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Rationalisation of plant Kiekert CS
Janoušek, Pavel ; Neužil, Karel (referee) ; Hlavenka, Bohumil (advisor)
The theme of the bachelor thesis is solving increase in the enquiry in Kiekert CS, which is producing central latches- Basisschloss. There are propounded three possible solutions: the decrease of work difficulty in cricital workplaces, the implementation of weekend shifts and doubling of critical workplaces. The possibilities and the conditions are described in the sections three and four.
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Modernization of 3D measuring instrument
Janoušek, Pavel ; Kubík, Roman (referee) ; Kalivoda, Milan (advisor)
The theme of this thesis is solving modernization of 3D measuring instrument. The modernization was necessary for implementation of new activities. Based on customer’s requirements, a new Incoming Inspection for the new projects was established. Another reason for modernization is development of new products. These new products require the most modernized measuring technology. There are presented 4 variants of solution.
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Censorship and its influence on the theater during the time of the Protectorate of Bohemia and Moravia
Kovaříková, Olga ; Míšková, Alena (advisor) ; Köpplová, Barbara (referee) ; Janoušek, Pavel (referee)
TITLE: Censorship and its influence on the theater during the time of the Protectorate of Bohemia and Moravia AUTHOR: Olga Kovaříková DEPARTMENT: History and History Didactics Department SUPERVISOR: doc. PhDr. Alena Míšková, Ph.D. ABSTRACT: This dissertation describes the organisation and the influence of censorship in the theater during the time of the Protectorate of Bohemia and Moravia, and is based on the political, administrative and cultural history of the given period. The purpose of the work isn't only to describe the structure of censorship in the theater, but also to relate its significance to the world of theater and its repertoire using concrete examples of Czech theater in Prague. As a result of interpreting censored theater scripts performed during the protectorate period of Prague, the work contains detailed characteristic and thematic categorization of the most frequent expurgations. Through the use of theater memoirs and police records, the work shows the censorship's influence on the everyday history of Prague theater. The procedure of censorship used at this time reveals the main tendency of cultural policy, the categorization of expurgations reflects the everyday history of the protectorate. The work is completed entirely by an alphabetical list of the permitted and forbidden dramatic...
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Small Stage Theatres of the 1960s in Malostranská beseda
Horynová, Anna ; Janoušek, Pavel (advisor) ; Etlík, Jaroslav (referee)
Bachelor thesis analyses theatre at 60's in one of the important Czech places: on the cultural stage of the Malostranská beseda, especially at 60's of 20th century. After a brief description of building of Malostranská beseda and cultural activities organized there work continues with cultural conduction of several theatre companies and theatre societies that worked there in mentioned period of time (mostly by Theatre of Jára Cimrman, Dostavník theatre and Antitalent theatre). Part of the work should gains information from oral history - statements of contemporary witness (Vladimír Just, Zdeněk Svěrák).
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Authenticity of Czech literature in the 1990's
Malá, Zuzana ; Janoušek, Pavel (advisor) ; Šrámek, Petr (referee)
V devadesátých letech dvacátého století se na stránkách literárních časopisů začalo diskutovat o autenticitě v souvislosti s masivním vydáváním tzv. autentické literatury, tedy dopisů, memoárů a především deníků. Literární kritici se zajímali nejenom o konkrétní deníkové texty, ale také o obecné teoretické přístupy k autentické literatuře. Autenticita však není literární pojem, má své počátky ve filozofii, konkrétně ve filozofii existencionalismu. Zajímalo nás, jakým způsobem přejímá literární věda autenticitu z původního filozofického hlediska na rovinu poetickou. Hlavní osobností, která užívala kritérium autenticity pro hodnocení literárního díla, byl Jan Lopatka. V naší práci představíme zásadní myšlenky jeho kritického přístupu k textu, neboť svou metodologií rozpoutal vlnu polemik, které se rovněž odrazily v diskusi o autenticitě v 90. letech. Proti kritickému přístupu Jana Lopatky se ohradilo mnoho literárních kritiků a vědců. V příspěvcích do literárních časopisů diskutovali o významu autora pro autentické dílo, o možnostech recipienta, o pravdivém záznamu reality v textu a především o postavení soudobé literární kritiky. V neposlední řadě se diskuse dotkla i díla Ludvíka Vaculíka, který stojí na samém počátku diskusí o autenticitě. Problém autenticity je velmi široký a rozsáhlý, omezíme ho tedy...
