National Repository of Grey Literature 30 records found  beginprevious21 - 30  jump to record: Search took 0.00 seconds. 
Photosensitive layer and its home preparation
Krajbich, Josef ; Čihák, Martin (advisor) ; Daňhel, Jan (referee)
The work is focused on home preparation of photosensitive layer from chemical easy to access. It's an alternative recipe book for those who do not want to be dependent on the production of photographic material by commercial producers.
Notes for yong editors
Pauer, Petr ; Trajkov, Ivo (advisor) ; Daňhel, Jan (referee)
Why should one become an editor? Why should one dedicate to profession which is ?trapped? in between four walls, condemned to one small room? And, when it comes to creativity, what are the real possibilities for editor to be creative and to express her or himself? These are some of the questions raised in master thesis by Petr Pauer, called ?Notes for young editors! ?. This ?handbook? is instruction tool about process of film production and creation which tries to answer more general questions and to react to various frustrations of young and beginning filmmakers. For example: How to deal with editors? claustrophobia? How to deal with directors? self-centeredness? Where to start, when you start editing the film?. It tries also to describe the principles of editing process which aims to be compatible with viewers experience as well as editing process which serves to director?s vision. Important issue it deals with is: Where do we draw inspiration to feel and understand film, do we unconsciously recall our deepest animal instincts or we base our understanding on ?database? of all the films we saw and all the frames and pictures that our eye and brain caught before. Or, should we reject all that has been made and go for new unrevealed possibilities? Author of this work creates his own dogma, he encourage reader to so called collective filmmaking and explains what it is and how it functions. In short, a new solution would be ?In order to be editor one has to be brave enough to undergo the path of humbleness and forget the fact that he or she is an individual with a lot of complexes. Though, just relax and be happy!?
Jan Hus - A Mass for Three Dead Men
Krutská Vrbová, Kateřina ; Špaček, Radim (advisor) ; Daňhel, Jan (referee)
Jan Hus - A Mass for Three Dead Men updates the legacy of the medieval reformist priest known also as John Hus. Yet writer and director Miroslav Bambušek is film takes place in the late twentieth century and relates to history in what has been more recently known as the Eastern Bloc. Jan Hus introduces us to and advocates three individuals- Ryszard Siwiec, Oskar Brusewitz, and Graham Bamford, all three of whom set themselves on fire to protest the political regimes in which they lived, and against which they had struggled. The film makes use of Hus own theses and orations, and is in four languages, with subtitles. 76 minutes.
Work with Time - Time of Work
Špidla, Šimon ; Čihák, Martin (advisor) ; Daňhel, Jan (referee)
This work concerns the issue of deconstruction of time on its way through a lens, editing room and screening room and its reconstruction in proces of imagination. First capture tries to describe problem of cotinuous and discontinuous character of universe. Next chapters are focused on transformation of time in proces of filmmakeing and its perception in point of viev of filmmaker.
Film Notes
Jeřábková, Kateřina ; Trajkov, Ivo (advisor) ; Daňhel, Jan (referee)
Structure of time space and a system of relations. This text deals with framing, off-space, characters, audience and other elements of film structure. It is mainly about relations between these aspects.
Introduction to psychology of visual perception
Šenovský, Otakar ; Daňhel, Jan (advisor) ; Trajkov, Ivo (referee)
This bachelor theoretic work is supposed to clerify some substantial facts connected physiology and psychology of visual perception of a human being above all in relation to cinematography. I have tried analyze how actually physiology makes a human perception of a movie picture possible, in which way is a film space constituted in a spectators mind and how a movie picture leads our attention. This work proves that human ability to perceive a film space responses to the perceptions keys that people use to perception and recodnizing a reality.
The spirit of the beehive, amid history, movie and dream
Toupalová, Kristýna ; Čihák, Martin (advisor) ; Daňhel, Jan (referee)
Este texto trata de la película El espíritu de la colmena (Victor Erice, 1973) que se considera una de las mejores películas del cine espa?ol, pero, en la República Checa no es casi conocida, aquí ni existe literatura sobre ella, por lo tanto, este trabajo lleva traducciones de los textos interesantes escritos sobre ella en Espa?a. Consta de tres partes. La primera parte se ocupa detalladamente por los títulos de crédito de la película, describe su importancia para todo el relato fílmico. La segunda parte menciona los grandes cambios en el guión literal antes de empezar a rodar la película y su influencia a toda la película. La tercera parte (la más extensa) es el análisis formal y argumental de El Espíritu de la colmena. Describe el modo de trato de los personajes que conlleva el modo de trato de las relaciones espacio-temporales, describe cómo el ambiente de la postguerra está hecho de ausencias de los hechos históricos ? cómo se muestra la historia vista por un ni?o y al final cómo son las metáforas utilizadas. Uno de sus objetivos es investigar cómo se forma un mundo de una ni?a peque?a y cómo es posible que sea tan verosímil para el espectador.
Film language and film on the frontier of language
Brothánek, Adam ; Daňhel, Jan (advisor) ; Čihák, Martin (referee)
This text deals with questions about film as language system according to editing profess. In the first part are basics of language system explained. It illustrates application of linguistic discipline in film theory and practises, which is demonstrated with creative concepts of Griffith and Eisenstein. In the following it summarizes findings of film structuralism as predominant discursus in film theory and clears up questions of film grammar. Second part of the work demarcates against linguistic theories of cinema, connected mostly with fiction, narrative cinematography, and tries to point out specifically cinematographic instruments which documents with non-conventional creative approaches to film media.
Bachelor cycle Coagula
Vavrečka, Ondřej ; Daňhel, Jan (advisor) ; Bendová, Helena (referee)
Bachelor cycle Coagula is three-sided. It is consisted of text, film and graphic. The topic of piece is cinematografical process, which is regarded from four space positions and light dispositions: screen, projektor, journey of film materiál (from negative to positive), kamera (untouched reality).
Death times of the cinematography
Vrána, Tomáš ; Čihák, Martin (advisor) ; Daňhel, Jan (referee)
The study is thematically focused on the principles of narration. The possibilities of film narration are explored, especially trought structuralistic, literally-scientific theories.

National Repository of Grey Literature : 30 records found   beginprevious21 - 30  jump to record:
See also: similar author names
2 Daňhel, Jan
1 Daňhel, Jaroslav
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