National Repository of Grey Literature 28 records found  1 - 10nextend  jump to record: Search took 0.00 seconds. 
Neumed Missal XIV D 12. Inventorying of the Source and a Probe into the Alleluia Verses
Vergosová, Eva ; Eben, David (advisor) ; Hlávková, Lenka (referee)
The subject of the bachelor's thesis is a neumed missal XIV D 12. Although it is an exeptionally valuable source for the study of Mass repertoire both in Europe and in the Czech lands, it has been given an inadequate reflection in scientific literature so far. The partial results of scientific research have indicated diverse periods and places of the manuscript origin. One of the thesis objectives is to contribute to the date and provenance determination of the source, particularly based on an elaboration and analysis of its musical and liturgical content. The analysis of selected repertoire parts makes equally important statement of the missal. It allows a precise definition of European traditions, which the manuscript is based on and a specification of the traditions developed in Czech sources. Keywords: plainchant, Middle Ages, musical manuscripts, missal, Mass, Mass Proper, Vyšehrad Chapter, alleluia
Understanding performance tradition in the Czech Philharmonic Orchestra: The case of Dvořák's "New World" Symphony
Mišejková, Magdaléna ; Havelková, Tereza (advisor) ; Hlávková, Lenka (referee)
In this paper I examine and describe concrete features of performance tradition in the Czech philharmonic orchestra in case of Dvořák's "New World"Symphony. This research is based on field research while the main authority sustains in semi-structured interviews held with twelve members of the Czech philharmonic orchestra, different ages and instruments. Interviews are supported by analysis research of notes and selected discography in range of sixty years. The outcome of interviews reveals general qualities in performance which are thought as traditional and intrinsic as what is changing it. Although the view on traditional performance in the Czech philharmonic orchestra is not understand agreeably, result point out specific attributes through which the members recognized their own audio recording with. These attributes I try to explain and describe on concrete musical passages in "New World" Symphony on which I suggest the unique performance tradition carrying in the Czech philharmonic orchestra. Powered by TCPDF (www.tcpdf.org)
Office of St. Scholastica in Notated Manuscripts of the St. George Monastery in Prague
Sojková, Barbora ; Eben, David (advisor) ; Hlávková, Lenka (referee)
This master thesis follows up the offce of St. Scholastica in medieval manuscripts of the female benedictine monastery of St. George at the Prague Castle. We can fnd two offces of the saint - older offce Quadam vero die and younger offce Regnum celi - in notated and unnotated manuscripts of the second half of the 12th century - frst half of the 15th century. The main goal of this work is to place these offces in the context of liturgy of the feast in european liturgical manuscripts, then classify the date and provenance of the chants. The frst chapter of this work deals with general chants for the Feast of St. Scholastica in European sources. As a starting point for research, I used the web text databases Latin sacred chant Cantus - Database for Latin Ecclesiastical Chant - and LMLO - Latin Medieval Liturgical Offces. Because of the absence of comparative material for the older offce Quadam vero die especially, I had to study a huge number of other liturgical sources, that are also commented in this chapter. The following chapters follow up the plainchant repertoire for the feast of St. Scholastica in the St. George's sources. The second chapter provides a general overview of the St. George's manuscripts, as well as an image of reverence to the saint in the liturgical calendars used at the St....
The Relationship of Music and Word in the 15th Century Songs
Jakoubková, Petra ; Hlávková, Lenka (advisor) ; Baťa, Jan (referee)
The polyphonic songs from the 15th-century Czech manuscript Codex Speciálník were studied allready in 1980s and 1990s by Dagmar Vanišová and Jitka Petrusová. In the context of actual research, the former interpretation of songs with Latin sacred texts (understood as cantiones) needs a revision. In my study, I am discussing problems concerning the relationship of music and words within individual compositions and in the context of the period musical culture.
