organic sculptures character with the help of the deformation of materials, or basically draping. Compacting elastic materials to try to create the statues of the tension that fascinates me in nature and creates the impression of growth, which is in the countryside of one of the strongest motives. Shape diversity, which is in the landscape, in my inexhaustible source of inspiration and has become lately a space that fills me. When I release the perception of various aspects of your imagination and build imaginary composition, which would then be identical expression perceived impressions.
|
|
|
Implosion
Kliment, Jakub ; Šlegl, Josef (referee) ; Gabriel, Michal (advisor)
In this work, I deal with emergent shapes using deformation. With this deformation technical element (which in this case are discarded barrels from fiberglass) resulting shapes and curves that give me a basis for further work with the object. So I transform seemingly technical object to object organic. Subsequent stacking barrels on each other and bridging transitions between drums, creates a compact shape and composition of the vertical nature of the organic character. The vision of this column should be inspired by nature and vegetation. The column should reflect the steady shift and grow. Shapes obtained deformations are related shapes, which you can perceive in nature as such.
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