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Recording and Processing of 3D Sound for Sound Design
Šilar, Prokop ; Rund, František (referee) ; Schimmel, Jiří (advisor)
Objective of this thesis is research of available tools for sound production of 3D and 360° video, ambisonic theory elaboration, selection and description of plug-in moduls to be used for teaching ambisonics. These ambisonic-related formats are described: A-format, B-format (FuMa), B-format (AmbiX), C-format and D-format. Loudspeaker configurations for ambisonic recordings playback are also described (loudspeaker configuration according to the ITU-R BS 775-3 recommendation and quadrophonic loudspeaker configuration). Also, these plug-in moduls are described: Sennheiser AMBEO Orbit, SoundField by Rde, Soundfield SurroundZone2, Ambisonic Toolkit for Reaper and Facebook Audio 360 Spatial Workstation. Moreover, there is described ambisonics-related work in Reaper, Cubase and Nuendo DAWs and there are demonstrational projects for work with ambisonics demonstrating basic signal operations and spatial panning of close-miked sound sources in the DAWs and plug-in modules in question. These plug-in modules and their use in DAWs in question are described in purpose of basic foundation of ambisonic-related teaching at this school with the use of instruments just available. Even theory described here can be used as teaching foundation compiling the basics of the problematics in question. Demonstrational projects made for this thesis can be used directly in the laboratory exercises.
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Recording and Processing of 3D Sound for Sound Design
Šilar, Prokop ; Rund, František (referee) ; Schimmel, Jiří (advisor)
Objective of this thesis is research of available tools for sound production of 3D and 360° video, ambisonic theory elaboration, selection and description of plug-in moduls to be used for teaching ambisonics. These ambisonic-related formats are described: A-format, B-format (FuMa), B-format (AmbiX), C-format and D-format. Loudspeaker configurations for ambisonic recordings playback are also described (loudspeaker configuration according to the ITU-R BS 775-3 recommendation and quadrophonic loudspeaker configuration). Also, these plug-in moduls are described: Sennheiser AMBEO Orbit, SoundField by Rde, Soundfield SurroundZone2, Ambisonic Toolkit for Reaper and Facebook Audio 360 Spatial Workstation. Moreover, there is described ambisonics-related work in Reaper, Cubase and Nuendo DAWs and there are demonstrational projects for work with ambisonics demonstrating basic signal operations and spatial panning of close-miked sound sources in the DAWs and plug-in modules in question. These plug-in modules and their use in DAWs in question are described in purpose of basic foundation of ambisonic-related teaching at this school with the use of instruments just available. Even theory described here can be used as teaching foundation compiling the basics of the problematics in question. Demonstrational projects made for this thesis can be used directly in the laboratory exercises.
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