Home > Search Results: Hrábek, Šimon
Search:
 
Search Tips :: Simple Search
Search collections:
Sort by: Display results: Output format:
National Repository of Grey Literature 2 records found  Search took 0.00 seconds. 
Concordances of Song Part of a Convolut CZ-Ps, DA III 17 within the Sources from 15th to 17th Centuries
 Hrábek, Šimon ; Baťa, Jan (advisor) ; Ciglbauer, Jan (referee)
The following thesis is basically an edition of one particular part of the Strahov convolute CZ- Pst, Ms. DA III 17 called the "song section". Majority of its repertoire are songs, yet it isn't standard monothematic section, but rather collection of various relics. The other crucial aspect of the following thesis is the table of concordances and it also contains several chapters focused on the DA III 17 manuscript itself and on three particular pieces: cantiones Pulcherrima rosa, Jesus Christus dum cernitur and trophus Alle- Domina, flos virginalis as well. Other remaining compositions are also shortly commented. The main goal of the thesis is to open up this repertoire for wider spectrum of reaserchers and musicians. And last but not least to add some new informations about this still insufficiently processed musical material.
Detailed record
Song part of a convolut CZ-Ps, DA III 17
 Hrábek, Šimon ; Baťa, Jan (advisor) ; Hlávková, Lenka (referee)
This bachelor thesis named "Song part of a convolut CZ-Ps, DA III 17" discuss a manuscript signed as DA III 17 and stored in library of Královská kanonie premonstrátů on Strahov. This manuscript has been for a long time almost ignored by musicological literature. The main point of this thesis is a codicological description of the manuscript, which is often refered incorrectly as missal ("Missale Pragense") and also introduction of its repertoire. The repertoire consists of hymns and also contain a number of religious unliturgical songs - in Latin (refered as cantio) and in Czech. Another significant point of this thesis is presentation of the song Jesus Christus nostra salus. The song is used for demonstration of general aspects of the development of the cantio genre. Jesus Christus nostra salus occurs in DA III 17 as a very special and unique variant. This circumstances lead to the last point - setting the DA III 17 variant of the song to the context of its genesis.
Detailed record

Interested in being notified about new results for this query?
Subscribe to the RSS feed.
Digital Repository :: Search :: Submit :: Personalize :: Help
Powered by Invenio v1.1.2
Maintained by admin.invenio@techlib.cz
This site is also available in the following languages:
Česky  English