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PERCEPTION OF SPACE - DIMENSIONS OF SET-UP VIEW
Vondruška, Prokop ; ŽIŽKA, Tomáš (advisor) ; MAKONJ, Karel (referee)
The thesis deals with the perception of space as in theater and in public.
It is trying to find a way how to work with the perception of space and how to bring life to the space with activators. It also explains the term "pohledovost" - (visual perfection ? set-up view) and its impact on the work in expanse. All this is explained from the feedbacks from projects, that arose during the studies from 2010 to 2013.
The thesis is divided into seven parts. The goal of this dissertation work and its impulses are explained in the first part. The second part clarifies the processes of thoughts leading to the perception of space. The third section describes the development of considerations to an activator. The fourth section describes the production, application and transformation of the activator. The fifth section deals with the perception of theatrical space and with the visual perfection. The sixth section summarizes my findings. The final chapter contains the list of used sources.
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Mobility and It´s Social Meaning
Hadravová, Kateřina ; ŽIŽKA, Tomáš (advisor) ; MATÁSEK, Petr (referee)
This thesis deals with the possibilities of scenic mobility and its social meaning especially to a group of realizators and the local community. Text is a summary of the overall creative and technical solution of projects Cantalon as a part of the festival Histeria and Roaming theater that arose during the master's program KALD department of Stage design in 2011-2012. Emphasis is given on the needs and opportunities in the development and implementation of mobile authors projects.
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THE VIEWER INTERACTING WITH AN OBJECT
Stránská, Marianna ; ŽIŽKA, Tomáš (advisor) ; TÄUBELOVÁ, Kristýna (referee)
ANNOTATION
This diploma thesis is not a scientific work or a historical research, above all it is a reflection of my own practise, my own artistic creative work aiming at a viewer interacting with an object.
Key words - spectator, object, interaction, communication, experience, practice, dream, imagination, childhood, game, collaboration, happening, installation, performance, site specific, communication game, participance, active
This diploma thesis is basically divided into three main parts: context, practice and reflection.
The first part context deals with today´s theatre form as a distinctive and irreplaceable medium, which is able to succeed in the contemporary fast-motion world of the Internet and TV. It enquires about the shape of the theatre today. In that connection I research a connection between theatre and other types of art. At the same time I bring a new type of terminology and define art, which tries to involve a spectator in a selected subject an object in an interaction with a spectator. I try to put this subject in a scientific and historical context, look for similarities in work of other artists and researching all possible forms of interaction and describe a relationship between author, spectator and work on particular examples.
The second part of the thesis confronts the previous thoughts with my own experience. It describes ideas, pieces of knowledge and observations. It illustrates the development of The Lounge of Senses project and other following projects labelled with ORBIS PICTUS or...brand. It formulates an intention and meaning of these projects from this experience.
The third part of the thesis reflection deals with the possibilities of interaction within a stage work. It returns to a theatre form with an experience from interactive expositions. It deals with symbols with which a spectator can be motivated and provoked to participate in the work process. It looks for possibilities to attract spectator´s attention. And last but not least it shows the development of such opinions on practical examples.
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Stage Design and Conceptual Art
Hudcová, Jitka ; ŽIŽKA, Tomáš (advisor) ; TÄUBELOVÁ, Kristýna (referee)
This thesis is divided in two parts. First part presents theoretical insight to the phenomenon of installation art as an artistic genre that represents the intersection of art and theatre. Individual chapters are arranged according to the type of experience that installations intermediate to the beholder. The exception is the chapter about European interwar avant-garde, in which I describe the kind of precursors of contemporary installation art. Individual examples given are chosen to adequately represent the diversity of artistic creations. Second part of the thesis consists of reflections of my own creative works.
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RECYCLING AND AUTHENTICITY OF MATERIAL IN THEATRE
Ráčková, Karolína ; SMOLÍK, Robert (advisor) ; ŽIŽKA, Tomáš (referee)
The thesis is focused on the phenomena of recycling and authenticity. At first the key terms are explained, as they are understood by the author of the thesis, and they are considered in general, as well as in the context of arts and theatre.