The office of Saint Adalbertus in Bohemian sources
Pušová, Renata ; Eben, David (advisor) ; Hlávková, Lenka (referee)
Přednostně se v této práci zabývám svatovojtěšským officiem, které bylo tradováno v českých zemích a které nacházíme v pramenech na území Čech ze 14.- 16. století. Následně bych chtěla toto české officium konfrontovat s dalšími svatovojtěšskými officii, která nalézáme v pramenech na území Evropy, konkrétně v Německu, Polsku a Maďarsku - tedy v oblastech, kde byl kult tohoto světce pěstován záhy po jeho smrti. Chtěla bych zde poukázat na některé zajímavé spojitosti mezi těmito různými verzemi officia k témuž světci, které, jak se pokusím prokázat, nevznikaly zcela izolovaně a bez znalosti ostatních svatovojtěšských officií. V analýze se pak snažím odhalit některé specifické znaky českého officia, které by mohly vést k alespoň přibližnému zodpovězení nesnadné otázky datace kompletního svatovojtěšského officia a naznačit proces jeho vzniku. Součástí této práce je rovněž edice české verze svatovojtěšského officia, která byla vzhledem k významu tohoto světce pro české země a vzhledem k existenci obdobné edice polského svatovojtěšského officia již dlouho žádána.
Oral tradition of cantiones in Czech lands and its imprint in late medieval manuscripts
Kodýtek, Pavel ; Hlávková, Lenka (advisor) ; Baťa, Jan (referee)
Oral tradition of cantiones in Czech lands and its imprint in late medieval manuscripts Abstract The sources extant in the Czech lands transmit a vast body of cantiones, i.e., Latin spiritual monophonic or polyphonic songs that provide a rich basis for research into their tradition and transmission during the late Middle Ages. Though they have been subject of scholarly study for a century and a half, much of the literature is limited by the approach employed, be it the philological method, which saw a cantio's extant sources a tool for deriving its archetype and in its variants merely errors to be emended (Mužík, Černý), or a nationalistic bias (Nejedlý). In the case of chant, scholars have suggested that the tradition of medieval music was strongly impacted by oral transmission (Treitler, Hucke) and hence should be looked at from a different perspective, one close to that of ethnomusicology (Jeffery). Though some recent papers reflect this approach (Gancarczyk), it has not yet been tested on a larger body of songs, nor its implications systematically outlined. My study of several dozen songs recorded around 1410 in CZ-VB 42 that survived and thrived-as evidenced by a selection of sources-well into the following century demonstrates the diversity of the genre and the continuing dominance of monophonic...
Contribution of Prague's Professional Scribal Workshops to the Dissemination of Vocal Polyphony at the Turn of the 17th Century
Krátká, Natálie ; Baťa, Jan (advisor) ; Hlávková, Lenka (referee)
The thesis about Prague as the leading musical center of the Czech Kingdom is generally accepted in musicological discourse. Likewise, the key role of professional Prague writing workshops in spreading monophonic singing is not questioned. In the distribution of vocal polyphony are many uncertainties. The only known workshop that also created primarily polyphonic manuscripts is the New Town workshop of Jan Kantor Starý († 1582). The number of other surviving manuscripts indicates that there were more such workshops in Prague at the turn of the 16th and 17th centuries. The object of the master thesis is therefore to reveal another possible workshop based on detailed paleographic and codicological research of a selected group of polyphonic sources, which demonstrably contain common writing hands. Keywords musical iconography, codicology, vocal polyphony, Prague
Musical Iconography within the Architecture of Renaissance Prague. Inventory and commentary of preserved musical iconographic heritage.
Bíro, Adrián ; Baťa, Jan (advisor) ; Hlávková, Lenka (referee)
The subject of this work is the documentation, evaluation, and interpretation of Prague's architectural monuments from the 16th century from the point of view of musical iconography - focusing on the musical elements within the decoration of the palace of Jáchym Novohradský of Kolovrat. Keywords Musical Iconography; Renaissance Architecture; Prague; Kolovrat; Garden

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2 Hlávková, Lucie
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