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Business Plan
Bezděková, Kateřina ; Bezděk, Jiří (referee) ; Rompotl, Jaroslav (advisor)
This diploma thesis deals with the development of the business plan that will serve the company's management as a basis for implement the introduction of an entirely unique service. The theoretical part deals with the problems of small and medium businesses, subjects of the national economy and the demands of the business plan. The practical part deals with the identification and analysis of the selected company, judging the possible options of implementation of the business plan, including a tipping point.
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Technology of production form - parts by forming
Bezděk, Jiří ; Císařová, Michaela (referee) ; Dvořák, Milan (advisor)
Graduation theses project elaborated within the scope of full-time study with specialization 23037002 submits the proposal of manufacture technologies for irrregularly formed component with flange by surface forming. Material is made from rust-resistant metal plate 17240 with 1mm thickness. Expected annual serie is 50.000pcs. Based on literary pilot project for deep hauling dilemma and its calculations was proposed hauling in instrument with blankholder. The hauling operation is done using hydraulic presser ZH 50 with rated power of 500kN. The drawing instruments are made from tool steel 19573 and heat treated according design doccumentation. The proposal of drawing versions was verified by simulation program Pam-Stamp.
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Literature of the solo accordion by Czech authors post 1960 and its pedagogical outcome
Dlouhý, Radek ; Bezděk, Jiří (advisor) ; Douša, Eduard (referee) ; Meisl, Jan (referee)
This dissertation work is concerned with Czech composers who composed for the solo accordion. These composers cover a range of individual generations of composition from the earliest born through to the youngest. There is a brief introduction to each composer along with their compositions for solo accordion including the characteristics of each individual composition and the circumstances of their creation. The dissertation work then presents the chronological development of Czech compositions for the solo accordion from the very beginning up to the present. It is also focuses on the teaching of the accordion within the context of the Czech education system. A very important part of this work is the evaluation of a survey conducted in the form of a questionnaire addressing teachers of the accordion at Czech conservatoires which was a probe into the current situation regarding the teaching of this instrument and the utilization of compositions for the accordion for teaching. This work should profit pedagogy of the accordion in the Czech Republic and should assist in its orientation with regards to the original literature for the accordion.
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Chamber Songs in the Production of the Group Manes for the Contemporary School Needs
Brábek, Ladislav ; Nedělka, Michal (advisor) ; Vrchotová-Pátová, Jarmila (referee) ; Bezděk, Jiří (referee)
CHARLES UNIVERSITY IN PRAGUE, FACULTY OF EDUCATION DEPARTMENT OF MUSIC EDUCATION Chamber Songs in the Production of the Group Mánes for the Contemporary School Needs Abstract of dissertation PhDr. Ladislav Brábek Prague, 2011 CONTENT content...........................................................................................................................................2 ENTRANCE.....................................................................................................................................3 MetodologY ....................................................................................................................................4 The key method of work has become general to the particular procedure. Manes Music Group present the first broad historical context, then focus on the history of Czech inter-war song works again in the broader context of the time and in light of the generational conflict with the clear victory of style-oriented modern composers. Only then, then I highlight the individual as a representative composer of chamber song works for voice with piano accompaniment, song cycle for selecting general characteristics and only one detail analytically interpret the songs chosen on the basis of the above...
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Improvisation as a musical pedagogical discipline in thepreparatio n of organists for the liturgical environment.
Steyer, Jan ; Nedělka, Michal (advisor) ; Bezděk, Jiří (referee) ; Aschenbrenner, Vít (referee)
Improvisation as a musical-pedagogical discipline in the preparation of organists for the liturgical environment. MgA. Jan Steyer Abstract The dissertation solves the issue of organ improvisation in the liturgical environment in the Czech Republic and focusing mainly on the pedagogical aspect of the topic. The first part deals with theoretical problems. Improvisation is defined, classified and put into context of psychology and history. There is also a mapping of the position of organ improvisation in the liturgy on the basis of church regulations. The second part of the work is a research about the situation among church organists in the Czech Republic. Using the questionnaire, basic data on the researched group were obtained (age, gender, general and musical education, place of organ action and information about organ liturgical practice). In addition, the research analyzes the musical theoretical and practical playing skills of church organists. There is also a finding of educational requirements of research participants and description of their own experience with organ courses and various methodological procedures in teaching improvisation. This information are very useful for pedagogical purposes. The third part of the dissertation deals with qualitative research carried out on summer courses for...
