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Forming the Branch Nomenclature of Folf Costume
Dědovský, Daniel ; Štěpánová, Irena (advisor) ; Petráňová, Lydie (referee) ; Křížová, Alena (referee)
The folk costume, including its revitalized forms, is one of the most significant and simultaneously one of the most studied categories in the research of european folk culture. This research project is focused on reflections of the branch nomenclature of folk costume in the context of ethnological methodology with consideration of museological aspects and above all the history and development of the branch in its relevant european schools, streams and centers. The work is based on comparative communication of the author with less or more important characters in the branch (or closely connected) who were oriented on research of the folk costume cathegory or widely of the material culture, mostly through their professional texts. The contemporary researchers, whose work is not finished yet, are not evaluated in this work by intention, but their work and thoughts are reflected strongly as an important inspiration source of the presented dissertation. The primary goal of this project is not only observation and study the terminology and methodology for technical processing of the ethnological cathegory of folk costume, but also the research of the history of this branch underpinning its fundamental as well as less important aspects in the european international context.
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Disappearing "Bedouin" jewel: typology and field research
Sodomková, Miroslava ; Vrhel, František (advisor) ; Křížová, Alena (referee) ; Jiroušková, Jana (referee)
The thesis does not include an abstract in English The thesis does not include an abstract in EnglishThe thesis does not include an abstract in English The thesis does not include an abstract in English The thesis does not include an abstract in English The thesis does not include an abstract in English The thesis does not include an abstract in English The thesis does not include an abstract in English The thesis does not include an abstract in English
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Beadwork applications on traditional textiles
Tormyševa, Julija ; Štěpánová, Irena (advisor) ; Křížová, Alena (referee) ; Dědovský, Daniel (referee)
This research is devoted to beadwork applications on tradition textiles of definite regions of Bohemia and Moravia. The aim of the study is determination of significance of beadwork decoration in the traditional costume in final stage of tradition culture existence. Specificity of development of beadwork, requirements, and regional types are central subjects of this research. The thesis contains studies of relationship between glass technology development and circulation of glass beads in rural area. Impacts of cosmopolitan fashion tendencies on traditional costume, change of functions of beads in traditional dress are also considered. This research covers the period from second half of 19 sentries to first half of 20 centuries (interwar period). Key words: application, beads, beadwork applications, decoration, glass beads, seed beads, tradition costume, tradition textile.
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A Landscape with Furniture. Designs, plans, and buildings of Jan E. Koula (1896-1975) and his notion of a "people's dwelling".
Suchomelová, Marcela ; Lahoda, Vojtěch (advisor) ; Czumalo, Vladimír (referee) ; Křížová, Alena (referee)
A Landscape with Furniture. Designs, plans, and buildings of Jan E. Koula (1896-1975) and his notion of a "people's dwelling". Marcela Suchomelová Abstract (EN) The thesis focuses on the professional and personal course of life of a Prague architect, designer, painter, documentarian, teacher, theoretician and editor of specialized magazines on architecture and housing culture in the interwar and the onset war era and in line with the avant-garde thinking. Nowadays, the theoretical and artistic legacy of Jan E. Koula (1896-1975) is seen in his remarkable ability to popularize ethics and aesthetic in the contemporary housing culture, and in his capability of pragmatic characterization, evaluation and promotion of modern style of living. He was very consistent and unceasing in doing so, while having the model of Le Corbusier's functionalist purism in mind. An analysis of the then publications, archival documents and Koula's autobiography allowed us to compare his singular interventions in architecture and design as well as the interior housing or exhibition concepts, not to mention the circumstances of their origin and ideological contribution in the plurality of activities, interests, and the social and cultural background of the period between 1920' and 1940'. Jan E. Koula dealt with the issue of housing...
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Forming the Branch Nomenclature of Folf Costume
Dědovský, Daniel ; Štěpánová, Irena (advisor) ; Petráňová, Lydie (referee) ; Křížová, Alena (referee)
The folk costume, including its revitalized forms, is one of the most significant and simultaneously one of the most studied categories in the research of european folk culture. This research project is focused on reflections of the branch nomenclature of folk costume in the context of ethnological methodology with consideration of museological aspects and above all the history and development of the branch in its relevant european schools, streams and centers. The work is based on comparative communication of the author with less or more important characters in the branch (or closely connected) who were oriented on research of the folk costume cathegory or widely of the material culture, mostly through their professional texts. The contemporary researchers, whose work is not finished yet, are not evaluated in this work by intention, but their work and thoughts are reflected strongly as an important inspiration source of the presented dissertation. The primary goal of this project is not only observation and study the terminology and methodology for technical processing of the ethnological cathegory of folk costume, but also the research of the history of this branch underpinning its fundamental as well as less important aspects in the european international context.
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Japanese art of lacquer and its European imitations deposited in Czech collections
Suchomel, Filip ; Horyna, Martin (advisor) ; Křížová, Alena (referee) ; Lomová, Olga (referee)
The examples of Asian paints can be found in many European museums and galleries than one in a castle or chateau art collection. Find a job here in China, Korea, Japan, but also Thailand, Cambodia, Laos or Burma or even their European imitations. Although over the centuries, originated many variety of local skills in various areas of Asia, the oldest documented lacquer work is likely to come from the Číny.1 Lak there was known in the Neolithic period, and therefore its processing technology is one of the oldest crafts an adopted the Far East. Already this year, people knew the basic benefits - protection against premature destruction of course due to weather conditions and the antiseptic abilities. Another important positive aspect is its adhesive coating capability, which benefited from the repair of damaged items. Later it was discovered another unique advantage of this technique, which consisted of an enormous amount of technological variations, which have predominated in the decoration of the medium.
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Anotnín Karč - chaser and jeweller 1879-1952
Horáková, Ilona ; Křížová, Alena (referee) ; Prahl, Roman (advisor)
The introduction summarizes all existing sources dealing with Antonín Karč, and it is followed by the first chapter (Epoch and Education) explaining historical background and styles that influenced Antonín Karč' s works from the period 1900-1940. As Antonín Karč's jewellery works from the period after 1908 are closely connected with the Secondary Art School in Turnov, the second chapter (Turnov and the Secondary Art School for Grinding, Precious Stones Engraving and Goldsmithry) describes the establishing of the school and its history until 1940. The school was established in order to support the grinding industry in Turnov. Soon after, goldsmithry was added to processing and engraving of gems. Bohemian gamet belonged to traditiona1 raw materials of the region around Turnov, and development of Bohemian gamet jewellery is closely related to the Art School in Turnov; Antonín Karč also designed jewels with Bohemian garnets. In 1911 his design drafts were incorporated into the pattern templates collection of the Secondary Art School in Turnov. After 1930 he participated in development of contemporary gamet grindings and jewels containing Bohemian garnets distinctive through a combination of a plain strip ornament and a gold area. Therefore, one of this chapter' s sections summarizes the aims of the school after...
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Disappearing "Bedouin" jewel: typology and field research
Sodomková, Miroslava ; Vrhel, František (advisor) ; Křížová, Alena (referee) ; Jiroušková, Jana (referee)
The thesis does not include an abstract in English The thesis does not include an abstract in EnglishThe thesis does not include an abstract in English The thesis does not include an abstract in English The thesis does not include an abstract in English The thesis does not include an abstract in English The thesis does not include an abstract in English The thesis does not include an abstract in English The thesis does not include an abstract in English
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