National Repository of Grey Literature 21 records found  1 - 10nextend  jump to record: Search took 0.00 seconds. 
Secretiveness and processuality of the Game
Skořepová, Kateřina ; Chavalka, Jakub (advisor) ; Petříčková, Taťána (referee)
Kateřina Skořepová Předmětnost a procesualita hry, Praha 2018 ANNOTATION The idea of a game as a limited space used mainly for fun, leisure or a purposeful instrument is quite limited. From this definition of the vast phenomena of games and play, it is impossible to recognize what else playfulness can offer. By differentiating the subject of the game from the gaming process itself, allows perceiving the general concept of game in a new light. Such a deviation from the generally accepted interpretation of what game is and what playing is, enables the perception of playfulness as a principle in the same way as Greek and modern philosophers described the principle of being. Utilizing this new view we can change the perception of values in everyday life and transform the way we perceive own being. KEY WORDS Game, play, processuality, paidia, world, being
Photography as a Representation
Vřeťonko, Barbora ; Novák, Aleš (advisor) ; Petříčková, Taťána (referee)
Barbora Vřeťonko PHOTOGRAPHY AS A REPRESENTATION Photography, although it is technology, is also an idea that implies a specific interpretation of a 'representation'. If there is photography, the world becomes photogenic and therefore it is possible to possess the world in the way of photography. That also requires a network of photographic terms. Reality is ineliminable in photography, we are moving between an image as representation and an image as the "reality." According to Maurice Merleau-Ponty the image is reversing invisible into visible. Photography, in contrary, is reversing visible into visible and so it is a special kind of zero degree image. This thesis will discuss the problems of the existence of photography as a created visual medium. Later it will focus on the relationship between photography and reality, photography and the possibility or impossibility of representation and then, in particular, the relationship between photography and a viewer. The research will take place in a discourse of the contemporary philosophical thinking as it is presented by Miroslav Petricek's book Myšlení obrazem (Thinking by the Images). The main thesis we will develop in this context is a definition of photography as the futile desire to see something as itself and now.

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