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Lyrics and music in the spiritual;Spirituals in recent form according to their lyric element, interpretation and pedagogical use
Minářová Výborná, Terezie ; Nedělka, Michal (advisor) ; Bezděk, Jiří (referee)
OF DISERTATIONAL THESIS Name and surname of author : Terezie Minářová Výborná Institution: School of Music Faculty of Education, Charles University in Prague Name of thesis: Word and music in Afroamerican spirituals - Spirituals in Their Contemporary Forms With a View to Interpretation and Pedagogical Utility Leader of the dissertational thesis: Prof. PaedDr. Michal Nedělka, Dr. No. of symbols: 512 671 No. of attachments: 5 pieces in sheet music + 5 audio pieces (at one attached CD) No. of literature items: 91 Keywords: Afroamerican spirituals, Afroamerican spiritual music, gospels/gospel songs, interpretation, pedagogical utility, slave, Christianity The dissertation work deals with the topic of Afro-American spiritual songs especially spirituals. The first part deals with the evaluation and critical attitude to the accessible Czech and foreign literature. Next part shows the moments of progress of the Afro-American spiritual music. There is also a special part explaining the definitions of certain expressions and circumstances and conditions of the progress of those songs and their changing. The work also puts accent on their influence on other types and genres of music. Then the work also pays attention to important people who did a lot for the progress and recent form of spirituals. It also...
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Different musical-theoretical concepts of harmonic function
Andělová, Aneta ; TICHÝ, Vladimír (advisor) ; BEZDĚK, Jiří (referee)
Master thesis is focused on one of the themes of musical theory, which are harmonic functions. First, it deals with the origin, general characteristics and marking of harmonic functions. In connection with the theme, mention is also made of harmonic dualism and monism. The main chapter deals first with the occurrence of the term of harmonic function in selected Czech and foreign dictionaries, it is also focused on concepts of publications and studies. Part of the thesis is a concept of its own, which is based on the analysis of period literature. Master thesis is intended to introduce the way of thinking and the concept of individual authors.
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Mapping the Musical Language of Albanian Composers in the Context of European Compositional Style
Prifti, Egli ; VIČAR, Jan (advisor) ; BEZDĚK, Jiří (referee)
This dissertation is invested in both a historical consideration of the Albanian musical culture from antiquity to modern days and an examination of specific features of Albanian modern music as depicted by the individual communicative aspects of the musical language
used by contemporary Albanian composers. From this perspective, this research work demonstrates how extensively the musical culture in this area is entangled with a variety of influences ranging from its deep cultural traditions embedded in its music folklore,
accompanied by traditional musical instruments specific of the two main geographical distributions Geg (North) and Tosk (South), to the foreign influences coming from the Albanian diaspora during the powerful social and political developments of the 19 th and 20th century in Europe, which influenced, sometimes unexpectedly and even paradoxically, the very nature of the Albanian modern music.
Methodologically, the focus of this thesis is on the stylistic analysis of selected compositions by leading contemporary Albanian composers. The examination of their compositional style and individual music language proves that, despite distinct differences
in the way they worked with their music material before the fall of Communism in 1990 and afterwards, the Albanian composers – in addition to some contemporary compositional techniques that are unique even on the international arena – constitute the dominating
influence in the Albanian national musical landscape.
Over the last three decades Albanian composers have achieved a remarkably unique style synthesis: their musical language is both original and at the same time well-integrated within the polystyle context of the postmodern direction in the European music culture.
The international achievements of several acclaimed Albanian contemporary composers also indicate the fact that, even after years of Communist isolation, the Albanian music has earned a place of its own in the international music world.
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The Artistic Contribution of the Musical Component of Libuše Kurková's Pedagogical Work in the System of Music and Movement Education
Nečasová, Jindra ; Bezděk, Jiří (advisor) ; Kodejška, Miloš (referee) ; Jenčková, Eva (referee)
The Artistic Contribution of the Musical Component of Libuše Kurková's Pedagogical Work in the System of Music and Movement Education ABSTRACT The dissertation The Artistic Contribution of the Musical Component of Libuše Kurková's Pedagogical Work in the System of Music and Movement Education is a musical theoretical and musical pedagogical reflection, dealing first of all with the compositions by contemporary Czech authors linked with Libuše Kurková's choreographies. It is a musical component of movement games, dance choreographies, book publications and methodical manuals, radio programs for children, artistic documents, etc. It highlights the typical features of Libuše Kurková's pedagogical work, its novelty and its originality. It shows that she was ahead of her time, anticipating current musical pedagogical theories and conclusions from the research in the relation between music and movement. The dissertation brings the musical analysis of Zdeněk Lukáš's unpublished manuscripts. Of course, it also focuses on published compositions of the whole musical component of Libuše Kurková's work (P. Eben, Z. Lukáš, J. N. Nardelli etc.) as well as on her colourful texts and original ideas how to use them. As has been said, the work of Libuše Kurková is a certain phenomenon of the time, and it is therefore most...
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