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Textual analysis of the plays by Ivan Vyskočil
Rožníčková, Pavla ; Janoušek, Pavel (advisor) ; Janáček, Pavel (referee)
Ivan Vyskočil (narozen 27. 4. 1929 v Praze) je osobnost, která se svou uměleckou činností zásadně podílela na konstituování české kulturní společnosti 20. století. Je nezbytné, abychom Vyskočilovy nejen umělecké aktivity sledovali v kontextu společenském a zároveň v kontextu jeho života. Ivan Vyskočil vyrůstal se svou rodinou na pražském Spořilově. Jeho sousedy byly například rodina Jiřího Suchého, Ctirada Pospíšila (Před koncem protektorátu se Ivan Vyskočil poprvé účastnil divadelního představení právě u Pospíšilů na balkoně.). Vyskočil navštěvoval chlapeckou školu u sester Voršilek ve Voršilské ulici společně například s Janem Tichým, budoucím výtvarníkem, či s Jiřím Pištorou, pozdějším básníkem. Brzká setkání s osobnostmi, které byly později též nedílnou součástí českého kulturního života, bylo důvodem profilace Vyskočila - umělce již v raném věku. První umělecké pokusy tedy můžeme sledovat už na Spořilově, hlavně po válce, po příchodu dvou františkánů P. Cyrila (Josef Kadlec), doktora církevního práva, aP. Inocence (František Kubíček). Pod jejich vedením byl upraven prostor pod kostelem na klubovnu a sál. Působilo zde asi dvacet lidí, mimojiné i otec Jiřího Suchého se svým loutkovým divadlem. Vyskočil během gymnaziálních studií píše pro tuto "scénu" své prvotiny. Je autorem většiny textu kabaretu Múza...
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Absurdity in Zahradní slavnost and Veletrh splněných přání
Dobešová, Adéla ; Janoušek, Pavel (advisor) ; Mocná, Dagmar (referee)
Resumé The work presented here tries to analyze and compare two texts of seemingly incongruous authors: "Veletrh splněných přání", by Vladimír Páral and "Zahradní slavnost" by Václav Havel. Both pieces connects together the period and conditions of their creation. The selection is also motivated by the similarity of its topics, crowned finally with the almost identical point. Pervasive sense of the absurd is analysed on three levels in the text: in the plane of language, fonn and motif. ln the plane of language above aH is concerned the comparison of deviated fonn of language that creates the atmosphere of alienation, misunderstanding, grooviness and nonsense; in the fonnal plane is compared the use of fonnal means creating the feeling of the mechanisation of life and the oppressive atmosphere of everydayness achieved in particular through the use of: repetition, variation and shortening; in the third plane, the process of identity loss is examined: the motif of both texts is the loss of identity on the way to self-assertion in the (mechanism of) quaintly inhuman environment and confonnation to the absurd world. This work at the same time attempts to name the links of both authors to the context of the world (international) literature in particular to the absurd drama and experimental prose, whose interface...
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Transformations of poetics in Václav Řezáč's novels
Peterka, Radek ; Janoušek, Pavel (advisor) ; Mocná, Dagmar (referee)
The main objective of this diploma thesis is description of poetics in Václav Řezáč's (1951-1956) novels. It 's especially interested in transformations of poetics between three periods of Řezáč's literary production. Vaclav Řezáč's novels influenced by literary tradition and time period he lived in. That's why we have analyze also novels by other writers. It is believed that Řezáč's evolution was rather cyclical; his novel Nástup in a way refers to some techniques of his previous work Slepá ulička, although with quite different ideological message.
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Composition and mystification (Jan Novák, Jan Lukeš, T.R. Field)
Odložilíková, Žaneta ; Janoušek, Pavel (advisor) ; Brožová, Věra (referee)
This diploma thesis Composition and Mystification (Jan Novák, Jan Lukeš, and T. R. Field) acquaints the reader with three personages of Czech literature of the twentieth century. So far they have been treated by literary science as rather marginal. Their work is associated with a great deal of literary mystification originating from the authors themselves or people influenced by their literary output and their personalities. All three authors belong to the category of so called 'loonies', which implies that their lives and their work were to certain extent shaped by the eccentricity of their personalities or perhaps even mental disorders. The introductory chapter with its synoptic character defines and describes the term of literary mystification which is further on related to terms such as play, ludism and myth. Particular emphasis is being put on the distinction between the literary mystifications and the traditional ones. Selected literary mystifications in Czech literature are exemplified. Attention is also drawn to the publications of Vladimír Borecký who was interested in the category of so called 'loonies' and 'weirdoes'. The following chapter is concerned with individual authors maintaining an identical procedure of their depiction. After the sources of information are mentioned, the...
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