Academy of Performing Arts in Prague

Academy of Performing Arts in Prague 4,303 records found  previous11 - 20nextend  jump to record: Search took 0.00 seconds. 
The Personality Of Miloslav Kabelac And His Sonatina For Oboe And Piano
Trnčíková, Barbora ; SEQUARDTOVÁ, Liběna (advisor) ; MIHULE, Jiří (referee)
This thesis follows the life of the Czech composer of the twentieth century, Miloslav Kabeláč, with special focus on his Sonatina for Oboe and Piano op. 24. The aim is to shed light on the grim fate of a signifiant Czech symphonist, whose music was silenced during both the World War II and the communist era in Czechoslovakia. An analysis of Sonatina for Oboe and Piano has been performed and included in order to increase the general awareness of this piece and to help other interprets better understand it and study it more thoroughly.
Organization and dramaturgy of leading jazz festivals in Czech republic
Pohlreichová, Tereza ; BĚLOR, Roman (advisor) ; ŠTILEC, Jiří (referee)
The main theme of this bachelor’s thesis is organization and dramaturgy of leading jazz festivals in the Czech republic. The first chapter of this thesis briefly talks about the history of jazz in our area, the second one includes an overview of main Czech jazz festivals. The third chapter focuses on economic situation and mainly the dramaturgy of three well-known Czech jazz festivals and its development in last five years. The last chapter deals with the meaning of local festivals for Czech jazz scene, from both domestic and international viewpoint. Sources used for this thesis were mainly documents provided by festivals this thesis is focused on and also interviews and correspondence with the directors of the forementioned festivals and active jazz players as well.
Further Education of Dance Teachers of Primary Art Schools
Sikorová, Ivana ; LÖSSL, Jiří (advisor) ; ELIÁŠOVÁ, Bohumíra (referee)
The aim of the thesis is to map out the interest of dance teachers in further education through a questionnaire survey. Specially about pedagogue of the dance department Primary Art Schools (TO ZUŠ) which are operating in the Central Bohemia region and Prague in 2014 - 2017. Respondents' answers are summarized in two thematic areas, one is a pedagogue profile, the other one is an interest in further education including awareness. For an overview of possibilities for further education in the years 2014 - 2017, there is a summary of seminars and dance workshops of selected Prague institutions - NIDV, NIPOS-ARTAMA, SE.S.TA and HAMU. A brighter idea brings out the description and course of two specific education seminars. In addition, the work defines the requirements for teachers of TO ZUŠ and represents the Framework Educational Program for Primary Art Schools (RVP ZUV).
Juggling as a dramatic language
Blaha, Lukas ; JARCHOVSKÝ, Adam (advisor) ; CAPKO, Štefan (referee)
This thesis deals with juggling and ultimately its scenic potential for dramatic creation and communication. Firstly, I will help define the term “juggling” by delving into its history in the traditional circus, its development in contemporary circus, and its current position in dramatic art. For a more precise and specific exposition of modern juggling and its styles I will analyse and compare the work of three Czech and foreign contemporary juggling groups.
Freelance dance artist in contemporary dance in Prague
Rokoszová, Barbora ; MACHOVÁ, Daniela (advisor) ; GREMLICOVÁ, Dorota (referee)
The bachelor’s thesis deals with turning milestones in career of a freelance dance artist in contempotrary dance in Prague. The aim of the thesis is to point to conditions in which the dancers nowadays are and how they are dealing with them. In the first part of the thesis, theoretical solutions, which relate to the given problems, are briefly explained. Via an analysis of documents and in-depth interviews, the second part of the thesis presents an overview of a career of a freelance dance artist. It describes crucial topics such as career of a dance artist, legislation and financial sphere of freelance dance artists. The thesis is enriched with quotations from respondents who, in fact, are experts on the topic and they practically confirm the theory.
Referentiality and self-reflexivity in the works of Edgar Wright
Podmanický, Jakub ; BENDOVÁ, Helena (advisor) ; DORUŠKA, Tomáš (referee)
Bachelor thesis discusses elements of referentiality and self-reflexivity in the works of English comedy director Edgar Wright. By comparing his amateur, television and feature films it explores the transformation of Wright’s regard to referenced pretexts and their influence on his own work. The thesis also focuses on self-reflexive techniques of Wright’s films and their effect on the spectator.
THE MOST IMPORTANT AUTHORS OF CLARINET ETUDES AND INSTRUCTIVE LITERATURE
Pátek, Matěj ; HLAVÁČ, Jiří (advisor) ; VENYŠ, Irvin (referee)
In my bachelor’s thesis, I introduce and subsequently compare six important publications of clarinet instructive literature and their authors, and focus on general problems of practising and performing clarinet etudes. The first chapter answers the question what is an etude, and contemplates the meaning and means of etude practice. Second chapter briefly introduces selected authors (Cavallini, Jeanjean, Stark, Jettel, Zítek and Žebera), discusses their background and one particular work by each of them. Third chapter offers a comparison of the six selected works based on different aspects of clarinet performance and instructional purposes. The selection of authors and pieces – a subjective basis of this thesis to some extent – finds objectivity through analysis and comparative method. The output of the thesis is mainly didactic and informative.
Mieczysław Karłowicz and his violin concerto
Papež, Ondřej ; ŠTRAUS, Ivan (advisor) ; PAZDERA, Jindřich (referee)
This bachelor’s thesis adresses the topic called „Mieczysław Karłowicz and his violin concerto“. As a method it uses analysis of collected data from historical sources and editions of sheet music. In its first chapter it summarizes the life and work of Mieczysław Karłowicz, adresses his style of musical expression and lists some of his main musical inspirations. The second chapter describes the circumstances of the concerto’s creation and brings an overview of sheet music editions and recordings. The following third chapter includes the formal and harmonical analysis of the violin concerto, with many supplementary examples from the scores. The last fourth chapter closes the topic with an analysis of the most challenging technical problems of the solo part, which are demonstrated by additional examples from sheet music editions by I. Dubiska, G. Barinova and A. Cofalik.
Jean Sibelius: life and work, 2 versions of concerto op. 47
Mori, Václav ; ČEPICKÝ, Leoš (advisor) ; Ježek, Štěpán (referee)
This bachelor thesis is about the most significant music composer of Finland – Jean Sibelius, about his life since childhood till his death. It documents his work, also describes the circumstances of making his only violin concert, which was created in two versions, which are also compared here.
BRAHMS VIOLIN CONCERTO D MAJOR - COMPARISION OF PERFORMANCES
Bačovský, Tomáš ; MATOUŠEK, Bohuslav (advisor) ; ČEPICKÝ, Leoš (referee)
The bachelor ́s thesis is focused on music details in Brahms ́s violin concerto D major. The thesis describes differences between chosen performances and gives information about creation of details. The thesis is divided into 4 main chapters. The first and the second chapters are about biographies. The first chapter is dedicated to Brahms ́s life in period of composing the concerto. In the second chapter you can find artist ́s biographies. The third chapter describes musical form of the concerto. The fourth chapter deals with the main topic of the bachelor ́s thesis – comparing of performances.

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