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Actor´s creation of character in a graduate production and in professional theater
Anděl, Matěj ; SALZMANNOVÁ, Eva (advisor) ; ŠIKTANCOVÁ, Jaroslava (referee)
This Thesis examines the issue of character creation from the actor's point of view. As each actor perceives the process of creation differently and applies his own specific methods, I made the decision to concentrate on my individual approach: Which acting techniques do I use, which problems have I encountered and how have I found solutions to individual situations. I additionally strive to identify certain perks and downsides of the acting profession within the scope of the Thesis, particularly those likely to be encountered by an aspiring actor transitioning from a student theater to a professional troupe. The practical differences of these two environments are substantial and bring along multiple complications while simultaneously presenting a crucial turning point in an actors life. The Thesis primarily draws upon my personal experiences, lesson notes and my diary kept for the duration of my studies. The work is mostly based upon my graduation role in the Disk Theater staging of Punkrock. I further examine my first major professional experiences with the Masopust o.p.s. troupe, having participated on two production, the Steadfast prince (Vytrvalý princ) and Chupacabra. I then move on to Klicpera's Theater in which I had performed as a guest for one year and subsequently have been offered a company membership. From this experience I have chosen the two most important productions: Richard III and Romeo and Juliet. This work is mainly intended for students or fresh graduates of acting studies who could possibly benefit practically from some of my experiences on their own journey through the profession.

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