|
Dance writing in Bohemia 1925-1939
Durczaková, Kristina ; Gremlicová, Dorota (advisor) ; Dercsényiová, Lucie (referee)
This bachelor thesis deals with dance writing in Bohemia between years 1925 and 1939. During this period, the specialist theoretical reflection of dance developed, especially thanks to two main personalities - Emanuel Siblík and Jan Reimoser. Individual chapters deal with particular period journals, such as Divadlo, Rozpravy Aventina, Útok and Klíč. The occurence and number of all texts concerning dance is described and compared, as well as their content, scope and individual style of authors, writing about dance. Separate chapter deals with periodicals specialising in dance (Živý tanec, Taneční listy and Taneční revue). The thesis therefore represents an insight of theoretical and critical dance writing in Bohemia within various periodicals.
|
|
Pavel Vranický ´s Ballet Das Waldmädchen
Stratilová Urválková, Eva ; Gremlicová, Dorota (advisor) ; Kazárová, Helena (referee)
The bachelor thesis focuses on the Pavel Vranický's ballet Das Waldmädchen,
played for the first time in Vienna's theatre Kärntnertortheater in 1796. Two
years later the ballet was brought to the Czech theatre Stavovské divadlo. There are several sheets of music in the České muzeum hudby for the ballet Das
Waldmädchen. The music was compared to piano score from Vienna's Österreichische Nationalbibliothek. Three hypothetical librettos of Vranický's ballet have been worked up using the plot from theatre poster, the opera libretto of Weber's early opera Das Waldmädchen, which is in the Bama Lutes Deal's dissertation, and the character of each musical number.
|
|
POLISH DANCE STAGE IN 1990´
Puchowska, Sara Maria ; Wiesner, Daniel (advisor) ; Gremlicová, Dorota (advisor) ; Kazárová, Helena (referee)
This thesis deals with Polish dance scene?s situation after 1989. It?s dedicated mainly to three artistic canters: Greater Theatre in Warsaw ? National Opera which is most likely concentrated on classic technique, Polish Dance Theatre ? Ballet Poznanski, which in turn is a contemporary group and Studio Buffo where musical and dance exhibitions are presented.
The mentioned period was chosen because that?s the moment right after the fall of communism and when times were changing significantly. Yet another reason is lack of written information about those times
|
| |
| |
|
Dance and its structure
Klívarová, Daniela ; Gremlicová, Dorota (advisor) ; Eliášová, Bohumíra (referee) ; Kovářová, Miroslava (referee)
The doctoral thesis is contribution to contemporary dance as a dance genre. It is focused on qualitative research made in framework of two volumes of international cultural exchange in the field of dance: Pointe to Point, Third Asia-Europe Dance Forum held in Tokyo, 2005, and Pointe to Point, Fourth Asia-Europe Dance Forum realized in Warsawa, 2006.
|
| |
| |
|
Male Dancer
Skalická, Bronislava ; Gremlicová, Dorota (advisor) ; Ovsová, Libuše (referee)
The magister thesis originated as a result of the process of the qualitative research carried out among the dancers in czech theatres. The informations I acquired during the interviews carried in Prague, Brno and Ostrava enable the reader to understand male dancers, their mentality, behaviour and their attitude regarding the career and profession.
|
|
Alwin Nikolais - choreographer and scenic visionaire of second half of 20.th. century
Celbová, Kristýna ; Eliášová, Bohumíra (advisor) ; Gremlicová, Dorota (referee)
In this thesis, named "Alwin Nikolais choreographer and scenic visionarist of second half of 20.th century", I wanted to look closely into choreographic work of Alwin Nikolais and focus on artistic komponent of his productions. I had the aim to analyse his most significant choreographies on the basis of videotapes, to envolve his essential phraseology and originaly way of visual conception. I was interested in his experimentation in the sphere of light design, costumes, movements and scenography, which had important impact on contamporary dance all over the world. I also mentioned his importance and legacy of his work and pedagogical activity.
|