|
|
Emotions in experimental animation
Nováčková, Jana Kristýna ; DĚCKÁ, Eliška (advisor) ; ČIHAŘOVÁ, Libuše (referee)
This work deals with the relation of emotions to contemporary experimental animation. It engages in the emotional experience of a viewer to non-narrative film storytelling and its means of expression.
At the same time, it examines what the creative processes and attitudes of filmmakers towards emotions in experimental animation are. Analysis of the questionnaires also reveals whether the creator counts on the viewer's specific interpretation of the film.
|
|
|
Intuition in creative process of animation movie
Nováčková, Jana Kristýna ; DĚCKÁ, Eliška (advisor) ; ČIHAŘOVÁ, Libuše (referee)
This work deals with the relation of emotions to contemporary experimental animation. It engages in the emotional experience of a viewer to non-narrative film storytelling and its means of expression.
At the same time, it examines what the creative processes and attitudes of filmmakers towards emotions in experimental animation are. Analysis of the questionnaires also reveals whether the creator counts on the viewer's specific interpretation of the film.
|
|
|
The Advantages of team work in animated films
Karhánková, Kateřina ; ČIHAŘOVÁ, Libuše (advisor) ; PODHRADSKÝ, Michal (referee)
I focus on possibilities of teamwork in animated films in my thesis. This work includes the overview of general specifications of animated films, the difference of authorial and team approach with all their positive and negative aspects. This thesis introduces the basic theories of teamwork and their possible applications to reach better results in the process of animation. These principles are summed up in the director's final personal assesment, including experience gained during the development of her undergraduate animated film.
|
|
|
Vecernicek - czech phenomen
Římánková, Jitka ; Čihařová, Libuše (advisor) ; Zvěřina, Miloš (referee)
My bachelor´s paper is dedicated to the childrens TV serial ?the bedtime story?. This show has a tradition of fourty years now and has influenced several generations of TV viewers. In this paper I´m looking for answers like why it became so popular and what different it is from the mainstream serial production abroad. I´m focusing on the content and the dramaturgy. I´m trying to study the matter from the lookers and the creators point of view as well. In this paper I follow the whole serials characteristic, the script editors work ? which is the most important profession on a bedtime story production, and a short roundup of the serial plus its key-signatures. Next I´m writing about serials which most influenced the ?bedtime storys? form itself (so the best known and most favourite) and also the curiosityes which apeared in the show by being influenced by production from abroad. The final chapter looks up the curent situation on the show and offers a picture of how the show might develop in the future. This paper was written as my own reflection to the show, also I tried to analyse it from a childrens viewpoint.
|
guest ::
