National Repository of Grey Literature 4 records found  Search took 0.00 seconds. 
Choral works of Petr Eben focused on ancient themes
Kladas, Solon ; Pecháček, Stanislav (advisor) ; Nedělka, Michal (referee) ; Holubec, Jiří (referee)
Title: CHORAL WORKS PETR EBEN FOCUSED ON ANCIENT THEMES Author: Mgr. Solon Kladas Department: Music Department Supervisor: Prof. PhDr. Stanislav Pecháček, Ph.D. Abstract: In his thesis, the author deals with the life and work of one of the most important contemporary Czech composer Petr Eben. It monitors the whole choral and vocal- instrumental works from the beginning to the last period of his compositional work, it presents the last information about the lately composer's life and focuses on choral works, written on the ancient Greek text. The first chapter offers a brief description of the author's life, essential genealogy, his teachers and the first steps in the field of music. Furthermore there is a reference to musical education and family of the composer and also to his sojourns abroad. Another part is devoted to Eben's sources of inspiration, which the author himself finds in Christianity, antiquity, Gregorian chant, folk songs, classical and living languages, poetry, organ as a royal instrument or in the relationship to children. The following chapters contain on one side chronological overview of the Eben's choral work for all types of choirs (male, female, mixed and children's choirs) and on the other side the Eben's vocal instrumental compositions (cantatas, oratorios and sacred choral...
Requiem as a musical form and it's transformations in themusic of nineteenth and twentieth centuries
Gonata, Elena ; Pecháček, Stanislav (advisor) ; Holubec, Jiří (referee) ; Valášek, Marek (referee)
In this thesis, the evolution of the Requiem Mass throughout the centuries has been explored. The evidence provided clearly demonstrates the changes that the Requiem mass has gone through, from the first traditional Requiem mass all the way to the new Requiems of the Contemporary era. While early composers were inspired by religion, over time, a clear shift towards freedom of expression (war, human losses, tragic events) is evident. Requiems can be written for liturgical use and concert halls, and can be performed by choirs, soloists and orchestras (Acapella and Orchestral compositions). Requiems can have both short and long durations, and can have different textures (polyphonic style, homophonic style etc.). The traditional Latin language and religious texts are still widely used, however, there have been many changes throughout the centuries, such as the use of translations into different languages, the use of psalms, bible verses, poetry and famous speeches. Today, a large number of Requiems can be found from composers on a worldwide scale, including America, Europe and Great Britain.
Choral works of Petr Eben focused on ancient themes
Kladas, Solon ; Pecháček, Stanislav (advisor) ; Nedělka, Michal (referee) ; Holubec, Jiří (referee)
Title: CHORAL WORKS PETR EBEN FOCUSED ON ANCIENT THEMES Author: Mgr. Solon Kladas Department: Music Department Supervisor: Prof. PhDr. Stanislav Pecháček, Ph.D. Abstract: In his thesis, the author deals with the life and work of one of the most important contemporary Czech composer Petr Eben. It monitors the whole choral and vocal- instrumental works from the beginning to the last period of his compositional work, it presents the last information about the lately composer's life and focuses on choral works, written on the ancient Greek text. The first chapter offers a brief description of the author's life, essential genealogy, his teachers and the first steps in the field of music. Furthermore there is a reference to musical education and family of the composer and also to his sojourns abroad. Another part is devoted to Eben's sources of inspiration, which the author himself finds in Christianity, antiquity, Gregorian chant, folk songs, classical and living languages, poetry, organ as a royal instrument or in the relationship to children. The following chapters contain on one side chronological overview of the Eben's choral work for all types of choirs (male, female, mixed and children's choirs) and on the other side the Eben's vocal instrumental compositions (cantatas, oratorios and sacred choral...

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