|
| |
|
| |
|
|
Programming language Groovy and its effectivenss of inslusion in teaching
Daňhel, Jan ; Pecinovský, Rudolf (advisor) ; Oraný, Vladimír (referee)
Bachelor thesis deals with the programming language Groovy. The target audience should be those who want to learn more information about it, and those who want to explore the possibilities of language in relation to domain-specific languages (DSL). Work contains a general summary of the language and its inclusion in the context of programming lan-guages. The following briefly explains how to work with the language in simple examples. Main advanced features are not omitted, they are briefly described and demonstrated in the examples. The summary of advanced functions is followed by their use in domain-specific languages. Finally, it summarizes the effectiveness of the inclusion of teaching the Groovy language.
|
|
|
Memory landscape as home in films of Alain Resnais Providence and My American Uncle
Midriaková, Monika ; BENDOVÁ, Helena (advisor) ; DAŇHEL, Jan (referee)
This work analyzes the films "Providence" and "My American Uncle" directed by Alain Resnais.
It examines two different approaches to the narrator concept, discusses the montage procedures and the creation of film space. It follows in one case an "unreliable" narrator, who is a figure in the story and its co-creator. In the second case a narrator - commentator, who is outside the story, does not interfere into it, nor does he causally affect the plot in his commentary. He becomes the narrator just due to the montage. The work next discusses additional montage principles on top of which these films are build, and the work with space as a semantic element, where with the help of scenographical variations different story variants are been dealt with. The last chapter constructs a "landscape of memory" as a metaphor of the internal personal home - "safety", which Resnais' cinematography studies and doubts.
|
|
|
HOME MOVIES AND THE SIGNIFICANCE OF THE AUTHORIAL SUBJECT
Brabcová, Evženie ; DAŇHEL, Jan (advisor) ; HORNÍČEK, Jiří (referee)
The aim of this thesis is to describe the visual phenomenon of home movies and their relation to the authorial subject. The subject of home movies is introduced in the first chapters and it deals with technology and its impact on amateur film work as well as the use of technical terms and academic reflection of home movies. The aspect of the authorial subject is viewed through the works of several personalities, who represent both typical and marginal attitudes to home movies production. One of these personalities is Ludvík Šváb whose private and experimental films proved to be a source of friction, which enabled me to track down and define the genre of home movies and realize that it does not have to be viewed solely within the amateur discourse. The method of creative recycling and reinterpretation of home movies by a filmmaker Martin Ježek offers almost a transcendental perspective. The paper also presents an analysis of the means of expression in the home movies and their use within given model authorial subjects.
|
|
|
Stereoscopy in czech auteur film
Moravčíková, Darina ; PETRÁŇ, Tomáš (advisor) ; DAŇHEL, Jan (referee)
This thesis explores the contribution of the first Czech stereoscopy auteur feature film, Heart Beat 3D (2010) directed by Jan Němec, in context of the historical development of the medium and discoveries in the filed of its expressions. The thesis uses a theoretical prototype model presented by André Gaudreault and Philip Marion in their essay 'The Medium is Always Born Twice', that is an attempt to delineate the birth of a new medium in its complexity. Second part of the thesis is a film analyze which is focused on a way how the expressions of a stereoscopic medium are used in the film Heart Beat 3D.
|
|
|
Jacques Tati's universe
Tesáček, Roman ; DAŇHEL, Jan (advisor) ; DOLENSKÝ, Martin (referee)
This bachelor thesis analysis Jacques Tati's masterpiece Playtime.
It is searching, exploring and identifying its artistic instruments, technique and
whole style that creates Tati's universe. It describes how elements function, how
they are connected and how they interact with each other. All this thesis are
demonstrated on examples and illustrations. There are numbers of quotations of
great film director (Robert Bresson, Andrej Tarkovskij) whose thoughts are
closely connected to Jacques Tati's work.
|
|
|
Narrow format at eight
Procházka, Jiří ; Daňhel, Jan (advisor) ; Čihák, Martin (referee)
The topic of my thesis is 8 mm film strip with pictures. David among Goliaths. The goal is not the
rehabilitation of the smallest film material, nor is it its defense. The reason is much simpler, even
selfish. I am sick. I see only pixels, mega screens, chips, noise, aliasing, blooming. I hear only bits,
bytes, tera processors, encryptions, compressions. I feel cold and smell stench, I fear death. This
work is my therapy. It aims to reduce mental pains from cancer inducing binary system, killing the
image of light fertilized by angels. Our session consists of seven comprehensive chapters, which we
experience together. Some are lectures, others require your cooperation. We meet predecessors of
eight millimeter squirt, we will talk about his possibilities and limitations, we will compare him
with his half-brother bastard digital. We will stretch our ears to the wisest counselors from the list of
theorists and experienced practitioners. Therapeutic talk will finish with a good night story from the
highly competent author. We will not unduly deal with and dissect historical dates, names or events.
Facts are here distributed as silver in a sensitive emulsion. If you, inquisitive reader, find some bits
and pieces attractive or interesting, pick one of the books that are listed at the end. There you can
find answers to your questions. Your own search will be spiced up by more than mere list of
information which I could provide you in these lines. And if that happens, my work was not in vain.
Even I have walked that path, and perhaps under the influence of the smell of old books, under the
weight of their yellowed pages, leather bindings with gilt letters, writings in Old Czech language, I
dared to mate this language with the hairiness of my own language. Quotes are mentioned in the
original version, in case I attempt a free verse, I play with words and letters, as each can play with a
narrow format.
|
|
|
Vertikal montage in Kenneth Anger s films
Brajnik, Črt ; Daňhel, Jan (advisor) ; Čihák, Martin (referee)
In this work I will analize the creative opus of the American filmmaker Kenneth Anger, who worked from the late 40´ (his first short Fireworks dates back to the year 1947) till the present time. There are several subject which are offered to the pen of an enquiring spirit. As a matter of fact we deal with a person who developed a specific aesthetic that became a trademark for many auteurs who got inspired by his work (in reference to David Lynch and Martin Scorsese). His internal growth lead him from esoteric themes (as a follower of the Thelema sect founded by Aleister Crowley) to mundane ones, dealing with his beloved Hollywood (Babyloon), weaving a thread leading to homosexual evocations intertwined with the pop culture of the Beat generation.
|
|
|
Purkinje's roundabout
Kulka, Jan ; Daňhel, Jan (advisor) ; Doruška, Tomáš (referee)
This text represents theoretical and conceptual background of the practical bachelor project ? Magical Cabinet. This machine is a special kind of projector, which targets onto the altered states of consciousness. The main inspiration field for this project comes from the forefather of cinematography Jan Evangelista Purkyně and his experiments.
|
guest ::
RSS feed.