National Repository of Grey Literature 2 records found  Search took 0.01 seconds. 
Depiction of Apollo on Baroque Ceiling Painting
Ungrová, Eva ; Oulíková, Petra (advisor) ; Vymazalová, Marie (referee)
The Depiction of Apollo on Baroque murals The theme of the diploma thesis is the depiction of Apollo in Baroque frescoes. The figure of the antique God of Sun appears in our country most often in Baroque residences in several different themes. Apollo with his sun chariot is closely connected with the solar theme - due to its location in space, it refers us to the daily cyclicality. Apollo with his sun chariot, same as Aurora symbolizes an allegory of the arrival of a new day. We most often find this theme in halls and staircases, but also in Sala terrena. Specific examples can be seen, for example, in Náměšť nad Oslavou, where Apollo announces a new day, or in Slavkov u Brna where we find several paintings connected with daily cyclicality, and in the Sale terrain in Děčín as an example of outdoor decoration. Some rulers also identified with the god Apollo, so his figure is also present in some frescoes celebrating his client. We meet such an example in the Clam-Gallas Palace in Prague or in the Hall of the Ancestors of the chateau in Vranov nad Dyjí. Apollo with the Muses presents a celebration of art. In our country, for example, at the chateau Nové Město nad Metují, but also in the Prague Klementinum in a baroque library hall, where Apollo is on a side fresco on Mount Parnassus. Apollo often...
Carlo Innocenzo Carlone and the painting decoration of the Clam-Gallas Palace in Prague
Ungrová, Eva ; Oulíková, Petra (advisor) ; Pučalík, Marek (referee)
The bachelor thesis deals mainly with the painting decoration of the Clam-Gallas palace in Husova street in Prague, painted by Carlo Innocenzo Carlone. Particular attention is paid to painting on the main staircase, the subject of which is Apollo's triumph. In the introductory chapters, we will learn about the history of the Clam-Gallas Palace and its buyers. In the next part I deal with the description of the building, whose decoration is connected with ancient mythology and which was made by Matyáš Bernard Braun or Santino Bossi. The main work is the iconological and iconographic analysis of the paintings by Carl Innocenzo Carlone and their inclusion in the wider European context.

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