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The Byzantine approach to the liturgical text setting
Christou, Marios ; Riedlbauch, Václav (advisor) ; Filas, Juraj (referee) ; Štědroň, Miloš (referee)
This thesis deals with the byzantine approach to the liturgical text setting. Since byzantine music is not well known in the Czech Republic, the first chapters of this thesis explain the rudiments of theory and notation of byzantine music while the last and main chapter deals with the issue of the byzantine "text setting technique". In order to demonstrate the principles of the byzantine composing technique the main chapter is conceived as a kind of "workshop" where these principles are applied to the Czech language, and where the procedure of text setting is described step by step. The main aspiration of this study is to prove that the byzantine approach is a very sophisticated and interesting one as well as to show that this musical language is universal and can be utilized for text setting in almost any other language than Greek.
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The Role of Music as a part of a multimedial project
Hájek, Jiří ; Kurz, Ivan (advisor) ; Filas, Juraj (referee) ; Zouhar, Vít (referee)
The dissertation thesis Role of music as a part of a multimedial project explains,
after a short introduction, the meaning of Multimediality. It explores the main
inspirational points of this topic and the development of some of its disciplines which
in the main principle work on this basis within the historical frame of Musical Arts. The
main article of this dissertation discovers the means of expression of musical part in
multimedial project and tries to produce evidence for theoretical statement using the
attached set of notographic samples. The conclusion comprises a summary of the
dissertation as a whole and recapitulates the steps taken through the research of the
given topic. The work is followed by a list of used literature.
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Kazakh national wind instruments and their utilization in music of Kazakh composers
Aitbayeva, Nargiza ; Filas, Juraj (advisor) ; Bartoň, Hanuš (referee) ; Matoušek, Vlastislav (referee)
The problem of Kazakh national wind instrument has interested me for a very long time. They reached their progress in 19 cent. Therefore in that time there was a lot of music schools founded there. The ancient tradition of playing wind instruments and their classes had become professional. But in use this section was not able to perform as solo instruments in Kazach folklor instrument orchestra. They have supported and accompanied other groups of instruments. Their structure and their devices of play were interesting for me, too. It?s really difficult to find any instruments like these, which can make more than two tones in one time. It explains the role of this instrument group as completion instruments in an orchestra. As a result they can create whole accord and make required harmony.
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Piano as an intermediate of contemporary composer
Dušek, Jan ; Bartoň, Hanuš (advisor) ; Kučera, Václav (advisor) ; Filas, Juraj (referee) ; Matějů, Zbyněk (referee)
This master´s thesis is deal with a piano and its technical possibilities. The main focus is heeding especially on techniques used in music of 20th century, its possibilities of performance and writing. In this thesis are besides orthodox techniques (playing on the keys) also non-orthodox techniques (prepared piano, playing inside of the instrument). In attachments are photos of playing certain non-orthodox techniques, on the CD its sound result.
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Compositional Problems of Concertant piano after 1950
Dušek, Jan ; Bartoň, Hanuš (advisor) ; Filas, Juraj (referee)
This bachelor?s thesis is based on idea that piano stylization elements used in concerts of second half of 20th century in the base come out of the classical and romantic periods. After briefly chapter describing a history of piano concertos with main focus on progress of often used elements, there are analysis (focused on a piano stylization) of four Czech and four world?s concertant pieces. Conclusion is a summary and a comparation of realized facts.
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Techniques of metrorhythmic structures in the works of Brno´s composers
Bednařík, Radim ; Loudová, Ivana (advisor) ; Filas, Juraj (referee) ; Šťastný, Jaroslav (referee)
This thesis analyses a metrorhythmical compositional work of Brno post war modernistic composers and their students. It focuses on theoretical organization of its kinetic component and thus gained knowledge is furthemore used for particular analysis of selected compositions. The analyses of kinetic components of selected compositions, as the main outcome of this thesis, strive to describe the influence of particular metrorhythmical and multilayered musical structures on the quality of aesthetics and thought content of these compositions of particular creative poetics.
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The use of improvisation in classical music
Košnarová, Zdeňka ; Filas, Juraj (advisor) ; Bartoň, Hanuš (referee) ; Bílý, Antonín (referee)
After a short introduction the concept of improvisation is defined and the thesis traces its development, forms and possibilities from the beginnings of music itself to the second half of the 20th century. The early beginnings of the development are captured in a brief summary. The explanation of the concept of jazz and basic types of jazz improvisation follows. The last - third - chapter deals with improvisation inartificial music of the second half of the 20th century, particularly the aleatory music and the so called improvised music. The thesis concentrates on the improvised music phenomenon in detail. Several subchapters explain the relation between improvised music and composition, space, visual arts, written scores, and the usage of traditional and nontraditional musical instruments in this music, and also form, feedback system and the improvised music reduction. The conclusion of this thesis reflects the use of improvisation in an original composition.
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