Realita a postmodernismus ve hrách Marka Ravenhilla

Krejčí, Patrik

Thesis Abstract The thesis aims to explore how Mark Ravenhill's plays engage with postmodern themes and techniques, while tracking the development of associated experimental tendencies. This development cannot be accurately perceived chronologically, therefore what the thesis does instead is to group connected phenomena thematically, while making sure to stress the gradation that is perceptible over the course of Ravenhill's career. To achieve such a goal, several plays have been selected and arranged based on their focus and the level of experimentation present within them. The plays of principal importance are: Shopping and Fucking (1996), Some Explicit Polaroids (1999), Faust (Faust Is Dead) (1997), Handbag (1998), Mother Clap's Molly House (2001), Product (2005), Pool (No Water) (2006) and The Experiment (2010). The first three listed plays are not formally experimental themselves, yet they instead provide a sound theoretical background for the close reading of the remaining plays. This includes especially Ravenhill's treatment of the concept of postmodernity and its social impact. The analysis of the other, generally younger plays pursues the practical application of the insight gained in the introductory plays. Hence, what is theoretically implied at first is applied not only thematically, but...

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