The following practical part is more detailed: First, the previous works of the author of the thesis are mentioned, as far as they are connected with the topic, and her long-time engagement in the given sphere is thus demonstrated. The remaining text is devoted to her work on the theme of the family: this work was similar to archaeology, and the result was finally named The House is Haunted by a Ghost. The detailed description of the whole creative process ranges from the choice of the topic, through gathering physical and non-physical material, determination of form, treatment of sound component to the final installment and its aspects. This description is made with respect to the manifestations and use of the phenomena of recycling and authenticity. The text is followed by photography documentation of the resulting installment in the appendix.
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Working in creative team versus working with directors solitaires.
Venclová, Tereza ; MATÁSEK, Petr (advisor) ; ŽIŽKA, Tomáš (referee)
In this dissertation I am concerned with my role of a stage designer in a particular creative team, whose members are: Jakub Vašíček ? director and author, Tomáš Jarkovský ? dramaturgist and author, Tereza Venclová ? stage designer, Kamil Bělohlávek ? stage designer, Ondřej Müller ? composer. In individual examples of realizations of inscenations I compare the method of working in teams and working with directors, who I call solitaires. The solitaires are: Dodo Gombár, Jiří Jelínek, Janek Jirků, Ondřej Pavelka, Ivan Ramont and Martin Tichý.
I research aspects which determine the quality of cooperation with solitaires and the team from my own experience, as well as advantages and disadvantages of working in collective.
Since I am not a theorist, I consider the creation as a focal point of my work. So that my aim is not to create a comprehensive research dealing with general rules, but to inform about how my thinking of my own creative work has been developing in the time of my studies and where I got. I believe in making a good use of this reflection in my future work.
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Theatre in Open Space
Štěpán, Jakub ; ŽIŽKA, Tomáš (advisor) ; TÄUBELOVÁ, Kristýna (referee)
In bachelor work I am presenting four theatre projects, they have one thing in common that being open space or open air. I am also looking for more things which connect my other projects which I also did at school. I am making a dictionary of foreign words and terms which are related to work in open space. Most of my work is set outside, I like to look for new locations and building my visions beyond the theater stage. Film and this world is another link to my work, I like to use film editing and visuals as a part of theater dramaturgy. Traveling (migrating) as an art style, is another link to my work, there is a lot of new technology and more when you searching and looking in other countries and meeting new people in industry.
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Picture and the framing in (non)theatrical context
Syrůčková, Klára ; ŽIŽKA, Tomáš (advisor) ; SMOLÍK, Robert (referee)
These bachelor thesis is devided to three main parts. The first one is trying to look to the subject theoretically. That´s also the main source for every definitions and keywords which were the basement for my following writing about the art painting and his frame. The next part takes some inspiration from the history of art. According to these chapter I was trying to remember what is the main inspiration from the history for me and my work. The main aim of the thesis is to discover the phenomenon of the art painting from each sides and forms. Like on the one straight line is in this work possible to see the painting, photographic and film picture next to each other. In the third part I would like to compare the dramatic picture with the other forms according to already completed projects.
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CONCEPTS OF SCENOGRAPHY AS LIMITATION OF SPACE AND SETTINGS FOR SCENIC IMPROVISATION
Straub, Mathias ; ŽIŽKA, Tomáš (advisor) ; MATÁSEK, Petr (referee)
In this work I reflect and analyse different concepts of scenography in theatre and site-specific production, that I have tried in several projects from the year 2011 to 2012. The main focus is stressed on possibilities of interaction with the audience, where spectators turn to be participants.
The reflection of following projects are item of the work:
1. PQ2011: SixActs (2011) ? Praha (CZ);
2. Kam Ústíme? ? úSTÍNADLAbem? (2012) ? Ústí nad Labem (CZ)
3. Ethno Hist(e)ria (2011) ? Gračiště (SL);
4. Česko-polský projekt (2011) - Varšava (PL);
5. Fliegerträume/Okřídlené Sny (koncept) ? Železná Ruda/Bayerisch Eisenstein (2011) (CZ/D);
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