National Repository of Grey Literature 7 records found  Search took 0.01 seconds. 
Quartets without harmonic instrument in present-day jazz
Kyncl, Jan ; HONZÁK, Jaromír (advisor) ; SOUKUP, Luboš (referee)
The main goal of this thesis is to describe the history and significance of one of the less usual band settings that has appeared within the tradition of jazz music – two wind instruments, double bass and drums. In addition to the historic overview of this particular band setting, it‘s main protagonists will be listed as well as their major works and achievements. Emphasis will be put on the contemporary jazz scene, both European and American. In the practical part of this thesis transcriptions of selected works will be presented and analyzed.
Philly Joes Jones as a leader on records between the years 1958 - 1968
Dundrová, Lenka ; SOUKUP, Luboš (advisor) ; HONZÁK, Jaromír (referee)
The topic of the thesis is about a personal life and musical career of a great drummer Philly Joe Jones, who has become a crucial person of the jazz era. The goal of this thesis is to understand his drumming language and to find out how successful he was as a band leader. First part of the thesis describes his personal life and music development. At the second part of thesis we can find the list of recordings that he made as a leader between the years 1958 – 1968. There are also listed particular transcriptions of his drum solos, which were analysed. As a result of the thesis is that the recordings of him as a leader are not significant, but his drumming language is unique. Rudimental drumming and licks of Philly Joe Jones and licks are still alive nowadays.
JAZZ QUARTETS WITHOUT HARMONIC INSTRUMENT DEVELOPMENT AND TRANSFORMATIONS FROM THE SECOND HALF OF THE 20th CENTURY TO THE PRESENT TIME
Kalfus, Petr ; SLAVÍK, Jiří (advisor) ; SOUKUP, Luboš (referee)
The aim of this diploma thesis is to describe and map the development of the phenomenon of a jazz quartet not containing a harmonic instrument and consisting of two wind instruments, a double bass, and drums from its beginnings in the second half of the 20th century to present day. My second goal is to point out historic transformations of style and changes in the roles of individual instruments from the point of view of composition on the one hand and interpretation and interaction within the band on the other. The practical section of the thesis demonstrates these transformations by showing specific examples in transcriptions. The last but not least of my objectives is to describe how this format reflects in my own musical activities and my personal techniques of both composition and interpretation.
BREATH AND EMBOUCHURE EXERCISES FOR SAXOPHONE
Rajnošek, Bharata ; SLOVÁČEK, Antonín (advisor) ; SOUKUP, Luboš (referee)
This thesis called Breath and Embouchure Exercises for Saxophone deals with the methodology of teaching techniques on the saxophone in a broader sense of all influences on tone creation. It begins with physical posture, continues with basic breathing techniques and only after their expected mastering proceeds to special techniques, which allow mastering of embouchure techniques and habits. This thesis follows and complements the publication of David Liebman: How to Play the Saxophone. The author goes more in depth where Liebman is too brief. He is not satisfied with just enumerating playing techniques but tries a view from the other side - from quality-aesthetic requirements to individual exercises. The focus of the thesis is to develop of a comprehensive system of exercises that leads those concerned through individual successive steps towards the ideal mastery of the tone creation technology. The aim is to provide reassurance to seekers on their way. The author as a teacher makes his proven system available also for other students.
Marc as a feed additive for fattening pigs
SOUKUP, Luboš
Krmné aditivum z výlisků vinné révy a jejich vliv na výkrmnost prasat a zdravotní stav.
Postavení Kooperativy na českém pojistném trhu
Soukup, Luboš ; Daňhel, Jaroslav (advisor)
Od roku 2001 do roku 2005 Kooperativa každý rok převzala buď určitou část pojistného kmene od nějaké pojišťovny nebo dokonce pojišťovnu celou, to je případ České podnikatelské pojišťovny. Kopíruje tedy chování velkých evropských společností, které provádí aktivní akviziční politiku a snaží se skupovat ostatní společnosti a rozšiřovat tím svůj majetek, vliv a hlavně podíl na trhu. Při těchto jejích prvních obchodem probíhaly spekulace o tom, že za rozhodnutím o tomto rozšiřování vlivu stojí její hlavní akcionář rakouská pojišťovna Wiener Stadtische, což se postupem času také potvrdilo. Nyní je Kooperativa jedním z významných členů koncernu Vienna Insurance Group. Od začátku roku 2006 vystupuje koncern Wiener Städtische pod zastřešující značkou Vienna Insurance Group. VIG s předepsaným pojistným ve výši zhruba 6,1 mld. eur je vedoucí rakouskou pojišťovací skupinou v zemích střední a východní Evropy a v porovnání s ostatními mezinárodními pojišťovacími koncerny zaujímá v těchto zemích druhé místo.

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