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G. F. Händel and Music management in 18th Century London
Hyksová, Veronika ; Štilec, Jiří (referee)
The following text attempts to describe, in basic outlines, the phenomenon of the Italian opera and music business in the 18th century London, while focusing on its economical and organisational aspescts, which differed substantially from the Continetal practices. Georg Friedrich Haendel's personality embodies both, his experience of the Italian musical life as well as his role in creating suitable conditions fot the Italian opera in the capital city of the British Isles.
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Questions about music programmes at the Czech television
Nováková, Barbora ; Štilec, Jiří (advisor) ; Bělor, Roman (referee)
Master thesis with title "Questions about music programmes at the Czech television" discuss music, dance and drama programmes made by the Czechoslovak television - Main redaction of musical broadcasting in years 1980 - 1990 with music, dance and drama programmes, which produced Czech television - Theatre and Music Department and Producer center of art programmes (Creative group of Radim Smetana and Vítězslav Sýkora) in the years 2000 - 2005. There few poins of view. One of the most important was focused on comparison in the view of content form and content typology (concert, concert with comment, symphonic music, chamber music, brass band, jazz, rock).
Than were set against documents as ČT Statute, Idea Thematic Plan from the years
1980 - 1990 and Plan Direction from the years 1986 - 1990.
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Finland and Music Culture
Konevalová, Silvia ; Bělor, Roman (advisor) ; Štilec, Jiří (referee)
This report deals with the finnish music culture. Status of music in Finland is notable. That´s could be seen within the whole infrastructure of music field. The aim of the report is to provide a way of calling attention to the music policy statement.
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International music festival "LÍPA MUSICA"
Šulc, Marek ; Bělor, Roman (advisor) ; Štilec, Jiří (referee)
The theme of my thesis is the International Music Festival "Lípa Musica" which is held in the north of the Czech Republic since 2000. This work briefly describes a history of the city Česká Lípa, the place of most of festival´s concerts. Next is the history of music of that place and there are also described venues for all performances. During 2000 - 2007 there were organized 6 years all in all. At the begin the festival was named as a Festival of Sacred Music Česká Lípa. In the year 2007 the name was changed and the new title nowadays is the International Music Festival "Lípa Musica". The founder of this festival is Martin Prokeš. The main organizer is the music agency Trifolium and the Civic Association Arbor. The cosponsor is the City of Česká Lípa. The festival is supported by Ministry of Culture of the Czech Republic and Liberec Region. Most of means are obtained from private enterpreneurial sources. I chose this theme because of my personal collaboration with this festival since 2007.
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Conception of Modern Youth Chamber Orchestra
Trojan, Pavel ; Štilec, Jiří (advisor) ; Bělor, Roman (referee)
What the bachelor thesis is dealing with, is the position of classical music in the contemporary society with a particular focus on young generation. In the first chapter the author attempts to depict a profile of contemporary auditor by taking into the consideration sociological and statistical surveys. An outcome of survey the author made among a particular sample of young concert goers follows. This part is followed by an analysis of two momentous works of music popularization - renowned "Young People's Concert" of Leonard Bernstein and currently running project "Keeping Score" of conductor Michael Tilson Thomas. While Leonard Bernstein knew very well how to profit from advantages offered by the most modern medium of his time - television, in relation to contemporary promoters the following chapter is particularly concerned with a phenomenon of the internet and its contribution to the popularization of classical music. On the basis of an in-deep inquiry into the web pages of the world renowned orchestras, the author formulates basic principles of creating successful relationship between auditors and orchestras by the interface of web.
A final chapter presents a Summary of the reached findings with concrete ideas contrivable in a development of chamber orchestra with a special view to promotion of classical music for young generation.
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Talich chamber orchestra
Fryščáková, Alena ; Štilec, Jiří (advisor) ; Bělor, Roman (referee)
The subject of this bachelor thesis is the Talich Chamber Orchestra, which was founded in 1992 and whose art director and conductor is Jan Talich jun. The work describes and assesses the development of the Orchestra during the 16 years of its existence and emphasises its interesting dramaturgic deeds. It focuses on the issues of financing from public and private sector, on the issues of works of production at the arrangement of concerts for subscribers and on the issues of dramaturgy. The thesis encompasses also enclosures with detailed information on the dramaturgy of important concerts, with programs of concerts for subscribers from the recent concert seasons (2005?2008), a detailed list of recorded CDs, historic as well as recent program titles, the selection of logo designs sent in to the tender organized in 1998 incl. the winning logo, historic and contemporary photographs of the Orchestra as well as of Jan Talich and a selection of reviews.
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International student orchestral projects in Europe
Košťálová, Kateřina ; Bělor, Roman (advisor) ; Štilec, Jiří (referee)
This thesis describes a few of the most important international youth orchestral projects in Europe. It also lists the institutions working in the field of musical activities for young people in Europe. The thesis is divided into three chapters; in the first chapter, I have tried to map the network of the most important umbrella organizations in Europe that support youth orchestral activities, and thus help create favorable conditions for these projects to emerge and survive. The second chapter discusses particular international youth orchestras in Europe. The most notable ones are described in more detail so the readers can have a concrete idea about the way these projects function and set them into the context of common orchestra practices. In the final part, I mention some of the most influential European festivals that frequently star youth orchestras.
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The sound recording and development of it´s distribution at the turn of the 20th and 21st century
Vidomusová, Veronika ; Štilec, Jiří (advisor) ; Bělor, Roman (referee)
The Bachelor degree work consists of seven chapters, one of which addresses the phenomenon of music in virtual space; for example 'Myspace', 'Bandzone' and 'Youtube'. This work charts the progress of sound recording from its birth, through to the present day. The main issue raised in this thesis is the decrease in saleability of CDs, the reasons behind which are proposed to be:
1. The legal availability of downloadable music.
2. The increase in popularity of internet shopping.
At the same time, proposals have been made that attempt to reverse the trend in CD sales, and to innovate the manner in which they are marketed. Another example of music innovation, is the project Inkubátor, which is a corporate product of 'i-legalne.cz' and 'Bandzone.cz'. This project aims to help and support new bands, and to offer new music to a wider public audience.
So at the end it seems, people all the time try to find out something new.
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Present German Culture in Prague
Raková, Iva ; Bělor, Roman (advisor) ; Štilec, Jiří (referee)
The aim of my Bachelor Degree Project on the topic "Present German Culture in Prague" is to give an all-inclusive view of cultural activities of Czech-German cooperation in our capital city. In its content I also touch some broader problems of the interrelationship of these two countries including the most important turning points in their mutual history in the 20th century and after 1989. The legal documents generally adjusting two-sided relationships as well as contracts regulating the cooperation on the cultural division are being mentioned, too.
The foreign cultural policy in our country is in particular realized by the German Embassy in Prague, the Goethe-Institute and by the Czech-German Future Fund. This thesis, therefore, concentrates on the cultural offer and the support of the cultural cooperation in these three institutions. Furthermore, it analyses activities of other organizations and projects regarding Czech-German cultural dialogue. Concerning internet, the phenomenon of the fastest developing contemporary medium, this project also addresses to the Czech initiatives providing both, the information about the Czech-German relationship and a possibility to join the discussion, via particular web sites.
This Bachelor Degree thesis focuses not only on monitoring the cultural offer resulting from the Czech-German cooperation in Prague, but also it wants to reflect the present German cultural policy and bilateral relationships between Czech Republic and Germany.
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