National Repository of Grey Literature 35 records found  previous11 - 20nextend  jump to record: Search took 0.00 seconds. 
Jelizaveta Nikolska
Pollertová, Adéla ; KAZÁROVÁ, Helena (advisor) ; GREMLICOVÁ, Dorota (referee)
Work, which bears the name Jelizaveta Nikolska, captures the artistic and private life of this grand diva of ballet from the first half of the 20th century. It describes her childhood, youth, and when she started dancing in the Russian city Odessa. It continues with her visit to the National Theatre of Prague, where she arrived in 1922, and her interpretation of the role of Odette in Swan Lake which helped her enter the Czech cultural society. Furthermore, this piece looks at her work in Paris, and subsequent engagement in Cairo. The once forgotten, lost and newfound ballet Hands by Bohuslav Martinu is also mentioned. This work includes Nikolska?s return to Prague and involvement in the National Theatre during the World War II, her collaboration and subsequent escape from Czechoslovakia to Venezuela, where her life journey ends.
The Evolution of the Concept of Ballet-Pantomime in the Age of the Enlightenment Europe
Dotlačilová, Petra ; KAZÁROVÁ, Helena (advisor) ; BRODSKÁ, Božena (referee)
The subject of my master´s thesis is focused on the evolution of the concept of ballet-pantomime in the Europe of the Enlightenment, that is in the second half of the 18th century. Ballet-pantomime was a new genre in the art of ballet, which was treated in theory and afterwards brought into practice in this historical epoque. After the outline of political and cultural context of the Enlightenment period, analysis of the most important theoretical texts and reflexions compiled by important cultural personalities follows. The next part of the thesis treats different dance styles and the state of ballet in the most important European cities where the genre of ballet-pantomime was introduces into practice.
Movement as part of a professional singer preparation
Tomsová, Jana ; FRIČOVÁ, Marie (advisor) ; KAZÁROVÁ, Helena (referee)
In this diploma thesis are examined importance and practical form of physical education for students of opera singing. This physical preparation is although automatically a part of art education in schools, but is determined by a number of lessons and their ideological fulfillment. The work also introduces basic dance styles and their elements, that can assist future opera singer in finding the optimum engagement.
Stage presence
Stupecká, Kateřina ; KAZÁROVÁ, Helena (advisor) ; Puchowska, Sara (referee)
The Chapter which bears the Title of the whole Work indicates the Key points addressed: The Expanding Body, Energy in Time, Energy in Motion, and Dynamics of the Body. In addition, I elaborate on the implications and effects of Space, Time and Rhythm. "Stage Presence" is presented with especial reference to leading researchers and physicists in the field. I also mention the philosophies of Far Eastern religions and their effects on the art of dance as well as the opinions of researchers in the field of dance. The whole work takes as its basis my own views on creativity and movement itself as supported by the afore-mentioned personalities and their ideas.
Ballet Giselle written by Henri Justamant in 60th years of 1860 Century
Rafajová, Zuzana ; KAZÁROVÁ, Helena (advisor) ; BRODSKÁ, Božena (referee)
This bachelor thesis deals with ballet Giselle written by Henri Justamant in 1860s. Introduce translation of 2nd act of this ballet, that compare with original libretto from 1841 and delas with its analysis.
Dance Art in the cultural Politics of the Czech Republic
Štindlová, Eliška ; KAZÁROVÁ, Helena (advisor) ; Burešová, Lucie (referee)
This master thesis is primarily aimed at the problematic of cultural politics of the Czech Republic. The main research topic is not only the politics in culture, but also the legislative document of the State Culture Politics of the Czech Republic. The main object of this work is the determination and distinction of the support in the field of dance art in the Czech Republic. An important part is made of historic contexts, definitions of present terms connected to the politics in culture and insight into the problematic of dance support in the UNESCO and in the EU. There is the main emphasis on grant politics of separate regions with consideration to the dance support of the Czech Republic in this work. The graphical sketch of the personal changes in the Ministry of Culture is also part of the thesis. There are also chapters enabling insight into the problematic connected to the culture and creative industries, which take part of culture politics of many countries.
65 Years of the Dance Department on the Music and Dance Faculty
Štindlová, Eliška ; Kazárová, Helena (advisor) ; Gremlicová, Dorota (referee)
This work enables the view into the problematic of the Dance Department establishment compared to the whole situation in the Czech dance school system with the main emphasis on the whole concept of study with its nuances and discrepancies. Except from the inventory of the separate specializations and explanation of the basic problematic related to the specializations and their historical evolution, it is possible to familiarise with the collaborative institutions related to the dance department itself. The specification of the individual specializations together with expression of the most important turning points in the history of the Dance Department remains also not aside. Series of short biographies of the people, whom in setting of the Dance Department were awarded the highest academic degrees, are also part of this thesis as well.
Czech dance in the sixties of the twentieth century
Krejčiříková, Alžběta ; Gremlicová, Dorota (advisor) ; Kazárová, Helena (referee)
My thesis maps out an overview of the sixties of the twentieth century within the field of dance in the Czech Republic. The purpose of this thesis is to form a chronological analysis of premiers and their creators (appendix A), of theatre abiding companies and the Prague Ballet. Further on I discuss individual dance companies, both theatre abiding and functioning under other institutions , by which I curb the discussion closer to the time period pertinent to the subject at hand. In all, this thesis points out the importance of the sixties in the history of Czech dance and their significance in the evolution of dance in the Czech Republic during the second half of the twentieth century.
HISTORY OF THE CORPS DE BALLET OF THE SOUTH BOHEMIA THEATRE
Kabelová, Naděžda ; Kazárová, Helena (advisor) ; Gremlicová, Dorota (referee)
In my bachelor thesis I would like to describe important historical events and conditions which had led to development of the corps de ballet in the South Bohemia Theatre in České Budějovice. It is my aim to use relevant historical documents and literature to analyze the situation of the theatre and it´s corps de ballet from its beginning to 2009. I Intend to provide information about history of the theatre and about important members of the corps, choreographers and performances. Attention is focused to the period, when Libuše Králová was a choreographer, because it was during this time, when I obtained my first serious ballet experience as a member of this corps.

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